Book Review: Lock Every Door by Riley Sager
Hi readers and writerly friends!
This is a spoiler-free review.
Lock Every Door by Riley Sager reminded me of American Horror Story’s Hotel season, where patrons of the hotel go suddenly missing under mysterious circumstances. The Bartholomew was an entity and character of its own and I couldn’t help feeling like I simultaneously wanted to visit the spooky hotel and stay a million miles away from it forever. The unsettling events that occurred behind closed doors were absolutely chilling to the bone. I found myself wishing I could shake the main character and tell her, run Jules, run!
This heart-pounding, breath-catching, page-turner of a thriller kept me hooked start to finish. I listened to the audiobook version of this novel and I was completely enthralled the entire time.
Lock Every Door by Riley Sager follows a young woman whose new job apartment sitting in one of New York’s oldest and most glamorous buildings may cost more than it pays
No visitors. No nights spent away from the apartment. No disturbing the other residents, all of whom are rich or famous or both. These are the only rules for Jules Larsen’s new job as an apartment sitter at the Bartholomew, one of Manhattan's most high-profile and mysterious buildings. Recently heartbroken and just plain broke, Jules is taken in by the splendor of her surroundings and accepts the terms, ready to leave her past life behind.
As she gets to know the residents and staff of the Bartholomew, Jules finds herself drawn to fellow apartment sitter Ingrid, who comfortingly reminds her of the sister she lost eight years ago. When Ingrid confides that the Bartholomew is not what it seems and the dark history hidden beneath its gleaming facade is starting to frighten her, Jules brushes it off as a harmless ghost story . . . until the next day, when Ingrid disappears.
Searching for the truth about Ingrid’s disappearance, Jules digs deeper into the Bartholomew's sordid past and into the secrets kept within its walls. What she discovers pits Jules against the clock as she races to unmask a killer, expose the building’s hidden past, and escape the Bartholomew before her temporary status becomes permanent (Sager 2019).
Something Riley Sager is known for in his books, is the central plot twist—a storytelling element he does very well. I didn’t see the major twist coming and when my original theory was flipped on its head, I was astonished. However, the twist made sense, once all the clues he laid out beforehand were explained.
Sager employs a history, both real and invented to weave a thrilling tale that feels equal part as urgent and realistic as present-day and equal part ancient and enchanting as The Dakota, the upscale apartment building in New York upon which the elegant Bartholomew is based! Lock Every Door is an intoxicating tapestry that is every bit as disquieting as the bizarre wallpaper in Jules’ apartment in the Bartholomew and the unsettling events it has witnessed.
“I wanted the building to be seductive yet sinister, elegant yet also creepy…I wanted people to really want to live there but at the same time, to be terrified while they’re living there.” —Riley Sager on Lock Every Door.
The Bartholomew, the setting of the story, a character as much as the people in the story, evolves as the story progresses, observed initially as sophisticated and whimsical, and eventually becoming increasingly more sinister and mysterious. From elegant, gilded cage elevators that carry patrons from the top floor to the bowels of the building, to watchful gargoyles perched on the exterior, elements of the setting grow more and more unsettling and oppressive as Jules uncovers one dark secret after another.
This story is a gripping read cover-to-cover that teeters precariously between thriller and horror and stupefies readers with a chilling plot twist that doesn’t come completely from left field.
“There’s plausibility in a thriller. No matter how weird they may get, it’s something that could potentially happen in real life… It never gets otherworldly, so to speak…it is always grounded in some sense of reality. With horror, it seems like there’s a tear in the fabric of reality and that inexplicable things are going on and that just makes it even more frightening...I like to walk that fine line between the two.” —Riley Sager on Lock Every Door.
The quotes from Riley Sager about his book is from the “Interview with Best-Selling Author of Lock Every Door: Riley Sager” on the No Thanks, We’re Booked Podcast Hosted by Mollie from Mollie Reads and Katie from Life Between Words. Check out the rest of the interview here.
“Move over Rosemary’s Baby, urban paranoia has a deliciously gothic new address.” —Ruth Ware
This book makes me want to a) read more of Riley Sager’s writing, b) read Rosemary’s Baby by Ira Levin, and c) get into more urban paranoia.
