How To Submit Your Work To—And Get It Published In—Literary Journals In 2024!
If you’re reading this blog post, you’re probably a creative or literary writer looking to share your work with the world! Whether you’re a seasoned author or debut writer, literary journals (also called literary magazines) are a great way to get your work out there! Literary journals are periodicals that are committed to publishing the work of writers at all stages of their careers. Most literary journals publish poetry, prose, flash fiction, and essays, but many of them publish photography, paintings, and other visual art as well!
With 2023 wrapping up and the new year just around the corner, I thought it would be helpful to share some amazing resources for writers looking to submit their work in 2024! Many literary journals are still accepting submissions into 2024 and there are plenty of publications looking for high-quality writing for their next issue! Below is an in-depth guide for submitting your writing as well as a list of my top Oklahoma-based literary journals that I’d recommend submitting to!
Hi readers and writerly friends!
I hope you’re staying warm and enjoying the holidays! If this is your first time visiting my blog, thanks for stopping by, and if you’re a returning reader, thanks for coming back! I haven’t posted in a while due to obligations in my life outside the blog, but I am hoping to post more in 2024! That being said, let’s get into the post!
You’re going to want to get your bookmark button ready because there’s a ton of useful links in this post! 🔖
If you’re reading this blog post, you’re probably a creative or literary writer looking to share your work with the world! Whether you’re a seasoned author or debut writer, literary journals (also called literary magazines) are a great way to get your work out there! Literary journals are periodicals that are committed to publishing the work of writers at all stages of their careers. Most literary journals publish poetry, prose, flash fiction, and essays, but many of them publish photography, paintings, and other visual art as well!
With 2023 wrapping up and the new year just around the corner, I thought it would be helpful to share some amazing resources for writers looking to submit their work in 2024! Many literary journals are still accepting submissions into 2024 and there are plenty of publications looking for high-quality writing for their next issue! Below is an in-depth guide for submitting your writing as well as a list of my top Oklahoma-based literary journals that I’d recommend submitting to!
Know Your Market
First off, do your research! The next couple of points go hand-in-hand with this idea, but to ensure the best possible chance at success with your submissions, please, please do your research rather than submitting blindly. As per Poets & Writers, “Your publishing success rests on one axiom: Know your market.”
I recommend starting with Poets & Writers’ wonderfully thorough guide to Literary Journals and Magazines where you can find details about the specific kind of writing each magazine publishes and in which formats, as well as editorial policies, submission guidelines, general expectations, and contact information. They also have an amazing database of nearly one thousand literary magazines and journals, as well as a helpful submissions tracker so you can easily keep track of which journals you’ve submitted to, how many times you’ve submitted a poem, story, or essay; the amount of money you’ve spent on fees; the status of your submissions; and how much time has passed since you submitted your work all in one place online.
Poets & Writers’ Literary Journals and Magazines Guide (🔖Bookmark this!)
Poets & Writers’ Literary Journals and Magazines Database (🔖Bookmark this!)
Most writers get the attention of editors, agents, and other writers by first publishing their writing in literary magazines or literary journals. (Many literary magazines and journals will offer you a modest payment for the writing they accept, sometimes by giving you a free copy, or contributor’s copy, of the issue in which your work appears.) Before beginning the submission process, it is essential to research the market to determine which publications are the best venues for your writing. Your publishing success rests on one axiom: Know your market.
—Poets & Writers
Some other useful resources courtesy of Poets & Writers include:
Poets & Writers’ List of Open Reading Periods: Journals and Presses Ready to Read Your Work Now (🔖Bookmark this!)
CLMP ‘s Directory of Publishers (🔖Bookmark this!)
New Pages’s Literary Magazines Guide (🔖Bookmark this!)
Heavy Feather Review’s Where To Submit List (🔖Bookmark this!)
Duotrope - An amazing paid resource with SO many useful features from a publishing database with over 7,500 active publishers and agents, news pages, publishing statistics and reports, a submission tracker, theme and deadline calendar, and interviews from editors and agents that can provide insight into specific publications.
Along with the aforementioned guides and resources from Poets & Writers, I also recommend Writer’s Market, Poet’s Market, and Novel & Short Story Writer’s Market, all published by Writer’s Digest Books, and give detailed contact information and submission guidelines.
Submission guidelines and other things to consider
When researching your literary magazine presses, be sure to keep in mind the following questions:
What kind of work is being published?
How often do they publish?
What are their submission guidelines?
Do they allow simultaneous submissions?
Do they require previously unpublished works?
In what ways does this publisher “pay” contributors for their work—cash reward or free copies of the finished publication?
Does this journal offer awards to high-quality submissions?
Can you purchase additional copies or is there a limit per contributor?
Where and how does this journal accept submissions?
What is the contact information for this publisher in the event that you need to withdraw your submission?
What experiences have other contributors had with working with this magazine? Is the communication clear and open?
What is the turnaround time for approval and rejection letters?
Does this journal offer alternative publishing options such as online exclusives or in weekly newsletters?
These are just a few questions to keep in mind when submitting your work to literary journals. I personally try to keep a variety of large and small journals, and those that accept submissions year-round (rolling submissions) or multiple times throughout the year, on my calendar.
Literary Market Place (Book-mart Press) has larger publisher and literary agent listings, and The International Directory of Little Magazines & Small Presses (Dustbooks) is a print directory you can find on sites like Amazon. You can also utilize their online database.
Finding the right publisher for your writing
Not all publishers are created equal and not all books are “big five” books. What I mean by this is that not every book—or piece of writing—will get published by one of the big five publishers and not every book is going to be on one of The New York Times’ bestsellers lists. But this isn’t inherently a bad thing. Some books are best suited for bigger publishers while others are best suited for smaller publishers and publishing your work with the right press is critical for success in the publishing industry. The same is true for literary magazines. Not every work is suited for The New Yorker or Poetry Magazine.
There are many pros and cons to publishers of all sizes, but the primary difference is that big publishers often have more resources and a wider audience reach, but they are often far more selective when it comes to which books they publish. On the other hand, smaller publishers may not have the clout that big publishers do but they often are more intimate and personal when it comes to submissions, communications, and the publishing process. Additionally, big publishers usually have bigger marketing budgets, while small publishers often allow greater creative control when it comes to decision-making in the publishing process. Alternatively, there are medium-sized publishers that tend to have the best of both worlds and fall somewhere in between. If you’d like to read more about the pros and cons of publishing houses of all sizes, check out this fantastic article from Publishers Agents Films.
That being said, I think you should absolutely shoot for the stars when submitting and querying. I can’t help but think of the Wayne Gretzky quote, “You miss 100% of the shots you don’t take.”
A screencap of Michael Scott from The Office, courtesy of NBC and Katherine Arnold.
And Gretsky is 100% correct. However, when it comes to the publishing industry, success doesn’t happen by accident or luck alone. Writers must be selective and strategic in their submission process, just like publishers. It is important to be realistic about what kind of publishers will be the best for your work—it’s just a matter of good fit.
Below are some great articles about working with small versus large presses.
“Small Press Vs Big Press: What Is The Difference?” by Winnifred Tataw of Win’s Books Blog
“The New York Times Bestseller List.” by Seth Godin of Seth’s Blog
“The Big Five US Trade Book Publishers.” by Ali of The Critical Thinker
“Big Six Publishing is Dead–Welcome the Massive Three.” by Kristen Lamb
Publisher tiering and simultaneous submissions
Once you understand the benefits and drawbacks of small, medium, and large presses, one way to prepare for submissions is by tiering prospective publishers. I first learned about this process from Clifford Garstang, author of Oliver’s Travels and other novels, and editor of the acclaimed anthology series, Everywhere Stories: Short Fiction from a Small Planet.
Tiering is an aid to simultaneous submissions that groups the best magazines together in the top tier, somewhat less prestigious magazines in the next tier, and so on. It is advisable to submit work to the top tier first, or at any rate within the same tier, so that an acceptance by one, which requires withdrawal from the others, won’t be painful. (If you get an acceptance from a lower-tier magazine while you’re still waiting to hear from a higher-tier magazine, that could lead to a difficult withdrawal. Withdrawal is ethically required, but what if the higher-tier magazine was about to accept the piece?) So, I decided to rank literary magazines—first in fiction, because that’s what I was writing, but later in poetry and nonfiction because many people requested that—to help me decide where to submit. In theory, I would aim toward the top of the list and work my way down until someone finally accepted my story.
