Book Review: Ghosted By Rosie Walsh
Almost every one of us can relate to the sour feeling and phenomenon of being “ghosted” and what it feels like to never hear from someone again. For those who have read Gillian Flynn’s psychological romantic thriller, Gone Girl, Blood Orange by Harriet Tyce and/or anything by Llane Moriarty, then you may have heard about The Man Who Didn’t Call or Ghosted by Rosie Walsh. This book is a romantic thriller from cover to cover and I devoured this fantastic summer contemporary like it was candy.
Ghosted by Rosie Walsh. Photo by Payton Hayes.
Hi readers and writerly friends!
This is a spoiler-free review.
This week in Bookish Things, we’re discussing Ghosted by Rosie Walsh. This book review was my contribution to the 15th Street News’ special 50th Edition Newspaper! Check them out here.
Almost every one of us can relate to the sour feeling and phenomenon of being “ghosted” and what it feels like to never hear from someone again. For those who have read Gillian Flynn’s psychological romantic thriller, Gone Girl, Blood Orange by Harriet Tyce and/or anything by Llane Moriarty, then you may have heard about The Man Who Didn’t Call or Ghosted by Rosie Walsh. This book is a romantic thriller from cover to cover and I devoured this fantastic summer contemporary like it was candy. Or perhaps, honey is the better word; the prose is so smooth and sweet, and it draws you in and keeps you hooked until the end. I ate up this short 174-page whirlwind of a tragic love story within the span of a single day, if that tells you how truly wrapped up in it, I was.
There’s no better feeling than picking up the perfect book for your current season of life— the ideal read you’re just craving. I nabbed this book just before summer started and left it sitting on my shelf for weeks before I realized what gold lay in store or me within its pages. I picked it up around July and was left hungering for more as soon as I’d put it down. Ghosted was sweet, to be sure, but it was also equal parts heartwarming, and heartbreaking, gushworthy, swoonworthy, and it’s a story I will always look back fondly on.
This contemporary romance has everything you could ever want— complex relationships that make your heart ache, flawed, yet deeply loveable, compelling characters, multiple layers of secrets/intrigue guaranteed to keep the pages turning, a pacing that you’ll find makes you hold your breathe one moment and sigh out of relief the next, and a premise that is just utterly dazzling. The TWIST was so, so good.
“Seven perfect days. Then He disappeared. A love story with a secret at it’s heart” —Rosie Walsh, Ghosted.
An underlying theme in this book, much like Walsh’s other works is the protagonist who is not what he or she seems. Layers of mystery woven together pull readers in ever deeper the longer they read and leaves them eager for more even after the mystery is solved. Walsh makes clever use of Facebook posts and text messages to build suspense— an apt strategy for creating a compelling and relatable read for many readers today.
Although it was hard to break away from the story, I found myself having to put the book down a few times because certain scenes were just so raw and deeply moving to me. And I would chalk this up to personal response, however after a quick glance at other reader’s reviews on Goodreads and Amazon, it’s clear I am not the only one who felt this way.
“I was ready to hate this book. I didn't pick it up for an entire day, not wanting the story to go the way I thought it was. But it called me to just see, just see how it ends. And I couldn't put it down until it was though!” —Angie on Amazon, July 28, 2018.
Ghosted by Rosie Walsh. Photo by Payton Hayes.
I was honestly touched by the unforeseen way mental illness was portrayed and the kind of dysfunctional relationships that can be wrapped up in it. I had a lump in my throat throughout these scenes because Walsh just gets it. It is always refreshing to read an author that is able to examine something from multiple perspectives, especially subjects as complex as mental illness, loss, bitterness, and tragedy. Walsh lovingly and honestly wrote around these sensitive topics with great empathy and care.
This book gets a lot of criticism for having a contrived plot, unrealistic characters, and cringe-inducing writing. I simply have to disagree. From the outside looking in, someone being “ghosted” may seem obsessed, childish, and naïve. However, I implore these readers to think back to when they were treated this way (or imagine it, if they have never experienced this) and consider how painfully unyielding this experience truly is. Closure is never promised and although people joke endlessly about “ghosting” each other on social media, its wound for some, that may never truly heal.