In July of 2019, Paramount Television, Sugar 23, and Anonymous Content announced plans to adapt Lock Every Door into a television series, and I am so stoked to see how it turns out. I cannot wait to draw comparisons between the film adaptation and AHS: Hotel.
And that’s it for my review of Riley Sager’s Lock Every Door. Have you read this book? What did you think of it? Have you read any of Sager’s other works? I cannot wait to check out Final Girls by Riley Sager to see more of Jules’ story and where it goes from here. Will you be watching the film adaptation? Let me know what you thought of this book and this review in the comments below!
Bibliography:
Hayes, Payton. “Lock Every Door Audiobook on Google Pixel.” (Thumbnail photo), September 19, 2021.
Sager, Riley. Lock Every Door. New York: Dutton, 2019. Amazon.
Related topics:
Double Book Review: Before The Storm by Christie Golden and Shadows Rising by Madeline Roux
Book Review: Good Morning Good Life by Amy Schmittauer Landino
Recent blog posts:
—Payton
Book Review: Goodbye Again by Jonny Sun
Goodbye, Again is a profoundly sentimental, immensely reflective, and introspective read. It touches on sensitive subjects such as loneliness, the end of the world, the rat race and losing yourself by getting caught up in the working world, depression, self-care, and the like, but not just for the sake of discussing these difficult topics. Sun handles these subjects with care and grace and carves out a space for the reader to feel less alone in their experience with loneliness, belonging, and burnout.
Hi Readers and writerly friends!
This week in Bookish Things, we’re talking about Jonny Sun’s book, Goodbye, Again, which I read a couple of weeks ago and just loved!
I read this book after watching Katherout’s video on YouTube, “I no longer aspire to have a career” where she discussed the idea of a “dream job” and how she no longer dreams of labor —She is one of many speaking up on this greater discussion about laziness, productivity, burnout, mental health, and being overworked and I’d recommend giving her video a watch.
Goodbye, Again is a profoundly sentimental, immensely reflective, and introspective read. It touches on sensitive subjects such as loneliness, the end of the world, the rat race and losing yourself by getting caught up in the working world, depression, self-care, and the like, but not just for the sake of discussing these difficult topics. Sun handles these subjects with care and grace and carves out a space for the reader to feel less alone in their experience with loneliness, belonging, and burnout.
Goodbye, Again came into my life this spring, after I had failed three out of four of my senior college courses (not because of capability, but rather due to burnout and poor mental heath). I had gotten so caught up in school and producing content online at such a rate that it was unsustainable and quickly doomed to crash and burn. That’s exactly what happened. I lost sight of myself and what I wanted out of life and ended up being forced to take time off to focus on my mental health. All of this to say, that Goodbye, Again arrived just when I needed it to.
Until I’d read this book, I never realized that I used productivity to cope with loneliness. Sun strives to "fill the blankness" of weekends in the city; but "instead of turning to people, or to hobbies, or to Going Places or Seeing Things, I find it easiest to turn to doing more work to try to fill, or perhaps keep at bay, that emptiness and that feeling I can't ever fill that emptiness enough," he writes. In a lighthearted tone, he confronts this learned response of coping with loneliness through productivity and invites the reader to do the same. This discussion was initiated through his alien character Jomny in his 2017 graphic novel, Everyone's a Aliebn When Ur a Aliebn Too — however this time around, he works through burnout in his own voice with his own personal experiences. In this way, his specificity actually gives way to reader relatability.
"Whenever I am in an unfamiliar place, it has become a coping mechanism for me to look for plants that I recognize from elsewhere, and to look for plants that I've never seen before anywhere else but that I can start recognizing as familiar," he writes —his words serving as a metaphor for feeling rooted in his communities and a reminder for what we can learn from them: rest is a necessity; growth takes time; some things don't change —paring these ideas with illustrations of succulents on the joining page.
The layout of the book is divided into six parts which allows the reader to take breaks between any of the stories, should they need to. It’s rare that a book will physically accommodate what the writer himself seeks to accomplish by writing the book —to create a space for the reader to sit with loneliness and burnout, even if it means you’re temporarily leaving his world to do this.
Without sharing too much, I’d like to show you a couple of my favorite sections of the book. In one titled “Playlist For A Funeral” Sun says “The playlist for my funeral is 252 songs long now, and I feel like it’s not done yet. I feel like it’s still missing pieces, or that I haven’t found the perfect single song that I love more than any of these other songs that would render my list obsolete. And I think that means I want to keep adding to it. And I think that mean, that this is some sure sign, that I want to be alive.”