—Clifford Garstang
Garstang meticulously prepared a wonderfully helpful ranking chart for 2023 Literary Magazine Rankings. I have no doubt these rankings will look quite similar, next year as well, but until we have an updated list, I’ll be going by his 2023 list.
Calendar blocking submission deadlines
Another great way to prepare for submitting your work in 2024, is to block out submission windows for all the presses you’re interested in submitting to. I typically keep my favorite fifteen literary journals' submission windows in my Google Calendar and a master list of many other potential magazines' submission windows, organized by date, in a Google doc. That way, I keep the top fifteen literary journals I’d like to publish with at the forefront of my mind and I can easily find other publishers throughout the year. I’d recommend researching literary magazines at all levels in your desired category—poetry, prose, essays, and visual art and making your own master list that is tailored to your work. Making a specific list based on your work will prove far more useful to you than simply going by my list.
Pro Tip: You can either block out submission openings AND closings or just the openings. In the image below, you can see that I usually just block out the opening dates and assume any blocks of time without that event means they’ve closed.
A screencap of Submission Calendar Blocking in Google Calendar. Photo by Payton Hayes
A photo of Nimrod International Journal Fall 2023 issue, Awards 45 on a wooden side table. Photo by Payton Hayes.
Keep a consistent submission schedule and carve out time for rituals
In addition to tracking submission deadlines, it is also a good practice to make and keep a consistent submission schedule for yourself. Once you’ve got a couple of pieces that you feel confident in publishing (and have been edited and proofread), start sending out a couple of submissions each week. I also suggest creating some sort of rejection ritual. You will inevitably face rejections, but instead of letting them get you down, let them be part of the process. Whenever you receive a rejection letter, print it out and burn it or tape it to your writing desk as motivation to keep writing and keep submitting. Likewise, come up with some kind of acceptance ritual—some way to celebrate each of your accepted submissions. No matter the amount of rejections you receive, don’t get discouraged! It just takes time and perseverance. The more you submit, the easier the whole process will get, I promise.
Besides, sometimes even if you don’t get accepted, you still get a freebie out of it in the end and who doesn’t like free stuff? I submitted to Nimrod International Journal in 2023 and while none of my submissions were accepted, they still sent me a free copy of the issue I submitted to. If I’m honest, I wasn’t expecting them to send me a free copy—they send one free copy out to all contributors, but since I was rejected, I didn’t think I counted as a contributor—and it sort of felt like a tiny slap in the face. But after some time passed, I realized it wasn’t personal and was grateful to have the free copy.
Oklahoma Literary Journals
As a writer and editor based in Oklahoma, I’m pretty familiar with the literary scene here in the scissortail state and I’d like to take a moment to share a few of my favorite literary journals that I’ve personally had the pleasure of working with.
New Plains Review - January 15 for the Fall 2024 issue and July 15 for the Spring 2025 issue
New Plains Review, a student-run literary journal at the University of Central Oklahoma, proudly receives hundreds of submissions from all over the world. Keeping with the University of Central Oklahoma’s goals of both excellence and diversity, it is our mission to share with our readers thought-provoking, quality work from a diverse number of authors and artists around the world. We are eager to help these creators broaden their audience and reinforce the importance of the arts in our everyday lives.
1890: A Journal of Undergraduate Research - September 15
The purpose of 1890: A Journal of Undergraduate Research is to provide undergraduate students the opportunity to demonstrate their interests and abilities in various disciplines by accepting works of research, creative writing, poetry, reviews, and art. New Plains Student Publishing uses 1890 to encourage, recognize, and reward intellectual and creative activity beyond the classroom by providing a forum that builds a cohesive academic community.
The Central Dissent: A Journal of Gender and Sexuality - Opening summer of 2024
The Central Dissent: A Journal of Gender and Sexuality is an interdisciplinary academic journal produced by New Plains Student Publishing and sponsored by the UCO's Women’s Research Center as well as the LGBTQ+ Student Center. Being the first and only academic journal focused on gender and sexuality in Oklahoma, our mission is to gather and disseminate quality research, poetry, and academic reviews that explore gender theory, gender identity, as well as how race, class, and ethnicity shape society’s expectations of the individual both currently and historically.
Pegasus - Opening in early 2024
Pegasus is the annual literary journal of original art, poetry, photography, personal essay, and fiction by Rose State College students, faculty, and staff. 2024 Submission deadline to be announced.
Nimrod International Journal of Poetry and Prose - January 1 to October 1 for general submissions in prose and poetry and January 1 to April 1 for the Nimrod Literary Awards contest
Nimrod International Journal welcomes submissions of poetry, short fiction, and creative nonfiction. We publish two issues annually. Our spring issue is thematic, with the theme announced the preceding fall. Previous themes have included Writers of Age; Range of Light: The Americas; Australia; Who We Are; Islands of the Sea and of the Mind; The Arabic Nations; Mexico/USA; and Crossing Borders. The fall issue features the winners and finalists of our annual Literary Awards. In most cases, both issues also contain work accepted as general submissions throughout the year.
Literary Magazines currently accepting submissions into 2024
Erin Duchesne of Make A Living Writing has compiled a fantastic list of 18 Literary Magazines Accepting Submissions in 2024 so I figured I’d include a condensed version of it here as well as a link back to the article for your convenience.
Literary journals with submissions open year-round:
Asimov’s Science Fiction - Rolling Submissions
Harper’s Magazine - Rolling Submissions
Narrative Magazine - Rolling Submissions
The Sun Magazine - Rolling Submissions'
The New Yorker - Rolling Submissions
Literary journals with one submission deadline:
Ploughshares - June 1 to January 15
POETRY Magazine - September 16 to June 14
The Sewanee Review - September 1 to May 31
The Georgia Review - August 16 to May 14
The Kenyon Review - September 1 to 30
Literary journals with multiple submission deadlines:
AGNI - September 1 to December 15; February 14 to May 31
The Iowa Review - August 1 to October 1 for fiction and poetry; August 1 to November 1 for non-fiction
The Gettysburg Review - September 1 to May 31; graphics accepted year-round
New England Review - September 1 to November 1; March 1 to May 1
Swamp Pink - September 1 to December 31; February 1 to May 31; prize submissions are accepted in January
The Paris Review - March and September for prose; January, April, July and October for poetry
Granta - March 1 to 31; June 1 to 30; September 1 to 30; December 1 to 31
Literary journals with submissions opening soon:
One Story - Opening in early 2024
Although this list is a great place to start for literary journals that are currently still accepting submissions going into 2024, I still highly recommend you research your market and put together a tailored list for journals you plan to submit to in the coming year.
And that’s it for my guide to all things literary journals and magazines! This is by far not a comprehensive list, but I tried to be as thorough as possible! What did you think of this guide? Let me know in the comments below! If you know of any amazing resources not listed here, please leave me a comment to and I’ll get them added to this post! Thanks for reading and supporting my work!
Bibliography:
Arnold, Katherine and NBC. “You miss 100% of the shots you don’t take – Wayne Gretzky – Michael Scott” – The Campus Activities Board.” Lanthorn Website, November 25, 2019. (Wayne Gretzky quote/Michael Scott meme from NBC.)
Hayes, Payton. “A photo of Nimrod International Journal Fall 2023 issue, Awards 45 on a wooden side table.” December 18, 2023.
Hayes, Payton. “A screencap of Submission Calendar Blocking in Google Calendar.“ December 18, 2023.
Hayes, Payton. “A photo of several literary journals and an antique typewriter on my home bookshelf.” (Thumbnail image), December 18, 2023.
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How To Organize Your Digital Life: 5 Tips For Staying Organized as a Writer or Freelancer
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Recent posts:
—Payton
Info-dumping in Sci-fiction and Fantasy Novels by Breyonna Jordan
Hi readers and writerly friends!
This week in Freelancing, Breyonna Jordan is taking over the blog to tell you all about info-dumping in science-fiction and fantasy novels! Leave her a comment and check out her website and other socials!
Breyonna Jordan loves exploring new frontiers—underground cities, mythical kingdoms, and expansive space stations, to be exact. As a developmental editor, she relishes every opportunity to help world-builders improve their works and learn more about the wonderful world of writing. She enjoys novels that are fresh, far-reaching, and fun and she can’t wait to see your next book on her TBR list.
Breyonna Jordan is a developmental editor who specializes in science-fiction and fantasy.