“This plot is focused and squeezes its reader into the manic grip of Sarah’s growing insanity, dragging us on a journey that is both obsessive and dryly comical.” —Kristin on Goodreads, July 9, 2018.
I should also say that I typically see plot twists coming from a mile away. I’m the kind of reader who has to cover the bottom-half of the page with my hand to keep my eyes from darting down as I read, eager to know whether I’ve figured out the twist just before it happens. However, this plot twist shocked me. If you think you know where this story is going, you’re wrong.
Ghosted is a real hold-your-breath-squeal-as-you-read-grit-your-teeth-can’t-stop-smiling kind of book and is absolutely the perfect summer read. (Also great for the fall if you love cozying up with a sweet read and your favorite warm beverage.) If you love Liane Moriarty’s writing, I am confident you will also love Ghosted.
You can find Ghosted by Rosie Walsh here.
Check out the 15th Street News here.
And that’s it for my review of Rosie Walsh’s Ghosted. What do you think of this novel? Leave your thoughts in the comments below!
Read more of my book reviews!
Thumbnail photo by Payton Hayes.
—Payton
How to Write Hate-To-Love Romance
Photo by Rodnae Productions.
Hey writerly friends!
Today, we’re talking about my absolute favorite type of romance and that is hate-to-Love romance. This is the kind of romance that buds in Becca Fitzpatrick’s romantic thriller, Hush, Hush. It’s the kind of romance where the story starts out with the couple-to-be hating each other before they come to realize they actually love each other. These types of stories start out with disgust, resentment, and hatred and end with the characters realizing they’re in fact, perfect for each other.
As you might imagine, a lot of character development has to happen between the beginning and the ending of hate-to-love romances for this change of heart to seem believable to the reader. Is it tricky to write? Yeah. But is it totally worth it? Yeaaaah!
Looking back on my own writing, I’ve noticed I use this trope a loooot and I really enjoy reading it too. I’ve also noticed a ton of other people really enjoy this trope as well and unsurprisingly, a few great examples of hate-to-love romances are Jane Austen’s Pride and Prejudice, and L.M. Montgomery’s Anne of Green Gables. There are of course tons more of examples, but for the sake of this blog post, we’re going to discuss these two classics.
Although it rarely happens in real life, hate-to-love romance is a pleasure to read and a pleasure to write because it makes your story a thousand times more dynamic and interesting due to the big change of heart and the extensive character development that must take place to pull this kind of romance off. When done well, these kinds of stories are incredibly addictive and are hard for readers to put down.
So with my experience of writing and nerding out about hate-to-love romance, today I am going to show you how to craft a realistic-feeling and brilliant story arc that will take your characters from enemies to more-than-friends.
Step 1: Establish the reason for all the hate
First off, we have to establish why our MC’s hate each other. Whether they’ve hated each other for a long time, or they’re only just now meeting for the first time and aren’t exactly hitting it off, no one hates without a reason. Hate is the flip opposite of love and as such can be an equally strong feeling, therefore we need the reason behind it to be just as strong. What “hate” boils down to in this context is a negative judgement one character makes about another based on their misbelief or perspective.
So, what negative judgments do your character make about each other?
Matthew Macfadyen as Mr.Darcy and Kiera Knightley as Elizabeth Benet in Pride and Prejudice (2005).
Let take Jane Austen’s Pride and Prejudice for example, where Elizabeth first meets Mr. Darcy and is immediately put off by his palpable pride and arrogance, not to mention his miserable expression and on the other hand, we have Mr. Darcy who can describes the laughing, and lighthearted Lizzie as “barely tolerable” and is repelled by her family and their lack of propriety. It’s definitely not a smooth start to one of the greatest love stories of all time.
Bad impressions are usually the root of all dislike. When we don’t know someone, we try decide whether or not we should trust them and when they display any sign of being unlikable in our eyes, our brains, and hearts are quick to judge.
Writing exercise: The First Meeting
If you’ve never written the first meeting of you MC’s into their backstory (even if it doesn’t show up in the actual story) I highly, highly recommend doing so. Write out the scene, feel the tension, and get to know the reason for their disliking each other like the back of your hand. I’m serious. Write out the scene start-to-finish and fully understand what their reason for hating each other is and trust me, once you do you will have a much easier time writing about them and their mutual dislike of one another.