This is a passage that really hit close to home for me, especially recently as I’ve been going through a major depression. Reading this section of the book made me feel validated in my thoughts and feelings and the book overall, made me feel like it was okay to feel lonely. Loneliness is neither a bad nor good emotion —it doesn’t have any particular connotation or denotation attached to it. However, people like to view loneliness as a bad emotion because it doesn’t exactly feel good to be lonely. Solitude on the other hand, is viewed as a good emotion, because it seems like the loneliness is intentional or self-imposed. Lastly, positive solitude is the state or situation of being happy or content to be alone. I’ve learned that the difference between all of these instances of loneliness is mindset. If you no longer look at loneliness as a bad emotion, but just an emotion, like any other that comes and goes, then it becomes easier to sit with it rather than trying to shove it down with substances, distractions, or toxic productivity.
If you’re dealing with depression, struggling to cope with loneliness, or just looking for a lovely book to read, I would highly recommend Goodbye, Again by Jonny Sun. Summer is here, bringing with it fun, sun, and warmer weather and the reminder that we should all slow down, take time to rest for the sake of resting, and practice taking care of ourselves. Even as the pandemic comes to a close, there’s no shame in taking a break from reading if you need it, but if you’re feeling ready for a new, meaningful but lighthearted summer read, I suggest starting out with Goodbye Again. Trust me, you won’t regret letting Jonny Sun into your life.
Have you read Goodbye, Again by Jonny Sun? What did you think of it? Do you have any recommendations based on this book? What did you think of this review? Let me know in the comments below!
Bibliography:
Related topics:
Check out more of my book reviews!
Recent blog posts:
—Payton
Book Review: Night Circus by Erin Morgenstern
The circus arrives without warning.
No announcements precede it, no paper notices on downtown posts and billboards, no mentioned or advertisements in local newspapers. It is simply there, when yesterday it wasn’t.
All of the characters —from the circus itself, to the performers and circusgoers— are alluring, multidimensional, complex characters. These morally-grey, deeply flawed characters are relatable, realistic, and easily loveable—a rarity in books like this one, that have a very large cast of characters. The way Morgenstern seemingly effortlessly weaves so many intriguing character arcs into a single story is truly mystifying—every character has a part to play.
Hi readers and writerly friends!
This week in Bookish Things, I’m sharing my thoughts on Erin Morgenstern’s dazzling novel, The Night Circus. I was wholly and completely enchanted with this stunning young adult fantasy, centered around a mysterious nocturnal, travelling circus.
Two starcrossed magicians engage in a deadly game of cunning in The Night Circus, the spellbinding New York Times bestseller that has captured the world's imagination.
The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night.
But behind the scenes, a fierce competition is underway: a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them both, this is a game in which only one can be left standing. Despite the high stakes, Celia and Marco soon tumble headfirst into love, setting off a domino effect of dangerous consequences, and leaving the lives of everyone, from the performers to the patrons, hanging in the balance.
—Erin Morgenstern, The Night Circus
I cover this more in-depth in the Freelancing counterpart to this blog post, “Book Writing 101 - How To Chose The Right POV For Your Novel,” but this story is told from multiple points of view and from different story tenses as well. The narrative jumps from past to present to future seamlessly and seemingly magically to give readers a whimsical, realistic, yet ancient-feeling story. It bounces between second person and third person point of view, a storytelling method that makes reader feel like they are watching the character’s stories unfold one moment and walking through the caramel-and-vanilla-laden paths of the circus grounds the next.
While I do wish this book’s romance had been more prominent (because I just love romance and can’t get enough of it) I do appreciate that the romance present in the story both served to drive the plot in an organic, uncontrived way, and added to the whimsy of the circus itself while not taking place within the circus the entire time.
All of the characters—from the circus itself, to the performers and circusgoers—are alluring, multidimensional, complex characters. These morally-grey, deeply flawed characters are relatable, realistic, and easily loveable—a rarity in books like this one, that have a very large cast of characters. The way Morgenstern seemingly effortlessly weaves so many intriguing character arcs into a single story is truly mystifying—every character has a part to play.