What is info-dumping?
When writing sci-fi or fantasy, there’s a steep curve on how much the audience needs to know—a world of a curve in fact.
You may have pages and pages of elaborate world histories that readers must be filled in on—the current and past ruling monarchs, failed (or successful) uprisings, how natural resources became so scarce in this particular region, or why a military state exists in this country, but not in the surrounding lands.
Alternatively, you may feel the need to include pages of small details concerning the settings and characters your readers are exploring. While it’s important to include specific details in your writing—the reader can’t possibly know that the night sky features four moons unless you convey these details—oftentimes, the excess exposition can be overwhelming to readers.
This info-dumping can be a pervasive problem in fiction, maybe even the problem that stops you from finding an awesome agent or from obtaining a following on Amazon.
So, below I’ve offered some tips for spotting info-dumping, reasons for and the potential consequences of info-dumping, as well as several tips for avoiding the info-dump.
How do you identify info-dumping in your manuscript?
A section of your work may contain info-dumping if you find:
you are skipping lines while reading (Brotzel 2020),
the paragraphs are very long,
there is little action and conflict occurring,
your voice (and not your characters) has slipped in,
that it looks like it was copied directly from your outline
To help you get a better idea of what excessive exposition can look like, here are two examples of info-dumping from the first chapter of a sci-fantasy manuscript I worked on:
“Hawk was guarding the entrance to the cave while Beetle went for the treasure. These were not their real names of course but code-names given to them by their commander (now deceased) to hide their true identities from commoners who may begin asking questions. Very few people in the world knew their true names and survived to speak it. Hawk and Beetle knew each other’s true names but had sworn to secrecy. They were the youngest people on their team. Beetle was seventeen with silver hair and had a talent for tracking. Hawk was twenty-one with brown hair which he usually wore under a white bandana. He was well-mannered and apart from his occupation in burglary was an honest rule-follower. Beetle and Hawk had known each other since they were children and were as close as brothers.”
“It is one of the greatest treasures in the entire world of Forest #7. This was thought only to have existed in legend and theological transcripts. This Staff was powered by the Life Twig, a mystic and ancient amulet said to contain the soul of Wind Witch, a witch of light with limitless powers.”
Why do writers info-dump and what impacts does info-dumping have on their manuscripts?
As a developmental editor who works primarily with sci-fi and fantasy writers, I’ve seen that info-dumping can be especially difficult for these authors to avoid because their stories often require a lot of background knowledge and world-building to make sense.
In space operas, for example, there may be multiple species and planetary empires with complex histories to keep track of. In expansive epic fantasies, multiple POV characters may share the stage, each with their own unique backstory, tone, and voice.
Here are some other reasons why world-builders info-dump:
they have too many characters, preventing them from successfully integrating various traits,
they want to emphasize character backstories as a driver of motivation,
their piece lacks conflict or plot, using exposition to fill up pages instead,
they are unsure of the readers ability to understand character goals, motivations, or actions without further explanation,
they want to share information that they’ve researched (Brotzel 2020),
they want readers to be able to visualize their worlds the way they see them
A Hobbit house with wood stacked out front. Photo by Jeff Finley.
Though these are important considerations, info-dumping often does more harm than good. Most readers don’t want to learn about characters and settings via pages of exposition and backstory. Likewise, lengthy descriptions:
distract readers from story and theme,
encourage the use of irrelevant details,
make your writing more confusing by hiding key details,
decrease dramatic tension by boring the reader,
slow the pacing and immediacy of writing,
prevent you from learning to masterfully handle characterization and description
Think back to the examples listed above. Can you see how info-dumping can slow the pace from a sprint to a crawl? Can you spot all the irrelevant details that detract from the reader's experience? Do you see the impact of info-dumping on the author’s ability to effectively characterize and immerse the reader in the scene?
Info-dumping is a significant issue in many manuscripts. Often, it’s what divides the first drafts from fifth drafts, a larger audience from a smaller one, a published piece from the slush pile.
What techniques can be used to mitigate info-dumping?
That said, below are three practical tips to help you avoid and resolve info-dumping in your science-fiction and fantasy works:
Keep focus on the most important details. You can incorporate further information as the story develops. This will allow readers to remain engrossed in your world without overwhelming them. It will also help you maintain a robust setting in which there’s something new for readers to explore each time the character visits.
Weave details between conflict, action, and dialogue (Miller 2014). This will allow the reader to absorb knowledge about your world without losing interest or becoming confused. An expansive galactic battle presents the perfect opportunity to deftly note the tensions between races via character dialogue and behavior. A sword fighting lesson can easily showcase new technology (Dune anyone?). A conversation about floral arrangements for a wedding can subtlysubtely convey exposition. Just make sure to keep the dialogue conversational and realistic.
Allow the reader to be confused sometimes. Most sci-fi and fantasy readers expect to be a bit perplexed by new worlds in the earliest chapters. They understand that they don’t know anything, and thus expect not to learn everything at once. Try not to worry too much about scaring them off with new vocabulary and settings. They can pick up on context clues and make inferences as the story progresses. handle it. If you’re still concerned about the amount of invented terminology and definitions, consider adding a glossary to the back matter of the book instead.
Of course, this all raises the question…
Is it ever okay to info-dump?
You might think to yourself, “I want to stop info-dumping, but it’s so difficult to write my novel without having to backtrack constantly to introduce why this policy exists, or why this seemingly obvious solution won’t end the Faerie-Werewolf War.”
If you’re a discovery writer, it might be downright impossible to keep track of all these details without directly conveying them in text which is why I encourage you to do exactly that.
Dump all of your histories into the novel without restraint. Pause a climactic scene to spend pages exploring why starving miners can’t eat forest fruit or how this life-saving magical ritual was lost due to debauchery in the forbidden library halls.
Write it all down…
Foggy woods illuminated by a soft, warm light. Photo by Johannes Plenio.
But be prepared to edit it down in the second, third, or even fourth drafts.
Important information may belong in your manuscript, but info-dumps should be weeded out of your final draft as much as possible.
Additionally, as I mention often, I am a firm disbeliever in the power and existence of writing rules. There are novels I love that use info-dumping liberally and even intentionally (re: Hitchhiker’s Guide to The Galaxy by Douglas Adams). Most classics use exposition heavily as well and they remain beloved by fans old and new.
However, what works for one author may not work for everyone and modern trends in reader/ publisher-preference regard info-dumping as problematic. Heavy reliance on exposition is also connected to other developmental problems, such as low dramatic tension and poor characterization.
If you are intentional about incorporating large swaths of exposition and it presents a meaningful contribution to your work, then info-dumping might be a risk worth taking. If the decision comes down to an inability to deal with description and backstory in other ways then consider reaching out to an editor or writing group instead.
What are some techniques you’ve used to avoid info-dumping in your story? Let us know in the comments!
Bibliography:
Finley, Jeff. “Hobbit House.” Unsplash photo, February 28, 2018.
Plenio, Johannes. “Forest Light.” Unsplash photo, February 13, 2018.
Miller, Kevin.“How to Avoid the Dreaded Infodump.” Book Editing Associates article. April 14, 2014.
Recent blog posts:
—Payton
20 Poetry Projects Writing Exercise by Jim Simmerman
Hi readers and writerly friends!
Welcome back to my blog! I’m glad you stopped by! This week, I’ll be showing you how to write a poem from a bunch of nonsensical lines. 20 Poetry Projects is a creative writing exercise by Jim Simmerman, taken from The Practice of Poetry, Robin Behn and Chase Twitchell.
In my sophomore creative writing and poetry class, we did this activity and I had a lot of fun with it, so I figured I’d share it with you! Later in this post, I will do a second attempt at this writing exercise with a step-by-step look at my process.
My favorite example of this was “A Thousand and One Nights” written by Margo Roby for the literary journal, Lunarosity. I had this information in my files from school, and couldn’t find the webpage where Margo Roby posted the poem she wrote from this exercise, step-by-step. I did find it on her website so I’ll link that in my bibliography, but if anyone can find the other webpage, please link it in the comments!
20 Poetry Projects by Jim Simmerman
1. Begin the poem with a metaphor.
2. Say something specific but utterly preposterous.
3. Use at least one image for each of the five senses, either in
succession or scattered randomly throughout the poem.