Step 2: Who hates who?
Relationships, even ones hewn from hate are usually a lot more than just “we hate each other.” As you can imagine from the first step, there is so much more tension and conflict boiling under the surface. What if it’s much deeper than that—what if the bad feeling isn’t exactly mutual? What if person A hates person B but person B is in love with person A? That makes for a much more tense, more conflicting love story, especially if they end up together after all. Talk about drama! The plot thickens, my writerly friends, the plot thickens!
Although this is still hate-to-love romance, this kind of imbalance throws a monkey wrench into an otherwise simply romantic relationship and is one of my absolute favorite tropes to write because you can throw in all kinds of twists and turns that will throw off the reader while they’re concerned with the almost tangible tension of the main characters.
Megan Follows as Anne Shirley and Jonathan Crombie as Gilbert Blythe in Anne of Green Gables (1985).
Let’s take Anne of Green Gables, for example. The two main characters, Anne and Gilbert get too pretty bad first impressions of each other when he teases her on her first day of school and she breaks a writing slate over his head. Yeah, not a good first impression, guys. Not good at all. However, what Anne doesn’t realize is that Gilbert actually likes her, despite his boyish teasing and their competitive relationship that follows that first encounter. He likes her fiery spirit and determination to better him and the reader quickly becomes swept up in their relationship because they want to know what kind of change of heart will happen to these two dynamic and opposing characters. But you know what they say about opposites attracting, right ? What happens when they both change their minds about each other? Then, my friends, we have a wonderfully romantic mess on our hands.
Step 3: The Middle-Ground of Friendship
Thirdly, DO NOT forget the halfway point between love and hate, friendship. Nothing will make your hate-to-love romance seem unrealistic more so than leaving out this key story arc. You must, must, must have this to make a flawless and believable transition between your characters hating and loving each other. A change of heart never comes suddenly. It’s not an overnight thing; it happens over time. I like to think of it like the alphabet; between A and Z there are twenty-four other letters that act as steppingstones for the characters to bridge the gap and experience the change of heart needed for any good hate-to-love romance. Use these other letters, these other moments that take place in the middle-ground to make the hate-to-love transition believable to your readers. This time is great for building your character’s friendship or forcing them to make do with “we don’t know what this is and we’re getting along, but it’s weird.”
Step 4: Let the Change of Heart Go Unnoticed
This makes for an extremely effective hate-to-love transition, especially when the character’s themselves are unaware of it, even if the reader can tell what is going on.
For example, at the end of Pride and Prejudice, Elizabeth asks Mr. Darcy when he started to fall in love with her and he replies:
“I was in the middle before I knew that I had begun.”
Ugh, can I just??
See, even Mr. Darcy didn’t know the exact moment he’d fallen in love with Elizabeth.
Step 5: Let Your Characters Resist Love
Chances are your characters have been hating each other for a long time, whether in the backstory or over the course of your own novel, and anything new, unfamiliar, or different will likely scare them. They’ve been hating each other for all this time and now, romance and love are uncharted waters for these people. Chances are that when they first feel love after hating each other so long, they’re not going to admit they were wrong right away and start loving each other—no, they’ll probably experience some friction. They’ll likely be thinking, “Eww, is this what emotions are like? Get it off of me!” or something to that effect.
This adverse effect to the change in heart that occurs in hate-to-love romance is what makes this trope so enjoyable and often comical. The psychological side of it is that we often resist any type of change, especially changes in heart from enemies to friends and more. When our hard-won beliefs are challenged, our first instinct is to dig our heels in even deeper and resist the new emotions. What happens to the characters in these critical turning points is they are experiencing three key emotions that we absolutely must dive into and that’s a) vulnerability, b) fear, and c) desire for comfort. The characters, just like us, are afraid to step out of their comfort zone and into uncharted waters. They’re afraid to try new things, feel new emotions, and welcome change of any kind, and the character should display these feelings of resistance in your hate-to-love story as well.