The pacing of this novel is just superb. Some complain that it is a bit of a slower read, but I, charmed by the fantasy of the circus, could not devour this story faster! The way the skips through time are entwined with alternating points of view made for a remarkably interesting story structure and a pacing that never felt boring or dull. The Night Circus is a story of hope, wonder, magic, and love. If I had to pick one word to describe it, I would choose Dreamy, because the imagination and spirit of this story continues to leave me spellbound long after I’ve turned the last page.
That’s it for my review of The Night Circus by Erin Morgenstern. Have you read this book? What did you think of it? Would you visit the Night Circus? Let me know your thoughts in the comments below!
Check out my other book reviews!
—Payton
Book Review: Station Eleven by Emily St. John Mandel
Hi readers and writerly friends!
This is a spoiler-free review.
This week, in Bookish Things, I’m doing an in-depth review of Station Eleven by Emily St. John Mandel, and boy, do I have so much to say about this book. So, with out further ado, let’s jump into the review!
[Insert satisfied, yet melancholic sigh here.]
For starters, I must admit that reading this pandemic dystopian fiction in 2020 has absolutely influenced my opinion of it. The subject matter and premise felt more tangible and less like words on a page after existing during COVID-19. Station Eleven book will forever hold a special meaning for me because it represents a lot of my worst fears about how the pandemic could potentially spiral into a full-blown apocalypse scenario. This severity doesn’t seem so far-fetched. I think, if everyone read this book when the pandemic began, we’d be in a much better state right about now.
This is your friendly reminder to stay home and wear a mask if you have to go out. Trust me, we don’t want things to play out like they did in the story.
I’ll try and wrangle all my complicated feelings about this novel, but truly I feel awed and speechless. Reading Station Eleven by Emily St. John Mandel is a lot like slowly peeling back the layers of a yellow onion— tearing it away, bit by bit until you’ve reached the center. It’s a little savory, a little sweet and it lingers, but oh, it stings, that tiny sun in your palm. The layers of this story seem to unfold all at once, past and present interwoven together like the wedded roots of a great tree—the way the overlapping storylines finally, finally click into place with the final page.
Hell is the absence of the people you long for.
—Emily St. John Mandel, Station Eleven, 144, Para 3.
Station Eleven is a story thick with nostalgia both for what once was and for what could have been. It’s a painfully realistic image of what life might be like thirty years after a devastating pandemic, and an economic collapse, people all over the globe desperate to survive. It’s a story of longing, sorrow, isolation, remembrance, and grief, but it’s also a story of preservation and perseverance—hope buzzing like the spark of electricity humming to life in a city just over the horizon, like a well-kept secret unleashed after decades of silence. It’s a story about survival, resilience.
These taken for granted miracles that had persisted all around them.
—Emily St. John Mandel, Station Eleven, 233, para 1.
The most poignant theme in this story is who and what we take for granted. During COVID-19, I learned I take a lot of mundane people and things for granted—such as grocery stores and the overnight stockers and bag boys. I always hated going out to the store before we were confined to our homes, but nowadays, I find short, necessary outings to my local supermarket (when issues arise with delivery) have become a precious commodity. And with those outings, the backbone of America—the essential workers have, in putting their lives on the line for months, enabled this country’s economy to survive against overwhelming odds.
On silent afternoons in his brother’s apartment, Jeevan found himself thinking how human the city is, how human everything is. We bemoaned the personality of the modern world, but that was a lie it seemed to him; it had never been impersonal at all. There had always been a massive delicate infrastructure of people, all of them working around us, and when people stop going to work, the entire operation grinds to a halt. No one delivers fuel to the gas stations or airports. Cars are stranded. Airplanes cannot fly. Truck remain at their points of origin. Food never reaches the cities; grocery stores close. Businesses are locked and then looted. No one comes to work at the power plants or the substations, no one removes the fallen tress from electrical lines.
—Emily St. John Mandel, Station Eleven, 178, para 5.
The last line struck a particular chord with me because as I was reading this book, my power went out—a rogue tree limb had fallen on our powerlines submersing my street in complete darkness for the better part of a day. I felt like a forgotten dweller of the Undersea, longing for light and warmth where it seemed none was promised.