4. Use one example of synesthesia [mixing the senses].
5. Use the proper name of a person and the proper name of a place.
6. Contradict something you said earlier in the poem.
7. Change direction or digress from the last thing you said.
8. Use a word [slang?] you’ve never seen in a poem.
9. Use an example of false cause-effect logic.
10. Use a piece of talk you’ve heard [preferably in dialect and/or which you don’t understand].
11. Create a metaphor using the following construction: The [adjective] [concrete noun] of [abstract noun]…
12. Use an image in such a way as to reverse its usual associative qualities.
13. Make the character in the poem do something he/she could not do in real life.
14. Refer to yourself by nickname and in the third person.
15. Write in the future tense such that part of the poem sounds like a prediction.
16. Modify a noun with an unlikely adjective.
17. Make a declarative assertion that sounds convincing but that finally makes no sense.
18. Use a phrase from a language other than English.
19. Personify an object.
20. Close the poem with a vivid image that makes no statement, but that echoes an image from earlier in the poem. (Simmerman)
I will use these steps when my brain is not behaving, when I have an idea and don’t know where to go with it. There are steps I ignore, but not many. Below is the final draft as published in Lunarosity, a now defunct ezine. I was going nuts while typing the drafts from my old notes. I kept wanting to fix things and get rid of verbs of being. I also had to decipher the original below my first revisions.
I am a concrete person with my writing. When I first tried this, I was sitting on our bed, in Jakarta, because that was my work space. I was feeling downhearted with life — I wrote the first line. I had a small Persian carpet next to me I was staring at while trying to figure out how to do this prompt — I wrote the next line…
1. I am a prisoner without walls
2. among the flowers of my Persian carpet vines/weeds are beginning to sproutOnce I had a focus, a direction, I found the exercise much easier to carry out. I don’t think I can write this exercise without knowing where I am going. It would be interesting to try, though. Randomness has merit. (Roby)
Steps with my first draft
1. Begin the poem with a metaphor.
I am a prisoner without walls
2. Say something specific but utterly preposterous.
among the flowers of my Persian carpet vines/weeds are beginning to sprout
3. Use at least one image for each of the five senses, either in succession or scattered randomly throughout the poem.
They twine and curl reaching for me pulling me down into the fields of silk and wool; as I slide through warp and weft I hear the rustle of thread grasses. My nostrils fill with the pungency of sheep and goats and I taste the dryness of dust.
4. Use one example of synesthesia [mixing the senses].
The dampness of a blue silk river runs through my ears.
5. Use the proper name of a person and the proper name of a place.
Nearby, Omar Khayyam sits writing under a date palm, the white minarets of Nineveh on the horizon.
6. Contradict something you said earlier in the poem.
If a carpet can have a horizon.
7. Change direction or digress from the last thing you said.
The hunt was on; turbaned caliphs on Arabian steeds, bows and arrows slung across their backs, chased a leopard peering forever across his shoulder.
8. Use a word [slang?] you’ve never seen in a poem.
Tally ho and an arrow is loosed never hitting its mark,
9. Use an example of false cause-effect logic.
suspended eternally in mid-air by silken threads.
10. Use a piece of talk you’ve heard [preferably in dialect and/or which you don’t understand].
A thousand throats can be slit by one man running.
11. Create a metaphor using the following construction: The [adjective] [concrete noun] of [abstract noun]…
The towering trees of thought stand in an expectancy of silence
12. Use an image in such a way as to reverse its usual associative qualities.
and I stand in the trap free of danger
13. Make the character in the poem do something he/she could not do in real life.
my arms sliding around the leopard’s golden ruff;
14. Refer to yourself by nickname and in the third person.
Ducky would have run
15. Write in the future tense such that part of the poem sounds like a prediction.
to be hunted forever through threads of colour,
16. Modify a noun with an unlikely adjective.
chased by frozen horses
17. Make a declarative assertion that sounds convincing but that finally makes no sense.
trapped by a web of patterns
18. Use a phrase from a language other than English.
another playmate in the Bokharan fields.
19. Personify an object.
The arrows hum through the staring trees
20. Close the poem with a vivid image that makes no statement, but that echoes an image from earlier in the poem
and I am trapped in a web of patterns.
With a draft to go on, I stopped worrying about the steps. I listed nouns and verbs that fit with Persian carpets and Middle Eastern fairy tales, circled words I wanted to look up for other possible meanings, and started back through this draft, trimming, adding line breaks, making the story active rather than passive. I got rid of lines that I had in only because the exercise asked for them.
I will use these steps when my brain is not behaving, when I have an idea and don’t know where to go with it. There are steps I ignore, but not many. Below is the final draft as published in Lunarosity, a now defunct ezine. (Roby)
A Thousand and One Nights
Among the flowers of my Persian carpet
vines sprout curl twine me into fields of silk
and wool. Sliding through warp and weft,
I hear the rustle of thread grasses, and
my nostrils fill with the pungency of feral cats,
I taste the dryness of dust, and the dampness
of a blue silk river runs through my ears.
A blend and blur of color mark the horizon
spots of russet and black resolving into a hunt
undisturbed by my addition to the scene.
Arabian steeds damp dark with silken sweat,
silent as Attic shapes, prance and wheel
through date palms and trees of fiery-fruited
pomegranate. Turbaned caliphs, bows slung
across their backs, chase a leopard forever
peering over his shoulder. An arrow loosed never
hits its mark eternally suspended by woven
threads. Trees stand in an expectancy of silence
as I move within zig-zags of light and shadow.
My arms slide round the leopard’s golden
ruff and I am bound by threads of color
to be hunted forever through fields of silk and
wool, chased by frozen horses, another
player in the weaving fields of Bokhara. (Roby 2014)
My 20 Poetry Projects poem from 2017
In 2017, my creative writing class did this writing exercise and below is my poem that resulted from it. In the next example further on, I’ve done this exercise again (2022) and I show you my writing process line-by-line like Margo Roby did with hers. This poem was published in Rose State College’s annual literary journal, Pegasus, 2017. It was inspired by Hush, Hush by Becca Fitzpatrick. If you’ve read it, let me know if you catch all the references! (I have no idea who Caroline Janeway is, by the way.)
Angel
You were an angelbut feathers fall like bowling balls
when the air is missing from the room,
from your lungs.
You gasped when I called you out, a
baffled sound, surprised more so, only by
the startling sensation of your wings being torn off.
Though, that warranted bloodcurdling screams,
and rightfully received them.
You had us all fooled with silken lies,
but Caroline Janeway saw you in the back of Al’s
Pool Hall in Roseville, Minnesota, back in 1994.
And last I checked, heaven wasn’t in the back of Al’s Pool Hall.
She said that you were glued to the lips of some chick in a miniskirt,
that you looked like you’d had one hell of a time.
That’s when I put it all together: you weren’t an angel, you never were.
You’ve always been good at bending the truth, though.
Here I was thinking that you’d fallen from heaven,
but really, I’d just fallen for you.
Solitary walks through silent city streets seem to clear the air for me.
You needed to become a part of my past, but how
do I fix the damage that’s been done?
You had a broken halo and I, a broken heart.
I never knew you could be so savage.
The glittering look of endearment in your eyes was
lust and nothing more. I saw so much more.
You, Cupid, loose an arrow; though it sticks I can
no more than despise you, now.
I pluck it from my side, warm, sticky blood
running down in streams.
Janie would have fainted at such a sight.
I’d stand frozen, watching it all unfold before me.
Your bloodied, pristine, feathers litter the ground.
There I stood, trapped by a web of lies.
Yet, la mia anima è libera, my soul is free.
I feel more weightless, now, than any feather ever could.
Though, I suspect that they feel freed from you as well.
You were never an angel but you fell from grace.
I hand you the arrow, dried blood covering the silver tip.
(Hayes 2017, 61)
Revisiting 20 Poetry Projects in 2022
Steps with my first draft
1. Begin the poem with a metaphor.
My father is a rock. He is strong, stable, and enduring.
2. Say something specific but utterly preposterous.
My family stands trapped, smiling behind the glass.
3. Use at least one image for each of the five senses, either in succession or scattered randomly throughout the poem.
The jagged shards are sharp, threatening to cut me and the irony is not lost on me. Holding up the frame to my nose, it smells of old and the figures behind the cracks are quiet and stock-still.
4. Use one example of synesthesia [mixing the senses].
I could almost taste the film of dust around its edges.