Of course, their attempts to stay on the warpath are futile and both you and your reader knows this. However, you have to at least let them try. Give them some time to wallow in these misguided, resisting emotions and allow them to grow from it. If your characters caved to the first shred of affection they felt from their nemesis, then your readers won’t be please, I can tell you that much.
Megan Follows as Anne Shirley and Jonathan Crombie as Gilbert Blythe in Anne of Green Gables (1985).
Let’s go back to Anne of Green Gables, shall we? It takes Anne a lot of time and introspection to realize she does indeed have feelings for Gilbert. She has to swallow the hard pills of her pride and stubbornness and come to grips with the fact that she was wrong all this time—not an easy realization for anyone.
Of course, your characters’ hate-to-love story will be unique to them—but how they handle the transition and how it shapes them and effects them as the story progresses—that’s what the story is truly about.
That’s it for my 5 Tips for Creating Irresistible Hate-to-Love Romance. What do you think of these tips? Do you enjoy reading or writing hate-to-love, or both? What are some of your favorite hate-to-love novels or films? Let me know in the comments below!
Further reading:
—Payton
10 Heart-Warming and Heart-Wrenching Scenes for your Romantic Thriller
Hi writerly friends!
Welcome back! This week, we’re talking about five heart-warming and 5 heart-wrenching scenes to write into your romance novel! I can’t remember where I first heard of writing different/alternate scenes to get you unstuck from a difficult scene, but I figured I’d put my own spin on it! You don’t actually have to include these in your story but they’re excellent writing prompts to set within the realm of your own story and it makes a great writing exercise if you’re stuck in the middle of a scene.
Lock them up ❤️😂
While this sounds more like a heart-wrenching scene, I have seen some pretty funny scenes come out of characters being locked in a room with one another. Consider what dialogue you could use here and how this memory will help build their character prior to the story.
Kill someone 💔
I don’t mean literally! But kill your characters to see how their leaving the story changes the outcome. Consider how the other characters would react if the main character died. How would the story go from there? How would it ever get told?
Photo by Rodolfo Clix.
I wouldn’t exactly do this if the story its told in first person and in the POV of the character you chose to kill, but consider how the story would be different if he remaining characters had to carry the story to completion after the death of your MC.
What could go wrong? ❤️😂
As yourself this question when writing a scene you’re stuck in the middle of and then write exactly what can go wrong. I did this in one of my short stories and it worked wonders. This is especially great for best-friends-to-lovers stories where comical situations only bring the friendship even closer.
Their pet escaped 💔
This can go either really well or really badly depending on how you write it. Pretend as if of your characters pet has escaped and they enlist the help of their best friend of love interest to rescue it. This can come out very Cheetah Girls, or dog runs away for good. The point of this is to put your characters in an emotionally demanding situation to see how they’ll react under pressure.
It’s their wedding day ❤️
If you know two of your characters will end up together, write out their wedding day down to all of the nitty gritty details like dress sizes, color palettes, types of flowers, menu and everything in between. Vividly write it out and include the character’s stress of trying to have a perfect wedding day along with the immense joy of getting married to their soulmate.
Kidnapped or runaway? 💔
Write an entire chapter where your main character gets kidnapped and its up to their friends, family, or love interest to find and rescue them. This can be an especially heart-wrenching scene if the kidnapper gives them a ransom or time limit. This can be an especially heart-warming scene if the character in question isn’t in fact kidnappe, but rather they run away and their love interest is the only one who can convince them to come back. If the love interest runs away with them to make sure they’re safe, it will be extra sweet!
They’ve been drugged ❤️😂
Again, this sounds like a heart-wrenching scene, but I promise, it’s not. Remember the part of Stranger things when Steve and Robin were drugged by the Russians and they were so loopy and useless to their friends? Write your characters into the exact same situation and see what kind of hilarious dialogue comes out of it and how they get to know each other better. One rule though, don’t re-watch Stranger Things until after you’ve done this so that you won’t accidentally plagiarize! Not cool!
They’ve been framed 💔
Write an entire scene where your main character just happened to be at the wrong place at the wrong time and they were framed for a terrible crime in their hometown. Write everything from their emotions and thought process to how their friends and family would prove their innocence. If they have any enemies, write how they’d help stack the cards against them. If you want, you can even write them going to jail and document their experience.