The scariest thing about this story overall is most certainly the way Mandel explains how the collapse happened— how the pandemic spread across the globe like wildfire, consuming entire cities, and leaving crumbling civilizations in its wake, how phones and the internet went down and then electricity, and finally how gasoline staled and left people with zero communication and zero transportation. But then again, where could they go? The entire world was affected. It’s a very real possibility— a horror story rooted more so in reality than in the fantastical.
It's a story about what we leave behind, what we carry with us—baggage from a life and world before, and new beginning and just what else this awakening world might contain.
And then there’s the unwillingness to comprehend the outbreak and the severity of it, even as it is presented by the news, the unwillingness to comprehend what it meant. The panic. After getting an alarming phone call from his nurse friend Hua, Jeevan rushes to the local store and fills seven shopping carts with groceries before pushing them miles through the snow to his brother’s apartment where they hole up there for weeks. Sound familiar?
He woke at 3:00 in the morning, shivering. The news had worsened. The fabric was unraveling. It will be hard to come back from this, the thought, because in those first days it was still inconceivable that civilization might not come back from this at all.
—Emily St. John Mandel, Station Eleven, 239, para 2.
Station Eleven is an impeccably cleverly written glimpse into the not-so-far-off future of modern society following a terrible pandemic. The way Mandel lays out the puzzle pieces before the reader so that as the pages turn, the parts fall into place is beyond exceptional. I can typically see plots like this from a mile away and usually have the story figured out by the time I reach the last page. Mandel kept me guessing and wondering what all the interconnecting pieces meant. When it all came together, I was astonished.
And that’s it for my in-depth review of Emily St. John Mandel’s Station Eleven! Have you read this book? What are your thoughts on it? How do you think it applies to our current circumstances with COVID-19 and 2020? Let me know in the comments below!
Check out my other book reviews!
—Payton
Double Book Review - Before The Storm by Christie Golden and Shadows Rising by Madeline Roux
Hi readers and writerly friends!
This is a spoiler-free review!
This week in bookish things, I’m doing something a little different. I decided I wanted to cover two books in one review because I wanted to compare the writing style of the two authors, the way these stories set the tone for the two World of Warcraft expansions that followed them, and my thoughts on the way these authors wove virtual game lore into a palatable, fully fledged storyline. These books are part of the World of Warcraft canon. There will be links to everything mentioned throughout and at the end of this blog post for your convenience.
I am so excited to finally discuss these books. I’ve read books from the Warcraft universe before and I’ve very much enjoyed them, but these books were different from the War of the Ancients trilogy or the Stormrage book and other novels by Richard A. Knaak. I unfortunately was out of the loop when previous Warcraft novels came out as storyline precursors to their following expansions such as Christie Golden’s Warcrimes that came before the Warlords of Draenor expansion. But this time around I was able to read the two most recent books that tie into the storyline and set the pace before the coming expansions.
My first run in with reading a book that precedes their video game counterpart was Christie Golden’s Before The Storm, which I absorbed via the audiobook while it was available for free on Blizzard’s YouTube channel. I really enjoyed reading this novel and it certainly amped up my own excitement for the following expansion, Battle for Azeroth to come out shortly after. While I wouldn’t say BFA was my favorite expansion by any means, it was really neat to get a look at the upcoming storylines and to get a better understanding of the overall tone and direction of the expansion in preparation for release.
Since I had such a great experience with reading previous Warcraft novels as well as Before the Storm, I thought why not read Madeline Roux’s Shadows Rising as well. I, as well as many of my friends and guildies were incredibly excited for this next expansion to come out, and while the news of the delay was not what many players wanted to hear, I can’t deny that I personally, was pleased to have more time to finish reading Shadows Rising before BFA is officially over. Now that I’ve finished reading it, I’d like to discuss my thoughts on the two books and how they compare.
Before the Storm
As mentioned, this was my first time reading a Warcraft novel in preparation of an upcoming expansion and I very much enjoyed it. Even though I did read it via audiobook, Josh Keaton did a wonderful job narrating the story in a clear, enunciated way so I could easily digest what I was hearing. Personally, I think the novel was expertly written, the pacing was excellent and kept me hooked the entire time, and Golden aptly captured the essences of all our beloved fantasy characters. However, as someone who plays the game on both sides—Horde and Alliance—I can very clearly see why many readers complained about the Horde side of the story not being adequately portrayed or there at least not being enough page time for the Horde experience. I personally agree that the story overall leaned quite heavily into the Alliance perspective and that of the Horde experience that was depicted, was mostly negative and revolved around Sylvannas being a bad person. I am not sure how much of this was intentional since the game itself receives a lot of criticism from Alliance players who believe Blizzard favors the Horde and therefore typically tends to give them the better stories, but I can’t help but feel for Horde readers who were looking for more out of this book. Overall, I would give it a 4-star rating since the writing is excellent, there are many heart-felt relatable moments, and the story is very well crafted. But it is true that the story leans heavily in favor of the Alliance perspective.