5. Use the proper name of a person and the proper name of a place.
The Payton of San Antonio is not the Payton of Oklahoma City, though she takes their riverwalks with her.
6. Contradict something you said earlier in the poem.
My father is crumbling.
7. Change direction or digress from the last thing you said.
My mother is fluid like a river. Fluid, taking up the shape of any container she occupies
8. Use a word [slang?] you’ve never seen in a poem.
Some would call her flexible, others call her flakey.
9. Use an example of false cause-effect logic.
I’ve made it this far without a mother, I must be fine without her.
10. Use a piece of talk you’ve heard [preferably in dialect and/or which you don’t understand].
She was just ‘round the corner. Just ‘round the corner.
11. Create a metaphor using the following construction: The [adjective] [concrete noun] of [abstract noun]…
The fathomless abyss of my childhood trauma gapes before me.
12. Use an image in such a way as to reverse its usual associative qualities.
I stand at the precipice, intrigued by its enormity and dreadfulness.
13. Make the character in the poem do something he/she could not do in real life.
I dive like a heron, fishing in its depths for the panacea that will restore my soul.
14. Refer to yourself by nickname and in the third person.
Peaches desires more —ambrosia.
15. Write in the future tense such that part of the poem sounds like a prediction.
And the soul food she will soon get, but it’s not what she expects.
16. Modify a noun with an unlikely adjective.
Her just desserts have the gall to be simultaneously acidic and sweet. The second time around, the tequila feels more like a prison than an escape.
17. Make a declarative assertion that sounds convincing but that finally makes no sense.
Atlas reborn, she carries a burden that is far too heavy for her to bear.
18. Use a phrase from a language other than English.
Mi familia es mi fuerza y mi debilidad -my family is my strength and my weakness.
19. Personify an object.
The bottle gazes up at her from the floor.
20. Close the poem with a vivid image that makes no statement, but that echoes an image from earlier in the poem.
Rough draft, assembled
My father is a rock. He is strong, stable, and enduring.
My family stands trapped, smiling behind the glass.
The jagged shards are sharp, threatening to cut me and the irony is not lost on me. Holding up the frame to my nose, it smells of old and the figures behind the cracks are quiet and stock-still.
I could almost taste the film of dust around its edges.
The Payton of San Antonio is not the Payton of Oklahoma City, though she takes their riverwalks with her.
My father is crumbling.
My mother is fluid like a river, taking up the shape of any container she occupies.
Some would call her flexible, others call her flakey.
I’ve made it this far without a mother, I must be fine without her.
She was just ‘round the corner. Just ‘round the corner.
The fathomless abyss of my childhood trauma gapes before me.
I stand at the precipice, intrigued by its enormity and dreadfulness.
I dive like a heron, fishing in its depths for the panacea that will restore my soul.
Peaches desires more —ambrosia.
And the soul food she will soon get, but it’s not what she expects.
Her just desserts have the gall to be simultaneously acidic and sweet. The second time around, the tequila feels more like a prison than an escape.
Atlas reborn, she carries a burden that is far too heavy for her to bear.
Her family watches her, sip after sip, frozen behind the glass.
Mi familia es mi fuerza y mi debilidad -my family is my strength and my weakness.
The bottle gazes up at her from the floor.
Final draft
Trypophobia (Working Title)
My father is my rock. He is strong, stable, and enduring —a stone statue against the dawn.
I stare at the relic of a bygone family — shattered, they stand trapped, smiling behind the glass.
The jagged shards are sharp, threatening to cut me open and the irony is palpable.
Holding up the frame to my nose, it smells of old and the figures peering through the cracks are motionless, silent.
I could almost taste the film of dust around its edges.
The Payton of San Antonio is not the Payton of Oklahoma City, though she takes their riverwalks with her.
And now, my father is crumbling.
My mother is fluid like a river, taking up the shape of any container she occupies.
Some would call her flexible.
Others call her flakey.
I’ve made it this far without a mother, I must be fine without her.
She was always just ‘round the corner. Just ‘round the corner.
The fathomless abyss of my childhood trauma gapes before me.
I stand at the precipice, intrigued by its enormity and dreadfulness.
The liquid gold calls out to me, inviting me in with a false sense of courage.
I dive like a heron, fishing in its depths for the panacea that will restore my soul.
Peaches desires more —ambrosia even.
And the soul food she will soon get, but it’s not what she expects.
Her just desserts have the gall to be simultaneously acidic and sweet.
The second time around, the tequila feels more like a prison than an escape.
Atlas reborn, she carries a burden that is far too heavy for her to bear.
Her family watches her, sip after sip, frozen behind the glass.
She is swallowed up by the pit.
Mi familia es mi fuerza y mi debilidad —my family is my strength and my weakness.
The bottle gazes up at her from the floor.
As you can see from all the examples above, Jim Simmerman’s 20 Poetry Projects Writing Exercise provides an excellent framework for writing poetry. When you follow this process step-by-step, you end up with at least twenty lines to work from.
You may not necessarily keep them all or keep them in order. But surprisingly, this structured writing exercise allows creativity to flow freely. Once you have the rough draft, you can rearrange lines and edit the poem to your liking.
I always enjoy working with this exercise and I’m proud of both poems I’ve written using it.If you try this exercise, please let me know what you think of it in the comments! Thanks for reading this post and if you want to be notified when new blog posts come out, subscribe to my newsletter!
If anyone can find the webpage with Margo Roby’s post with her process on the exercise and poem, A Thousand and One Nights in Lunarosity, or information on the 2004 edition of Lunarosity, please let me know!
Bibliography:
Hayes, Payton. “Angel” Pegasus. Midwest City: Rose State College, 2017. (61)
Krukov, Yan . "A Man in Long Sleeves Writing on a Notebook while Sitting on a Chair." Pexels photo, Feburary 13, 2021. (Thumbnail photo).
Roby, Margo. “A Thousand And One Nights” Lunarosity, 2004.
Roby, Margo. “A Thousand And One Nights” Margo: Roby: Wordgathering. (Blog).
Related topics:
Recent blog posts:
—Payton
The 4 Most Useful FREE Apps for Writers in 2022 (Sync Across Multiple Devices, Not Only iOS)
Though it may seem counterintuitive from a notification/distraction standpoint, there are many great tools for both readers and writers readily accessible from multiple devices. If you want to knock out your book challenge or level up your writing game for 2022, keep reading to find out what apps might help you reach your bookish goals this year!
Hello readers and writerly friends!
Though it may seem counterintuitive from a notification/distraction standpoint, there are many great tools for both readers and writers readily accessible from multiple devices. If you want to knock out your book challenge or level up your writing game for 2022, keep reading to find out what apps might help you reach your bookish goals this year!
Wonderforest is not affiliated with any of these apps mentioned below. These are my genuine recommendations. All of these apps listed below are free-to-use or have free versions available.
Google Docs
Notion is widely versatile and is very user friendly. Photo by Filip Baotić.
Although its an obvious one to start, most writers and editors will suggest MS Word before Google Docs. However, for someone who values accessibility and security over an abundance of professional editorial features, the cloud-based word-processing app might be the way to go. You can access Google Docs from your desktop, laptop, phone, or tablet and autosave is always one. Writer’s can rest easy knowing their precious drafts are safe in the cloud.
2. Notion
Regardless of whether you’re a creative individual or not, Notion is a fantastic multi-functional app with accessibility across multiple devices much like Google Docs. Notion is described as a project management and note-taking app, but to some, it’s the ultimate productivity station. Notion is truly an all-in-one platform for tracking, project management, note-taking, planning, lists, databases, and so much more. It can be as minimal or maximal as needed and its adaptive to the user’s needs. This means users can complete a wide variety of tasks within a single platform, thus decreasing distraction and increasing workflow.
3. Evernote
Readers and writers alike can benefit from using Evernote because it is designed for note taking, organizing, task management, and archiving. Readers who enjoy taking notes over the books they’ve been reading and writers trying to keep track of their project notes can all make use of the features Evernote has to offer, which include but are not limited to:
Sync and Organize. Keep your notes handy.
Web Clipper. A save button for the web.
Tasks. Bring notes & to-dos together.
Calendar. Connect schedules and notes.
Templates. Create better notes, faster.
Document Scanning. Go paperless with Evernote.
Search. Find exactly what you need.
Plagiarism Checker by Grammarly. Screenshot by Payton Hayes.