Talent show contestants ❤️😂
Write your characters into a good old-fashioned high-school-style talent show. Write out their process for figuring out their talents and deciding what they’ll do for the show, the actual show, and everything afterward. Consider what would happen if they messed up on stage and if their friends or love interest would step in to save them from embarrassment, or if they’d run off stage, sobbing. What would it take your main character to win the talent show?
Dreams and nightmares 💔❤️
While this works for both heart-wrenching and heart-warming categories, write what kind of dreams your characters would have. Write about what their subconscious shows them and describe them in vivid detail. If they have nightmares, write the wild things they see and if they have happy dreams, show us what kind of dreams would make them stay in bed longer.
And that’s it for my five heart-warming and five heart-wrenching scenes to write when your stuck in the middle of a scene. What did you think of these prompts? Do you like writing about other scenes to get yourself unstuck? Are there any other prompts I could have included? Let me know your thoughts in the comments below, and as always, thanks’ for reading!
—Payton
Author Interview: Melanie Martins (Author of Blossom In Winter)
Melanie Martins Blossom In Winter Press Kit Photo.
This is a spoiler-free interview!
Hi reader friends, meet Melanie Martins, author of Blossom in Winter, on romantic thrillers, the writing process, becoming an author, and upcoming news!
Melanie Martins has been quickly gaining attention and avid readers within the bookish community and specifically, the romance community for her spicy, controversial, and heart-wrenching romantic thriller, Blossom in Winter. Known by many as one of the most followed Luxury Travel Influencers on Instagram, Melanie flipped her corner of the internet on it’s head by changing her career path so dramatically—from travel blogging to novel writing—that’s quite a leap!
She did an interview with Thrive Global that gave us insight into the change in her career path, self-publishing and so much more. Now, I’ve gotten the incredible opportunity to sit down with her and discuss her debut novel, Blossom in Winter, which has earned her a 4.7/5-star rating on Goodreads and 4.1/5-star rating on Amazon. Considered on Goodreads as a “real page turner”, “engrossing and addictive” and a “damn roller coaster”, Blossom in Winter is definitely a must-read for Romantic Thriller enthusiasts everywhere.
Blossom in Winter very clearly falls into the Romantic Thriller genre. What do you think of Romantic Thrillers both as a reader and a writer? Have you ever written in this genre before?
Blossom in Winter is actually the first novel I ever wrote. I did write a short novel in Portuguese when I was seventeen but it was just for fun and it never saw the light of day. Although it also had an age-gap and a judge in it. I personally love writing thrilling love stories full of mystery, secrets, and twists and turns—it makes the story-line so much more engaging and different than the usual romantic plots which only focus on the development of the relationship between the main characters. As a reader, I feel much more hooked and entertained when there is an underlying plot going on, leaving me on the edge of my seat, which is probably why I’ve a hard time to connect with a predictable romances that only focus on the relationship with no real external conflict.
Do you think you will write more Romantic Thrillers?
Yes, Blossom in Winter is the first book of a series and the second book “Lured into Love” will have even more thrilling events, twists, and difficult choices our main characters will have to make. Actually, the second book will be even more unpredictable and my goal is to make sure no reader will figure out the ending.
What do you think makes a compelling Romantic Thriller?
The build-up of events that take unexpected turns is definitely a must, along with creating some mystery around a particular character, event, or situation. This is something we see a lot in Blossom in Winter, especially around the Van Dieren’s family. In sum, when the reader thinks she’s got everything figured it out, and the unexpected happens leaving the reader surprised (and sometimes even shocked) is what makes, in my personal opinion, a great thriller.
Can you tell me a little bit about where you drew your inspiration while writing this book?
Romeo & Juliet, first and foremost. It’s by far my favorite story because of the eternal question “How far would you go for Love?” We may question if it was Love or pure lust, but in my opinion, Shakespeare wanted to explore, on a deeper level, the human nature and how far we can go for what we believe in and care about. I adapted the story to fit a contemporary romance, but there are a lot of resemblances—from the forbidden relationship between Petra Van Gatt & Alexander Van Dieren and all the external events that make it even more forbidden, to the ending. The quote from Elizabeth Elliott at the beginning of the book says it all: “There is nothing worth living for, unless it is worth dying for.” which would’ve been the perfect opening quote for Romeo & Juliet too.