Shadows Rising
Can I just.
This book was phenomenal. The writing incredible, the characters believable and compelling, and the story felt very, VERY well balanced between the Horde and Alliance perspectives. I really enjoyed playing through the Horde story in BFA and getting to see all the characters I came to love throughout that story come to life again in the novel was really great. I read this book via the audiobook and the hardcover and although Susan Wokoma’s character voices took some getting used to, her narrating was spectacular. I would give this book a 5-star rating because everything—from compelling characters and enchanting settings, to expertly woven plotlines and pager-turner pacing—was on point and that Horde/Alliance balance was certainly there as well. While I don’t necessarily think this novel contained anything we particularly needed to know for the upcoming expansion, it served to revamp my own excitement for Shadowlands.
I really enjoyed both of these Warcraft novels and I will likely read more of them in the future. I don’t think either writer is better than the other—they simply had different writing styles and different stories to tell. I think it is important for video game lore like with the Warcraft novels, that if there are two sides to the story, readers from either side feel equally included and there is equal coverage of the Horde and Alliance perspective throughout. If I had to pick one over the other, I would say Shadows Rising would be my favorite of the two. Perhaps I am just biased towards our Zappy boy.
One thing is true for both of these novels and that’s that they got me really excited for the expansions following in their wake. Before the Storm sowed the seeds of Sylvannas’ treachery and established Anduin’s altruism and Shadows Rising shows how the Horde and Alliance tries to mend themselves after the fourth war and sets the stage for players and readers alike to venture into the Shadowlands. Both stories serve as a hype device, but they also tie up loose ends in the stories, lend insight into character motivations, and help establish the tone and direction for the coming expansion.
And that’s it for my double book review special covering Before the Storm by Christie Golden and Shadows Rising by Madeleine Roux. What did you think of these novels? If you haven’t reads them yet, please check them out at the links below. How did the make you feel about the expansions coming after them? Are you excited for Shadowlands? Let me know in the comments below!
Mentioned in this blog post:
Before The Storm by Christie Golden
Shadow’s Rising by Madeline Roux
War of the Ancients by Richard A. Knaak
World of Warcraft Shadowlands Expansion Delayed
BlizzardWatch’s list of all Warcraft Stories in Print (Not Mentioned, but useful)
—Payton
Book Review: Wildefire Trilogy by Karsten Knight
It’s been on my to-be-read list for quite some time now, and I fear I might not have seriously picked it up if it weren’t for COVID-19. But I am SO glad that I did, because once I got into it, I couldn’t stop. I binged the series in less than a week and found myself highlighting passages because the writing was JUST.THAT.GOOD.
This is a spoiler-free review!
Hi readers and writerly friends! Below is my review of Wildfire Trilogy by Karsten Knight! Check out my other book reviews here!
Wildfire By Karsten Knight
This book review starts with my first-ever book hunt in my Midwest City Dollar-Tree. I was shopping for some containers and noticed the store had an awful lot of books and many of them I’d either seen before, heard of the authors before, or the covers were just so gorgeous that I couldn’t help myself. I think I left the store with 20+ books. And guess what book just happened to be amidst all those tomes I scurried out of the store with? That’s right—the aforementioned Wildefire by Karsten Knight. I had no clue what this book was about. I’d never heard of the author or the title and the only reason I bought it was because the lovely cover sucked me in, and the punchy writing kept me hooked. It’s true, I totally judge books by the cover.
It’s been on my to-be-read list for quite some time now, and I fear I might not have seriously picked it up if it weren’t for COVID-19. But I am SO glad that I did, because once I got into it, I couldn’t stop. I binged the series in less than a week and found myself highlighting passages because the writing was JUST.THAT.GOOD.
As per the Wildefire Goodreads page:
Every flame begins with a spark.