4. Grammarly
While Grammarly is more of a writer tool, non-writers from students to teachers to business professionals can all benefit from checking their work for plagiarism. When it comes to written content, it’s immensely important to ensure your work is unique and that you’re not taking someone else’s words. Double check that your words are fresh by running them through Grammarly’s plagiarism checker. It’s as simple as uploading a file or copying and pasting.
Honorable mentions
These apps and software didn’t make the cut above because a) they either weren’t free or didn’t have free versions available or b) weren’t available across iOS, Android, and Windows. However, these apps are incredibly useful and are definitely worth checking out!
Living Writer
Scrivener
Final Draft
Storyist
MS Word (MS Office 365 Subscription)
That’s it for my top four most useful apps for writers in 2022, and they’re all free! Do you use these apps for your writing? What did you think of this list? Let me know in the comments below! Thanks for reading and make sure to check out my recent blog posts!
Bibliography:
Related topics:
Recent blog posts:
—Payton
Book Writing 101 - How To Achieve Good Story Pacing
In literature, pace, or pacing is the speed at which a story is told—not necessarily the speed at which the story takes place. The pace is determined by the length of the scenes, how fast the action moves, and how quickly the reader is provided with information.
Pacing is an element of storytelling that seems to trip up many new writers. It can be hard to pin down. What is a good pacing for a story? Well, to get a better idea of good story pacing, we have to look at bad story pacing first.
Freytag’s Pyramid from Serious Daring by Lisa Roney. Photo by Payton Hayes.
Hi readers and writerly friends!
This week in Freelancing, we’re continuing the Book Writing 101 series with the 3rd part of the series, How to Achieve A Good Story Pacing. If you’re looking for the rest of the series, it will be linked at the end of the blog post!
What is story pacing?
In literature, pace, or pacing is the speed at which a story is told —not necessarily the speed at which the story takes place. The pace is determined by the length of the scenes, how fast the action moves, and how quickly the reader is provided with information.
Story pacing is the momentum of the story and it’s what keeps readers turning pages
Pacing is an element of storytelling that seems to trip up many new writers. It can be hard to pin down. What is a good pacing for a story? Well, to get a better idea of good story pacing, we have to look at bad story pacing first.
Pacing is also tension. It’s how you build out the rising and falling action of your scenes. When I reference “action” in this blog post, rising and falling action is what I am talking about. This may be literal action scenes, conflict, events, plot points and pinch points, and other peaks and valleys of plot.
If you read my blog post about where to start your novel, then you might remember this next bit. That post (linked at the end of this blog post) is specifically for starting a book, but it serves as a great reminder for starting/ending you scenes and chapters as well.
Pacing is also how you enter and leave scenes and chapters. It’s how you open a scene and keep the momentum all the way through to the “turning point” of that scene or chapter. It’s how you close that scene/chapter and lead into the next one. Think about the “enter late, leave early” rule when trying to achieve goo pacing within your story, and how events in your story drive the plot forward.
Bad story pacing
This usually occurs when a story is told at a pace or speed that is either just too fast or too slow for the plot and the events that happen within the story. Story pacing that is just too fast almost gives the reader narrative whiplash in that, everything is being presented so quickly that the reader just can’t seem to keep up and is lost in confusion. Story pacing that is just to slow usually ends up boring the reader and making it hard for him or her to stay motivated to finish the book.
Story pacing really has more to do with the amount of information being presented and the intervals at which it is being presented. Books that have too-fast story pacing often just bombard the reader with information faster than they can process it. For example, a thriller writer may leave things out of the story in an attempt to build intrigue but as the plot progresses, the reader will be come increasingly more confused. In fantasy, too-fast pacing usually arises when the writer drops in a ton of names in rapid succession without really giving the readers time to orient themselves.
However, on the flip side, too-slow pacing can arise in fantasy in much the same way as well. Taking entirely way too long to establish backstory or info-dumping is a great way to slow the story down and bore the reader. And truthfully, this isn’t unique to fantasy; this issue can manifest itself this way in all genres.
Pacing that is too fast: Too much information is presented too often.
Pacing that is too slow: Not enough action is presented often enough.
I know, it looks like I said the same thing twice. But the truth is, story pacing is all about balance. There is a very delicate balance between action and information that even seasoned writers struggle to master.
Identifying pacing issues with word count
This might only be useful if for writers who have critique groups, agents, or editors but essentially, you can identify bad pacing by looking at the word count of a novel. If your editor says “the word count is too low for your genre” then they’re essentially saying, your pacing is too fast, and you’ve not spent enough time building out the story and included too much action. If your editor says “the word count is too high for your genre” then they’re saying your pacing is too slow, and you’ve spent too much time building out the story and not including enough action.
Sentence structure can make or break pacing
Long, drawn-out, convoluted sentences, word paragraphs, big, pretentions words, and overly descriptive purple pose will absolutely kill your pacing. Think about these things and keep in mind that if it doesn’t add to the writing style, voice, tone or drive the plot, then you don’t need it. Characterization should be dropped in here and there, and not done in page-long descriptions with wordy backstory. Big words and extensive vocabulary should only be used if it makes sense for the voice and tone of the story, and not just for the sake of making your writing “sound smart” or upping your letter count.
This doesn’t mean that shorter and more direct sentences are key either. Like I said, it’s all about balance. The secret to achieve this balance and good story pacing is varied sentence structure. Look at the sentences below.
Sarah wanted to read a book. She got up out of her chair and grabbed a book off of her shelf and sat back down. She opened the book and began reading.
Sarah yawned, sleepily remembering it was reading time and stretched as she rose out of her chair. She slowly ambled over to her expansive bookshelf, not sure what to read next, now that she’d finished her last novel the day before. She lifted a heavy blue book with an ornate cover and carried it back to her chair where she cuddled up and began reading.
The first series of sentences is very stale and boring, and it presents the action too quickly by simply telling the reader what is happening. However, the second series of sentences is entirely too colorful and takes too long to get the info across to the reader. Look at the series of sentences below.
Sarah yawned and looked out the window, realizing the sun was setting and it was reading time. She rose out of her chair and moved to the large, oak bookshelf, filled to the brim with hardcovers and paperback in every color. Thumbing through the first few pages of several books, she found one that had intricate illustrations for ever chapter and decided that would be her next read. Sarah settled back into her cozy reading chair and opened the hefty fantasy tome, eager to begin her next adventure.
In the third paragraph, you can clearly see how varied sentence structure makes the scene more interesting. This is the key to achieving balance between action and narrative and achieving good story pacing. Mastering this writing technique will help you keep this delicate balance no matter what genre you write in because sentence structure is part of every kind of writing. I even use it in my blog post writing.
In addition to this, consider what the purpose is of your chapter or scene and if it isn’t providing the reader with key information, moving the plot forward, or making space for characterization, then perhaps you don’t need it. Scenes that serve no real purpose for the story should be cut from the manuscript because they only drag out the story and slow the pacing. Typically, all scenes should be meeting these three criteria and it’s certainly all about balancing out the time each one takes to achieve their individual purpose.
Story structure can help you with pacing
Much like sentence structure, story structure can be a great way to determine the pacing of your story and where you might be doing really well in terms of tension and pacing and where your story might be sagging a little. The 3-Act Story Structure is just one (popular) example.
I think a lot of writers have a hard time with pacing because many of us grew up learning about the 5 elements of plot with a very set-in-stone triangular structure, but I like to think of plot as more of a bell curve. In the graphics below, you’ll see the 5 Elements of Plot versus the Plot Bell Curve (based on the 3 Act-Story Structure) and how pacing looks with each of these story structuring methods.
The issue with the Elements of Plot is that this structure allows entirely too much time to pass between major plot points. This is where many writers’ issues with the “sagging middle” originate from. Look at the bell curve, where tension is kept evenly from plot point to plot point. Instead of a terribly slow and steady incline, the rising action builds tension right from the inciting incident and falling action slows tension from the midpoint to the confrontation.
So, to recap:
Story pacing is the momentum of the story and it’s what keeps readers turning pages.
It’s how you build out the rising and falling action of your scenes.
Story pacing is all about balance. There is a very delicate balance between action and information
Varied sentence structure makes the story more interesting
Scenes that serve no real purpose for the story should be removed
Try using the plot bell curve instead of the elements of plot to see how it affects your story’s pacing
And that’s it for my blog post on how to achieve good story pacing. I hope this post helped you and if it did, make sure to comment below and check out the related topics for more Book Writing 101 posts!