What is your writing process like?
I always start with creating a board with the story-line, the external conflicts, the inner-trouble/worries, the characters’ personalities and bios, and how the ending is going to be. When it comes to the writing itself, I never wrote from start to finish, but rather by scenes. I might do the Prologue first and then jump to write a scene on Chapter 15. Since I knew the story-line and how it would go, I wrote the most important scenes first, and then the connecting ones.
Is there anything you’d do differently with your writing process next time?
Not with the writing process itself but rather with the post-writing, which is when the first draft of your manuscript is done.
In an interview with Thrive Global, you advise aspiring writers to write for their readers as opposed to themselves, but I’ve heard quite the opposite from many other writers. I know by this; you mean all works of writing can benefit from a second set of eyes. What did you learn from working through various stages of editing and how do you think it made you a stronger writer?
I worked with 3 editors; my development editor is a creative writing professor at the University of New York and former-executive editor at Harlequin, and the two others worked at Penguin and Simon & Schuster, and even today I’d consider myself an amateur. The best way you learn is actually through your readers and by reading in your genre. And by readers I mean your paying readers— those who pay to read your work. This is where I received the best advice ever. They were cold, harsh critiques but important nevertheless, to improve and become a better writer. I believe editors are great, but sometimes they don’t tell you all the harsh, cold truths you need to hear (they might not even know about them themselves). The more your novel is read, the more opinions you can gather and some of them can be as valuable as the opinion of an editor (and sometimes even better).
I’ve heard you are planning a launch for February. Can you give me any details about that?
I did what is called a soft launch on October 28, which is when you launch the e-book first. The idea of a soft launch is to gather as much feedback as possible and make any necessary adjustment before it goes to print (this is when you do offset/traditional printing of your book, not print-on-demand). On Valentine’s Day, I’ll have the 1st Edition of Blossom in Winter available on paperback which is an offset print. As a new self-published author, I’m a firm believer on gathering as much genuine feedback as possible before it goes to print and the best way to do so is by readers who [willingly] paid to read your work.
I know you made quite a career shift, from travel blogger to self-published author. Now that you’ve taken the plunge into writing, do you notice any overlap? Will you continue to do Luxury Travel Influencing or is writing your focus for now?
Photo by Melanie Martins.
I’m actually a writer at heart. When I was nineteen and a Law school student, all I wanted was to travel to exotic places (think Morocco, Egypt, Maldives, French Polynesia, Seychelles, etc.) and escape my rather boring college life, so becoming a travel blogger seemed the right path to achieve it. My boyfriend and I purchased a camera and we started to create content for hospitality/travel brands allowing us to travel and build my personal brand out of it. However, writing fiction is what I enjoy the most. Eight years ago, I would’ve never been able to write a novel in English since my level was quite basic (I’m French and Portuguese, English is my fourth language). For now, writing and the business aspect of self-publishing is what I want to focus on, but I will definitely continue to collaborate with some of my favorite brands such as the Four Seasons, the Ritz-Carlton, etc. in the future.
What advice would you give to new writers?
First, find your writing style. I realized after finishing my first manuscript of Blossom in Winter (a 125k words manuscript) that I hated reading it on the 3rd person and past-tense. It was so impersonal that I had to change it. I changed from 3rd person to first person but something was missing. Then I changed the past-tense to the present-tense and that was my eureka moment. Multiple first-person points-of-view became my writing style. Second, plan your story. There is nothing worse than not having a planned story-line; you will get stuck and not know what to write about. I wrote my first manuscript in three months because I had everything figured it out beforehand. Third, once you have a first draft, hire a development/line-by-line editor. A development editor will check everything from plot holes, pacing, characters development, etc., and might even do some copy-editing (if it’s a line-by-line editor). Your first manuscript is always horrible, believe me. Once you have a revised version, hire a copy-editor and lastly, a proofreader. It’s an investment, but if you are serious about your writing career, you should do it. Also, read as much as you can in the genre you want to write about.