Blackwood Academy was supposed to be a fresh start for Ashline Wilde. A secluded boarding school deep in the heart of California’s redwood forests, three thousand miles from her old life—it sounded like the new beginning she needed after an act of unspeakable violence left a girl in her hometown dead. But Blackwood is far from the peaceful haven Ashline was searching for. Because terrifying, supernatural beasts roam the forests around campus. Because the murderer from Ashline’s hometown—her own sister—has followed her across the country. Because a group of reincarnated gods and goddesses has been mysteriously summoned to Blackwood...and Ashline’s one of them.
—Karsten Knight, Wildefire, Goodreads.com
I can confidently say, that if you enjoyed reading ANY of Rick Riordan’s mythological fiction, you would likely love this series. I would categorize it as a mythological thriller because it revolves around reincarnated gods and goddesses from all different kinds of mythologies including Norse, Greek, Roman, Polynesian, Japanese, Mayan, and Aztec, and it was an absolute page turner! Without spoiling, the YA fiction is centered around the main protagonist Ashline Wilde and her newfound friends at Blackwood Academy in Southern California. She and her friends find themselves face-to-face with some unsettling foes—the seemingly nefarious cloak, inky, black creatures with singular blue flames for eyes. They are all given unique quests to carry out as they familiarize themselves with their own newly realized god/goddess abilities and struggle to fit in with their mundane, human classmates. However, school life quickly becomes the least of their worries when Ashline’s treacherous older sister appears out of the blue, other gods force Ashline and her friends to go on the offensive, and schoolmates end up caught in the crossfire.
I of course, don’t want to give too much away because I implore you, dear readers, to please give this series a try. The pacing was fantastic (and kept me turning pages into the wee hours of the night), the characters were compelling as all-get-out, and the prose was simply exquisite.
I can only describe Wildefire by Karsten Knight, through the title—a ruthless wildfire that swept through me, a ravenous hunger to breathe, sleep, eat, and drink in the entire story until I’ve had my fill. Unfortunately, now that I’ve actually finished it, I can’t help but want more. This story was a whirlwind of romance, mythos, angst, and a deep desire to belong. It was a wild ride and I enjoyed every second of it.
Every one of the characters are carefully constructed. You can clearly tell that Knight took his time fleshing out each character from the names down to their personality traits and compelling developments over the course of the trilogy. Everything was intentional. At times, I saw myself in Ashline Wilde, and at others, she felt like my best friend—as if we’d known each other forever and I was just now embarking on this insane journey with her. Books that achieve this level of relatability in the character-reader relationship can hard to find. Each and every character is meaningful and when some of them leave the story, it comes like a punch to the gut.
If you need more reasons why I LOVED this series, I’ve left a few below:
The writing—duh! Fantastic, believable, well-written prose laced within an excellent premise that upsets me for the sheer fact that I had not come up with it first.
Compelling, relatable characters that make you swoon, cry, and grit your teeth.
Knight’s expert ability to weave and interweave plots within plots to create a constantly enthralling and complex storyline that is guaranteed to keep you turning pages.
The mythology. Like I said, if you enjoyed Percy Jackson or any of Rick Riordan’s prose, you would likely enjoy this series simply for the employment of many different kinds of mythologies. The mythos used in Karsten Knight’s Wildefire is well-researched and expertly infused within believable character development. It doesn’t seem forced at all and where creative license is used, it is minimal and justified.
While it’s a paranormal YA fiction, set (initially) against the backdrop of a boarding school, Knight’s take on centuries’ old mythology and paranormal romance is new, interesting, and refreshing.
But don’t just take my word on it. Read it for yourself here.
And that’s it for my spoiler-free review of Karsten Knight’s Wildefire trilogy. As promised, there’s a personal life update just below here, but I wanted to thank all of you who took the time to read this review. It honestly means the world to me. If you enjoyed this post, please consider signing up for my newsletter here! Tweet me or comment below if you decide to read this book and let me know what you thought of it!
Read more of my book reviews!
—Payton
Book Review: Good Morning Good Life by Amy Schmittauer Landino
Good Morning, Good Life, readers and writerly friends!
This is a spoiler-free review!
When life gives you lemons, you write a book review, right? No? Just me?
