YA Myths Debunked! 3 Massive Young Adult Fiction Misconceptions That Need Clarification

Hi readers and writerly friends!

I’m back again this week with 3 YA Misconceptions that just need some clarification. So grab your magnifying glasses and sleuthing caps because we’re going debunking!

These are just a few widely-believed, yet completely false views on young adult fiction.

1. YA Fiction Is Free of Cursing/Swearing and Sex.

Totally False. 😂

According to the Chicago Tribune, “The most recent Gallup Youth Survey addressing the issue of swearing was published in 2001 and found that 46 percent of surveyed teens ages 13 to 17 used profanity at least several times a week or daily, while 28 percent said they heard their parents cursing a few times a week or on a daily basis.”

You can read more from the Chicago Tribune’s article “Youth Swearing: A Curse On the Rise” by Melanie B. Glover here. 

Since most kids/teens come into their own way of speaking during their teens, it’s not completely out of the question that YA Fiction contains swearing. Most American teens swear so it makes sense that literature would mirror reality if not for the authenticity of depicting the real-life teenage experience, than to at least lend a hand to the relatability of a story and it’s characters.

However, this myth might have gotten its start from a subcategory of YA Fiction called “Clean Reads” which is named after and created by Clean Reads Press (Formerly Astraea Press). As per the Clean Reads Website, the press is proud to offer wholesome reading without compromise. They “don’t believe a story has to have profanity, sex, or graphic violence to catch a reader’s attention. Our stories – rich and vibrant with life – leap from the page, welcoming readers to a world they’ll remember long after the last words are read.” -Stephanie Taylor of Clean Reads Press.

Read more about Clean Reads Here.

While there are many wonderful written books out there that are free of profanity or mature content, sometimes readers prefer a little more sauce in their reading experience. This goes for YA Fiction as well. Similar to the presence of swearing in YA Literature, sex and graphic violence are also present there. Just because YA stands for Young Adult, doesn’t mean that it’s always intended for older kids and teens. Many adults read Young Adult fiction because of the key characteristics of the genre that are just not as prevalent in more notably adult genres.

However, writers expecting younger audiences to read their work should take care to not overuse F-bombs or involve too many details in sexually suggestive or graphically violent scenes in order to avoid limiting themselves. It is easier to market a more suggestive novel to upper YA and adult readers and more G-rated literature to lower YA and children readers. Much like the TV Content Rating system, the key difference in YA and Adult literature is the severity in explicit detail of sex/sexually suggestive scenes, violence, and amount of swearing. It all boils down to how the scenes are written.

2. YA Fiction Doesn’t Contain Heavy/Dark Subject Matter

Piggybacking on the first YA Misconception, many readers believe that young adult fiction is clear of any mention of heavy topics or dark subject matter. For whatever reason, many believe that because the seemingly angelic moniker might suggest the YA fiction genre is geared towards younger audiences that it can’t possibly be graphic, or violent, or involve discussion of taboo, difficult to breach, or problematic topics and this is simply just not true.

One prime example of this is Suzanne Collin’s Hunger Games, a dystopic YA novel in which children are forced to slaughter each other on the battleground in an annual event watched by millions for sport. Only, that’s not how its marketed, nor is it how it’s written. The thing is, the story breaches many hard-to-reckon with subjects and dark topics, but its all in the way these things are presented. It’s not like teens are reading explicit descriptions of children hacking and slashing at each other and imagining the overly-detailed images of the bloodshed they’re reading about—no, the story is presented as that of survival. Collins wastes no time on lengthy, bloodcurdling descriptions of child-violence. Instead, she gives the bare bones descriptions and spends more time on the pacing, emotions, character-building, and other story-telling elements that made Hunger Games one of, if not the most successful dystopian YA fictions of this decade.

Much like the use of sex/profanity/violence in YA literature, books geared for younger audiences can also contain dark/heavy subject matter. It’s all in the way it is written. Many of my favorite YA reads are pretty dark, but they key difference is that they are not graphic or overly-explicit.

