Read Like A Writer: What Analytical Reading Can Teach Us
When it comes to reading, most of us look at it as a passive activity, but as writers’ more than our imagination should be engaged while reading. Once you learn to read as a writer, it will kind of demystify and disenchant reading for you, but at some point, if you want to get good at your craft and specifically, your genre, you’re going to have to learn to read like a writer and not just a reader. This blog post was written to help you actively move towards your goal of becoming a better writer by becoming increasingly more cognizant of the standard practice in novel writing.
So, How Do You Read Like A Writer?
Of course, it will vary depending on the genre, story, and your experience with reading, but the elements are typically the same. First, you will obviously be taking a more active and analytical approach to reading than just for research or entertainment purposes. Second, you’ll notice parts of the story as pieces rather than the big picture or overarching themes. Third, you’ll understand how everything comes together and you’ll be able to pick out certain things in one story that appear in other stories.
Story Structures and Story Beats
You can read about story structure formally—reading craft books, watching videos, following industry guides, or studying beat sheets—or it can be informal such as with movies and tv shows. After you understand the three-act-story-structure, you will become more aware of its uses in fiction across multiple genres.
Most stories are based off the three-act-story-structure. Try saying that five times fast—whew! I won’t go into too much detail about it because I have an extensive stack of freebies that discuss this topic at great lengths. However, I will say that this method of organizing and outlining story beats appears in almost every fiction novel/series and follows almost always the same format.
Check out my in-depth series on the three-act story structure here.
Whether it is informally or formally, you begin to learn the different parts of the story. As you are reading, notate these different story beats and decide if you like an author’s particular style or method in crafting these story beats. What you will notice is not only how the parts of the story work together, but where these story beats occur and when. Understanding where the parts of a story take place is incredibly important in crafting a well-paced story with just the right amount of tension and the right moments.
Key Turning Points In The Reading Experience
The next aspect of reading like a writer is paying close attention to changes in the reading experience and looking out for key turning points that suggest major plot/pinch points are just around the corner. Here, I am literally telling you to track the reading experience—whether it be page numbers in a hard copy or percentages on Kindle—watch where in the novel, these turning point occur. Being a conscious reader who pays attention to where these key turning points happen can make you a better writer because when you sit down to work on your own writing, you have a better understanding of the preparation that is necessary prior to these turning points—i.e. rising and falling tension and lead-up.
Analyze Author Choices
Consider thoughtfully the choices the author made in crafting the novel. Think critically about the POV—the lens through which the story is told, tense of the story, setting, balance of narration and dramatization, and other story elements. Consider what techniques the writer chose to employ, in what places, and how that affects your experience both as a reader and a writer. What techniques did you enjoy? What techniques did you dislike? Writers can learn a lot about effective storytelling by examining the techniques and elements they don’t enjoy.
Additionally, pay close attention to voice, tone, and mood to understand what choices the writer made to create that specific reading experience. Is he/she using a humorous or snarky voice? Is the voice buzzing with energy—so much that it keeps the pages turning? It the voice dry and dragging? Consider all of these elements when reading because you will need to consider them when writing as well.
Zone In On Bad Books
To reiterate what I said in the previous section, writers can learn a lot about effective storytelling by examining the techniques and elements they don’t enjoy. Is the story boring? If so, what about the pacing is dragging for you? Could it be that the writing seems stagnant, that the writer is info-dumping, that the characters are spending too long engaging in mundane activities, are the characters being annoying, is there no tension or is the tension continuously building without mini-climaxes?
Person holding brown ceramic coffee mug next to a short stack of books. Photo by Parth Shah
Are these elements conscious choices on the part of the writer or subconscious? Of course, we will always be able to pick out what we don’t like about novels since we bring out own worldview, biases, and experience to the table when reading, but it’s worth mentioning that by making note of what we don’t enjoy in other novels we can then avoid it in our own writing.
Consider how you would fix a bad book. An awesome story idea I once found was to take the parts of the story that you really do like and use those to inspire a new book that you then can make better by avoiding the mistakes the other author made in their book. (I don’t mean plagiarizing or paraphrasing—give credit where it is due—but feel free to take a broad, general idea and run with it.
If you’ve ever heard the phrase, there’s nothing new under the sun, then you know immediately after you hear it, you feel all sad and dejected inside—that is until you don’t, because you know that no one can tell the story the way you can, but I digress.
The point is you can take a story that has a really great premise and do it differently. It’s a seriously eye-opening craft exercise to see if the thing you don’t like about a book truly make it bad or if they just don’t work for you.
Analyze Your Favorites
The final tip for reading like a writer is of course, to reread your favorite stories with your craft hat on! This is the part where reading like a writer really can ruin book for you so tread carefully. But examine one of your favorite works and consider why you love it so much and what the writer does in each part of the novel that makes reading it an enchanting experience for you.
What choices has the writer made and what elements are they using to craft the story? Consider what strengths and weaknesses you both have and see how you can learn and strengthen the trouble spots in your writing. For instance, if you’re just awful at dialogue but you really enjoy how Becca Fitzpatrick does dialogue, read her books closely and see how she does it differently. Is this something you can learn? Is it something you can emulate? Is this a concrete craft hack that you can figure out for yourself?
While the magic of some writer’s styles can’t exactly be taught, most of the elements of good writing and the things that make writers great can be learned. It just takes time, studying, and practicing consistently to hone the craft. Most of these things can be emulated and molded to fit your own writing style and once you have the building blocks you can create anything.
That’s it for my tips on how to read like a writer and how it can help you in your own writing career. Analytical and critical reading can help us understand parts of the story, what we both do and don’t enjoy in writing, and learn to emulate other writing styles to grow as a writer. This post might ruin leisurely reading for you forever, but it will also improve your writing in ways you never thought possible. What did you think of these tips and have you ever tried them before? Let me know your thoughts in the comment below!