In any case, I hope you all are doing well and being safe during this COVID-19 mess and I hope things will start to brighten before long. If you’re new to this site, I encourage you to stick around and check out some of my other blog posts! (You’ll find out pretty quickly that I am part of the Amy-llion club too!) No need to be sour about this book—let’s get into the review! 🍋🍋🍋
If you’ve followed me for any considerable amount of time, then you know I RAVE about Amy Landino. Honestly, I can’t get enough of her and all of the wonderful, actionable advice she puts out into the world. And not to mention—she has SUCH an aesthetic. Like, wow, I’m living for the berry pink and lemon vibes.
Amy Landino is known for her incredibly useful lifestyle-type videos on YouTube—one of which, titled “*ACTUALLY* WAKE UP EARLY | my 7 tips” has garnered her a lot of attention from viewers and aspiring entrepreneurs around the world. She’s an award-winning YouTuber, bestselling author, lifestyle coach, entrepreneur and fabulous podcast host. She claims she’s obsessed with helping people go after the life they want and is also the founder of her own company dedicated to doing so—GATLUW House. She’s helped thousands of people (including myself) redesign their lives their way.
Click here to watch Amy’s video, *ACTUALLY* WAKE UP EARLY | my 7 tips
So, after reading her first book, Vlog Like A Boss, and becoming a lifelong fan/follower of hers, it’s safe to say I was definitely picking up her next book. Good Morning, Good Life released in December of 2019 and now that we’ve all had a few months (and not to mention extra time thanks to COVID-19) to pick up this book and sink our teeth into it, let’s get into the tea—or lemon water if you’re a true fan. 🍋💦
I am absolutely obsessed with everything to do with habits, habit-change, productivity, and routines, so when Amy said she was writing a book focused on helping people go after their perfect mornings, I was stoked! I pre-ordered my copy of GMGL, and when it arrived in the mail, I was ready to crack open the cover and get reading. Not only did I get the paperback version, but I also purchased the audiobook as well, so I could read them in tandem. (I have a whole blog post about immersion reading with audiobooks and you can check it out here!)
The book starts off with a behind-the-curtains look at what life was like for Amy before she became the thriving businesswoman, we all know from her YouTube channel. She talks about her experience working a 9-to-5 job, trying out for a marathon race, and the pivotal, aha-moments in her life that pushed her in the direction of her success. Layered on top of this insightful narrative, is Amy’s actionable advice for crafting a truly magical morning.
The book is broken up into five sections—Decide, Defy, Rise, Shine, and Thrive. Throughout these sections, she offers action steps that ask probing questions to get the reader thinking, “What’s a moment that you remember being truly excited about something?” or “On a scale of 1-to-10, how well do you sleep?”. She includes writing exercises to get readers truly motivated and ready to make a difference in their mornings and ultimately, their quality of life. Additionally, she includes “Good morning” stories from her colleagues, and fellow YouTubers to offer up extra insight into the mornings of successful people she’s come to know over the years.
3 Stars —⭐⭐⭐
The novel has been dubbed an Amazon bestseller and has garnered rave reviews from readers across the globe, both on Amazon and Goodreads. However, it isn’t all sunshine and rainbows in the comments. Many readers have come out saying that the book isn’t all it’s cracked up to be. Readers with children argue that Amy’s advice is not really applicable or useful for them since she doesn’t have children herself and doesn’t know what it is really like to try and design a morning around them. In the book, she acknowledges this fact and urges readers to hear her out and set aside any excuses they may have in order to give her advice an honest try.
I personally enjoyed the book on a surface level—knowing it was content that Amy created and by reading it, I was getting to know her better and I was able to support her. However, despite my love of Amy’s style and content, I found the book did not live up to the hype. But before you all come for me, I just want to clarify—if you’ve never seen any of Amy’s work and have never heard her advice, this book is EVERYTHING.
It really does give you a great look into how to design a morning that works best for you, that gives you time for yourself, and ultimately allows you to practice self-love in whatever form it comes. And as a woman in her twenties without children, I found this book to be extremely insightful and useful. But in reading this book, I quickly realized, it had no NEW information to lend readers. With that being said, aside from the actual advise, Amy gives us a little narrative and peek into her life before YouTube and being a business owner which I enjoyed.
You can find me on Goodreads here!
So, what did you think of Good Morning Good Life? Was it helpful to you? What did you think of this review? Do you agree or disagree with anything I said? Let me know in the comments below!