3. YA Is Simple/Juvenile

Many non-YA-readers seem to think that—once again, due to the name YA—since young  adult fiction is directed primarily at younger audiences, the writing must have to be “dumbed down” or simple for older kids and teens to absorb and understand. However, once again this is just another ridiculous misconception for the young adult genre. As a writer, one of the very first rules I learned was to “never write down to your audience” and instead, writers should write their stories exactly as they feel they should be told, and expect readers to rise to the occasion.

Many adult readers believe that YA fiction is juvenile and thus, “not quite as literary,” or not as deserving of the same merit as adult fiction. However, this view is more indicative of the readers than the literature itself. Readers who say this, must not be well-read in the YA genre and therefore are not as familiar with the higher level of writing common to most YA novels. Unfortunately, there are a decent amount of flashy, big-name novels that ruin it for the genre as a whole, and this may be where this misconception stems from. That being said, I can’t ignore the fact that this view is a broad-sweeping generalization that would likely have people believing it if more people read more YA fiction.

Additionally, some of the most beautifully woven prose comes from the YA fiction genre and many stubborn, ignorant adult readers are doing themselves a great disservice by avoiding the genre altogether because they’re worried the writing won’t be of a high enough caliber for their enlightened minds to consume. (That sounded petty, but it’s not, I promise.) The interesting thing is, nearly 55% of YA titles are purchased by adults, according to a 2012 article by Publisher’s Weekly:

“More than half the consumers of books classified for young adults aren’t all that young. According to a new study, fully 55% of buyers of works that publishers designate for kids aged 12 to 17 -- known as YA books -- are 18 or older, with the largest segment aged 30 to 44, a group that alone accounted for 28% of YA sales. And adults aren’t just purchasing for others -- when asked about the intended recipient, they report that 78% of the time they are purchasing books for their own reading. The insights are courtesy of Understanding the Children’s Book Consumer in the Digital Age, an ongoing biannual study from Bowker Market Research that explores the changing nature of publishing for kids.” -Publisher’s Weekly.

Read more from the article here.

If that wasn’t enough to convince you, that this misconception is completely unfounded, I should add that it really gets my goat when people use this as an excuse to avoid YA fiction. People who look down on the YA genre because its “lesser” or “juvenile” because it is geared for younger audiences are just uninformed and spreading a misrepresentation of the genre as a whole. Additionally, many adult readers seem to think that YA fiction is somehow easier to write and thus, sell due to this misconception, but I digress. YA is not dumbed down, and nor is it simple. There is plenty of beautiful, elegant, and complex prose within this genre.

And that’s it for my top 3 biggest misconceptions about the YA genre. Have you ever heard any of these misinformed views before? Did you think any of these were true? Did I change your mind? Let me know in the comments below!

Thumbnail photo by Element5 Digital.

—Payton

Editing Misconceptions - Editors Are (Not) Monsters

Black eyeglasses beside a notebook and candle. Photo by Marissa Grootes.

Many people tend to think of editors as the snobby grammar police with their red pens, monsters bent over their keyboards ravenously devouring manuscripts in search of every possible formatting or grammatical error…

Okay, maybe that’s not quite the image that comes to mind for you, but editors are usually not painted in a flattering light, because many creatives don’t know how to take (constructive) criticism. However, these depictions are just simply not true. When it comes to your manuscript- we get it. It’s your passion project, your lifelong dream, your baby. It’s precious to you, and the idea that you’d entrust it to someone else’s eyes is almost mind-boggling, let alone leaving it up to critiquing- that’s downright unthinkable (and brave).

Here’s the truth: editors are not in it to tear your manuscript (and your dreams) to shreds. Yes, there might be some uncomfortable things that need to be addressed in the process of editing your manuscript, however editors aren’t here to just shoot you down, they’re here to help you.

Think of it this way, for an effective editorial process, writers must view their editors as their partners. Editors are like those friends that tell you about the lipstick on your teeth.

You may not always want to hear the comments editors make, but ultimately, we’re here to help you. We want to see you succeed. We want you to be able to connect with your readers. We want to watch a beautiful creation emerge and to see your passion project come to fruition.

Want to know why you need an editor? Click here to learn more!

What did you think about this hot take on editors? Do you agree or disagree? Let me know in the comments below!

—Payton