Related topics:
Book Writing 101: Coming Up With Book Ideas And What To Do With Them
Book Writing 101 - How To Chose The Right POV For Your Novel
Book Writing 101: Everything You Need To Know About Dialogue
Book Writing 101: How to Develop and Write Compelling, Consistent Characters
Story Binder Printables (Includes Character Sheets, Timelines, World-Building Worksheets and More!)
Payton’s Picks —40+ of my favorite helpful books on writing and editing.
25 Strangely Useful Websites To Use For Research and Novel Ideas
See all posts in Freelancing. See all posts in Book Writing 101.
—Payton
Book Writing 101: Coming Up With Book Ideas And What To Do With Them
Hi readers and writerly friends!
The How-To Series continues! This week, in Freelancing, we’re going to discuss how to come up with story ideas and what to do with them! This is normally where I’d direct you towards a useful, related blog post, but we’re gathering quite the list already, so I’ll just leave that bit at the end of this post for your convenience!
And now, back to your regularly scheduled programming!
So, where do book ideas come from?
Book ideas can come from anywhere. That’s it. Blog post over. We can all pack up and go home. Right?
Well, yes, book ideas can come from practically anywhere, but it takes more than just a juicy theme or a compelling character to make a book. You certainly need those elements present to make a thrilling novel, to be sure, but its so much more than that. However, we’re not here to discuss the elements of a novel —no, we did that last week. (Check the links below!)
While novel ideas can come from just about and where and anything, you can also brainstorm novel ideas. Think about your favorite novels and see how you can create a mashup of two or more stories that would fit well together and put your own twist on it, such as Alexa Donne’s Jane Eyre in Space —Brightly Burning, or Pride and Prejudice and Zombies by Jane Austen and Seth Grahame-Smith, (the same writer who did Abraham Lincoln: Vampire Hunter!) for example. While the latter is a literal mash-up, the former is more like a mash-up or genre-bender with Donne’s own twist on the original premise.
So, think about how you can put your own spin on your favorite tales!
How would x-story be different if it were…
set in space? in the center of the Earth? on another planet?
told in another genre?
told from the opposite gender or a non-binary narrator?
told from someone with 30-years age difference?
told from the perspective of an animal?
mashed-up with your favorite movie?
told from a different POV or story tense?
Write the book YOU want to read
These are just a few ways to put a refreshing spin on old stories to make them feel new. You can also consider what kind of book YOU want to read. How would your favorite story be better? How could you change it to include certain elements you feel it is lacking, but with a whole new cast of characters, a new theme, and a fresh new setting? How can you rework and existing story to include more representation for a minority?
Explore fun websites to spark inspiration
I have an interesting little blog post that does just this! (It’s listed at the end of the blog post too!) Essentially this post is a long, organized list of fun websites that you can read or interact with to spark inspiration for your next book. If you already know what you might like to write about, try some of these sites out to see how you can put a new spin on it to make it your own story that has never been told before. For instance, I might like to try rewriting Hush, Hush, but instead of the typical plot points that occur throughout that story, I might swap the genders of the characters, and set it in 1943, where an asteroid shower has been happening for the last 30 years. See how that immediately changes the whole story? It might not be the best example, but you get the idea! Consider reading articles on news sites from Buzzfeed to the New York Times to get inspiration from the crazy every-day lives of other people, like Florida Man. Sometimes, the truth can be stranger than fiction and can spark even the most outrageous novel ideas that eventually become great stories!
Read bad books!
Ever heard of BookTube? Well, if not, then bless you! It’s what book YouTubers and others in the community like to call the little corner of the video-streaming service that is dedicated to all things bookish!
Consider looking up scathing reviews of books you may or may not have heard of and see how you can rewrite them to succeed in the areas they failed. Obviously, none of this advice is suggesting you plagiarize, by any means. However, it is okay to take an overly broad and vague story premise, mold it, and make it your own. How can you turn this book that is absolutely loathed by the Bookish Community into a novel that readers everywhere will love simply by reimagining the things they went wrong with? For instance, there are plentiful mixed (and mostly critical) reviews for Sasha Alsberg and Lindsay Cummings Zenith.
Here is the description from Goodreads.com:
Most know Androma Racella as the Bloody Baroness, a powerful mercenary whose reign of terror stretches across the Mirabel Galaxy. To those aboard her glass starship, Marauder, however, she's just Andi, their friend and fearless leader.
But when a routine mission goes awry, the Marauder's all-girl crew is tested as they find themselves in a treacherous situation and at the mercy of a sadistic bounty hunter from Andi's past.
Meanwhile, across the galaxy, a ruthless ruler waits in the shadows of the planet Xen Ptera, biding her time to exact revenge for the destruction of her people. The pieces of her deadly plan are about to fall into place, unleashing a plot that will tear Mirabel in two.
Andi and her crew embark on a dangerous, soul-testing journey that could restore order to their ship or just as easily start a war that will devour worlds. As the Marauder hurtles toward the unknown, and Mirabel hangs in the balance, the only certainty is that in a galaxy run on lies and illusion, no one can be trusted.
—Sasha Alsberg and Lindsay Cummings, Zenith
This book has a 3.11 average rating and is most known for its unconvincing worldbuilding, lack of original vocabulary explanation (the author drops in made-up words without explaining what they mean beforehand and leave the reader to remain confused, since there is a lack of a glossary in the book as well?) sci-fi elements that simply don’t make sense —such as impenetrable glass spaceships (with metal defense covers?) and golden, double-trigger revolvers— characters that are lazily thrown together and also do not make sense, poor-quality writing, overwhelming number of clichés present throughout, and—I’ll save you the rest because I could go on and on. The point is that this novel was incredibly overhyped, and fans of Alsberg’s YouTube videos were sorely disappointed when the book did not deliver.
So, as a writer, how could rework this story to succeed where it failed? How can you take extra time and immense care to ensure your characters are compelling and are actively evolving throughout the story? What kind of research can you do to verify that your story keeps in line with traditional sci-fi elements, while managing come across in a refreshing, interesting, and new way? How can you make sure your readers thoroughly understand the vocabulary and systems present in your book? What do you personally wish had been done differently? These are the types of questions you have to consider when brainstorming, because if you think you have the skill to rework a very poorly received influencer novel such as Zenith, then you just might have a story idea on your hands. I would suggest reading books that have overwhelmingly terrible reviews and seeing if you can distill the poor, unfinished, low-quality work into something fresh and new that you too would want to read. You can also do this with movies, TV shows, plays, music, and any other art form that leaves you feeling underwhelmed or unsatisfied once you’ve finished consuming it.
One fantastic example of a writer who reworked a story they were unsatisfied with is Claudia Grey’s Defy the Stars which she wrote after seeing the movie Prometheus and being dissatisfied with how the movie’s producers portrayed David 8. She was inspired to rework the story and write her own book about an android the way she wished it had been told.
In an interview for Nerdophiles on Twitter, Grey explained how she got the inspiration for Defy the Stars from Prometheus:
How did you come up with the idea of writing Defy the Stars?
You know, the actual genesis of this story came a few years ago when Prometheus came out. A lot of it had to do with Michael Fassbender’s performance as David 8. He just walked right into the uncanny valley and stayed there and it was great.
One area the movie didn’t really explore much but that was really interesting was the fact that Elizabeth Shaw was trying to really evaluate how much of David is machine. It’s this very tiny thing but I thought that was a really interesting thing they should have played with more. They have this person who has this other mission – her job is not to analyze this guy – but who spends time trying to figure out if she’s working with a machine or if she’s working with somebody. And that’s not going to be a question that has a really solid answer.
That idea then took root and became the idea of Defy the Stars.
—Claudia Grey, Nerdophiles
Read more from this article in the link below!
Another great example of a story premise that was reworked is “Errant” by Diana Peterfreund.
As per Goodreads.com:
In 18th century France, a noble family prepares to celebrate their daughter's arranged marriage by holding a traditional unicorn hunt. But when an unusual nun arrives at the chateau with her beloved pet to help the rich girl train, nothing goes as expected. Starring hunters, fine ladies, fancy frocks, and killer unicorns.
—Diana Peterfreund, Errant (Killer Unicorns #0.5)
This short story is not only a historical reimagining of arranged marriages with never-before-seen traditions, but it’s also a fantasy. With KILLER UNICORNS. It’s exquisite.