What book are you reading right now? Do you have a favorite?
I’m currently reading The Kiss Thief (an arranged marriage novel by L. J. Shein and it’s the first time I’m reading from this author). I read mostly dark erotic romances, so one of my favorites is The Dark Duet series by C. J. Robert (for the plot—not the writing style, though). An easier read for me was Comfort Food by Kitty Thomas, but both of them explore Stockholm syndrome which I find fascinating.
Click here to view The Kiss Thief by L. J. Shien on Amazon
Click here to view Captive in the Dark (The Dark Duet Book 1) by C. J. Robert on Amazon
Click here to view Comfort Food by Kitty Thomas on Amazon
Photo by Melanie Martins.
Where can readers find and keep up with you?
I’m mostly active on my Facebook group Blossom in Winter (by Melanie Martins) but they can also find me on Instagram and Facebook under @melaniemartinsblog.
Click here to view Blossom in Winter by Melanie Martins on Amazon
Click here to view Blossom in Winter by Melanie Martins on Blossominwinter.com (Free worldwide shipping)
In closing, I’d like to include my own Amazon review of the book. I’d highly recommend it to every romance reader out there and especially if you enjoy reading Romantic Thrillers.
Click here to view my review of Blossom in Winter on Goodreads
And that’s it for my author interview with Melanie Martins. Have you read Blossom in Winter? If so, what did you think about it? And if not, why not? Get on with it already! I know you’ll love it! Let me know your thoughts in the comments below!
Click here to view Blossom in Winter by Melanie Martins on Amazon
Click here to view Blossom in Winter by Melanie Martins on Blossominwinter.com (Free worldwide shipping)
Thanks for reading my interview with Melanie Martins! If you’re looking for her contact links or where you can find the book, you’ve scrolled a bit too far. No fear though, just scroll up to the section above these pictures ^ and you should find it!
—Payton
How To Write Best Friends to Lovers Romance - That Feels Realistic
Hi writerly friends!
I’m back this week with another romance writing guide. Next week we’ll be discussing how to write believable hate-to-love romance, so I thought it’d be a great warm-up to show you guys how to writer believe best-friend-to-lovers romance. This is obviously a steppingstone and acts as the middle ground between enemies and more-than-friends in hate-to-love romance, so as you might expect, you can’t have one without the other.
However, your characters don’t always have to start out hating each other, they can indeed go from friends to lovers in a single story. Funnily for us, and embarrassingly for your characters and readers, it’s not exactly a straight shot, no—it’s a pretty rocky ride from best friends to lovers and it can be a tricky-to-write trope.
It’s unsurprising that the characters will have a bumpy time getting from one side to the other, as one is decidedly platonic and the other is decidedly romantic, and the transition from friends to lovers can be tough to read, even tougher to write, and often employs tons of awkward exchanges and cringe-worthy moments.
So, how do you write best-friends-to-lovers romance that is realistic and believable to the reader?
Step 1: Embrace The Weirdness
As you might expect, writing best-friends-to-lovers romance stories is going to feel weird, because plot twist, going from best-friends to lovers is weird! Not unearthing any best kept secrets, her—everyone knows it’s a weird shift, especially if you’ve known each other since childhood. So, when writing this trope, don’t shy away from all the weirdness, awkwardness, and embarrassing, gross feelings that happen, because it’s completely natural and these feelings should be present in the story. In fact, the reader should be able to pick up on these feeling and feel weird about it too. Secondhand embarrassment is a thing, and it’s something we want our readers turning pages to get to a point in the story when everything makes sense again and the awkwardness has died down a bit.
However, don’t go so far as to make it unrealistic. Yes, at times the uncomfortableness of the transition should be almost palpable to the reader, but keep the balance between rising and falling tension so that readers stay on the edges of their seats and grit the teeth at all the right moments.
Step 2: Determine Whether the Love is Mutual or Unrequited?
Before we get into the story structure for this trope, ask yourself whether the love between your characters or if it’s unrequited. This is very important to how the story will play out and what choices your characters will make based on their emotions, especially towards the resolution. Both routes can be delicious and heart-wrenching in their own right but know which one you’re going to go with in your own writing, will make the process a lot easier.
Jonah Hauer-King as Laurie Lawerence and Maya Hawke as Jo March in Little Women (2017) Photo by PBS.
To make it easier to chose which path your story will take, I’m going to give you a couple of examples, the first being Little Women by Louisa May Alcott, and the second being Emma by Jane Austen, (and no, I didn’t just pick these two because they involve someone being gifted a piano, but man isn’t that romantic?)
In Little Women, Laurie’s love goes unreturned when Jo tells him she never saw him as more than a friend. This sends him to Europe to avoid his heart break. When he returns after falling for Jo’s sister, being rejected again, and being inspired to do something with his life, he asks Jo to marry him. She rejects him again and ends up marrying someone else, but this story is a prime example of a best-friends-to-lovers romance that took a turn when the love was unrequited.
On the flip side, Emma, by Jane Austen Emma is startled to realize after everything, she is the one who wants to marry Mr. Knightly. When she admits her foolishness for meddling in the romances of others, he proposes, and she accepts. This is a great example of friends who become lovers where the love is returned.
Step 3: Follow The Structure
Alright, now that we got that out of the way, let’s talk about the parts of the BFTL story structure (at least that’s the acronym I’m giving it because that’s just way to much to type every time, sorry, not sorry.)
Whether or not you go by the 3-Act Story Structure, every best-friends-to-lovers romance typically follows this basic format:
Foundation
Set-up
Aha moment
Conflict
Decision
Resolution
Foundation
The first part of the structure for this trope is the foundation, where we are introduced to all core story elements, characters, setting, premise and theme. Here, the reader will get to know what exactly the story they’re reading is.
Set-up
The second part of the structure is the set-up. This is where the meet cute would occur in romance, and for best-friends-turned-lovers romance, it is no different. Introduce the characters, their relationship at this point in the story, and begin laying the groundwork for the transition from best-friends to future lovers.
Click here to read my blog post for creating the perfect meet cute.
While your story might be set preceding or following the formation of your characters friendship, it is important to know how and when they became friends, because if they become lovers later on, this will be an important part in the evolution of their relationship.
Aha Moment
This part of the story is when the characters first realize they are in love with each other. If you chose to go with the unrequited love path, then here, they would learn that one likes the other and decide they don’t feel the same way in return. Consider what path you take for this part because it will really determine how the rest of the story plays out.
Does the one who is rejected continue pursuing their friend romantically, or do they give up on the first try? Does the one who only views their friend platonically have a change of heart and end up with their friend after all? Is it a messy back and forth that never really ends with the two friends becoming lovers? Is the timing ever right? These are all important questions to ask yourself during the aha moment, because it directly drives the following course of the story.
Conflict
Remember the questions I just asked you in the aha moment section? Those questions should be asked and answered in the conflict of the story. Here we see the true feelings come out and the characters will understand the scope of the situation before them.
Decision
Saoirse Ronan as Josephine "Jo" March and Timothée Chalamet as Theodore "Laurie" Laurence (2019). Photo by Wilson Webb .
In the decision part of the best-friends-to-lovers romance, readers will see what choice the characters make based on everything they know at this point and their emotions. They might decide to get together or break up as friends, for good. Everything that has happened has led to this moment and how they react will change the course of their friendship forever. If the love is unrequited, maybe they just stay friends, but it is likely things will be weird and they’ll have to go their separate ways, like Laurie and Jo in Little Women. Perhaps they do end up getting together and marrying with a happy ending such as Emma and Mr. Knightly in Emma.
Resolution
Where do your characters go from here? How does the friendship grow or die after the decisions are made? Is there room for growth as friends and lovers or have they done irreparable damage to a good thing? Unrequited love stories are especially juicy and heart-wrenching in the resolution.
And that’s it for my guide on how to write best-friends-to-lovers romance stories that are believable and realistic. What do you think of these types of stories? Did you like Little Women and Emma? Do you prefer writing mutual or unrequited love? Let me know your thoughts in the comments below, and as always, thanks for reading!