Don’t be afraid to look to other media where narratives left you feeling dissatisfied and consider how you can tell them in a new way that succeeds where these stories failed. And on the flip side, look at where your favorites succeeded and consider how you can channel that into your story idea.
Take inspiration from your own hobbies and interests
Are you a gamer? Consider writing yourself into the world of your favorite video game and then change it to make it your own. Are you a chef? Consider how you can reimagine cook-books to find balance between overly chatty blog posts and old-school recipe-only cook books that lacked that certain something something. What kind of morbid curiosities can you dive deeper into to pull a story from? I personally have a morbid curiosity with true crime and sinkholes even though they both creep me out. Maybe I could write a thriller about people adventuring into the world’s deepest sinkhole only for the trip to go awry and lead to murder, mayhem, and mystery as the characters grow increasingly desperate to survive being trapped inside the belly of the earth?
Yeah, no I wouldn’t write that. Not ever. Not even if you paid me. Sinkholes and caves are the worst!
But you could! You could write about LITERALLY ANYTHING.
What weird thing are you obsessed with? Can you turn it into an interesting, new, dark, fantasy? How can you weave that topic into a novel?
Examine events and people form history to spark inspiration
What is your favorite time period to study? I personally love the Revolutionary war and the romantic period in literature. What chunk of history fascinates you? (Leave a comment below!) How can you take your favorite elements of that time period and either modernize them or convert them from history to fantasy?
Subscribe to writing prompt websites and social media pages
There are TONS of writing prompt profiles on Twitter, Tumblr, and Instagram and not to mention the plethora of other websites on the world wide web. You can find story ideas on reddit or on Wattpad too! I personally am subscribed to @redditvoice, @reddit, @mr.reddit and @writing.prompt.s on Instagram and I am signed up to receive daily writing prompts from Storyaday.org (they also have a great list of where to find story prompts). Likewise, you can purchase writing prompt books or even play around on your favorite meme sites to spark inspiration. You can also take inspiration from fanfiction as well!
Those are just a few ways to come up with ideas, but they can truly come from anywhere. The truth is, the more media you consume and the more life experiences you have, the more avenues you have open for story ideas to just waltz into your life. Watch some movies, read a few books, go out and catch a local play and then sit down for a good ole brainstorming session and see what you can come up with.
How to keep your story ideas once you’ve been inspired
MS Word document with New Story Ideas. Alternatively, you can use Pages or Google Docs. Photo by Payton Hayes.
Just like with writing, there’s a ton of different methods of jotting down your story ideas. You can keep them in a notebook or binder. You can make an ongoing Google Doc or Microsoft Word Document. You can store them in Scrivener or Evernote. It really doesn’t matter what you use. Just make sure you keep them organized and include enough information so when you come back to them, you remember your ideas vividly and know where to pick them back up. I prefer to keep my fleeting ideas in a single Microsoft Word document titled “New Story Ideas” where everything is in a bulleted list.
Sometimes, the ideas a fully fleshed out while others are simply one-liners because that’s all I could think of when I was writing it down for later. Figure out what works for you and keep it in an easy to reach place so you can access it whenever the creative spirit strikes you! If you can try to write a brief synopsis for your book ideas so you can come back to them and know exactly what you were talking about 1, 2 or 5 years later. Additionally, don’t be afraid to let your story ideas ferment within that list and feel free to add to them over time when you get more inspiration for them.
And that’s it for my blog post on how to come up with story ideas and how to keep them once you’ve gotten them! Brainstorming is such a personal process and can be different for every writer. How do you come up with ideas? Let me know in the comments below and don’t forget to check back next Friday with another installment of this Book Writing 101 Series! Part 4 will be out next week!
Related topics:
Book Writing 101 - How To Chose The Right POV For Your Novel
Book Writing 101: How to Develop and Write Compelling, Consistent Characters
Book Writing 101: Everything You Need To Know About Dialogue
Story Binder Printables (Includes Character Sheets, Timelines, World-Building Worksheets and More!)
Payton’s Picks —40+ of my favorite helpful books on writing and editing.
25 Strangely Useful Websites To Use For Research and Novel Ideas
Kiss Me Deadly: 13 Tales of Paranormal Love (Errant by Diana Peterfreund)
See all posts in Freelancing. See all posts in Book Writing 101.
Thumbnail photo by Jason Goodman.
—Payton
5 Reasons Most Writers Quit
Hi readers and writerly friends!
While it’s easy to want to write and book and even easier to come up with an idea for a book, sometimes the follow through just isn’t there. Sometimes it’s hard being a writer—I get it. Sometimes we get writers’ block and sometimes we just don’t feel like pulling up to the computer and cranking out 1200 words a day for the month of November, or ever for that matter. It’s a rough balance between doing what you love and having the discipline to stick with it long enough to see your stories come to life. This week in Freelancing, I’d like to talk about five reasons why most writers quit and how you can avoid giving up when life gets in the way.
1. As mentioned, ideas are easy.
Ideas are cheap—a dime a dozen or less, honestly. And just about anyone and everyone can conjure up some kind of book idea. From prompt to full fledged plot is the hard part. I hate to say that some people just aren’t made to be writers because I believe everyone has a book inside of them. But the truth is, the difference between fleeting thoughts/short bursts of inspiration and fully-developed, rich, enchanting stories is the process of transporting the idea from your brain to the page—a process that’s just not for the faint of heart. There’s a reason why some people end up as prompt writers and others get six-figure book deals. It really just depends on whether or not you really believe in your story and if you have the drive to bring it to life.
Writer feeling stressed. Photo by Energepic.com.
2. Writing is hard
Touching on that, writing is hard. Trust me, I totally get your pain. I mean, hello—fellow writer here! But really, writing can be hard. Some days, we may feel like writing, but the creative juices won’t flow. Sometimes we force ourselves to write but the sentences just aren’t working out. There’s a lot of moving parts in the writing process and it takes a lot of time, effort, and energy to get all of those elements lined up just right. Not to mention, a book is a lot of words. That’s a lot of writing. Between writing the grueling first draft, revising, editing, cutting out the fluff, trying to balance storytelling elements with pacing, crafting compelling characters and designing enthralling worldbuilding, writers have so much more to do than just writing. The writing process in general is just a lot, okay?
Next week, I will have an article out about what to do when writing is hard, but for now, just take a step back, take a break, and do something that rekindles that passion for writing. Don’t let yourself get burned out, but don’t take a break for so long that the creative fire burning inside just goes out either. Know when the process isn’t working, step away, and come back to with with fresh eyes. Your writing and sanity will be all the better for it.
Cumpled up paper. Photo by Steve Johnson.
3. Writing can be and often is a full-time job
Piggybacking off of that second point, writing is a lot of work. Writing is a job. And for many writers who haven’t yet made it, it’s an unpaid, thankless job. Sometimes, writing can even be the job that money can’t inspire you to do. I know several writers who have turned down certain writing jobs because their heart just isn’t in it or because it might get in the way of their passion. For others though, it can truly be a lifelong career. And while sitting at a desk, typing and chugging coffee doesn’t seem so bad, its more of a mental and emotional labor that is taking place and it can be an intense job for most writers. It makes sense that most writers struggle to get even just one book out, much less a second or third or regular writing as a career (such as with blog writing or technical writing).
4. Writing comes with rejection.
Rejection unfortunately is heavily woven into the writing and publishing process and it’s never-ending. There are possibilities for writers to face rejection at every turn—from their own self criticisms during the actual writing, to finding an editor, to finding an agent or publisher and so on. It happens at every level of the publishing game and can still be a tough pill to swallow from even the most seasoned writers with years of experience. If you think big name writers such as Veronica Roth or J.K.Rowling don’t still face rejection today, then I’m here to tell you you’re wrong, because even after they’ve left the writing rat race, they still can be rejected by their own readers and critics.
The solution to the cycle of endless rejection is to simply let it roll off your back and use it as the fuel to your fire. If your first book gets picked up but your publisher rejects the second, consider how you can improve your book so they might pick that one up too, or do some looking into other publishers in case your current press turns out to not be a good fit for the next project. If you’re getting a lot of negative criticism online, first determine whether its hate or truly constructive feedback and if it’s the latter, see how you can use the information your critics are giving you to improve your writing next time. Writers must learn to protect their sensitivity and creativity with a tougher, stronger outer shell. I know building a thicker skin is easier said than done, but it’s required for the writing biz, because you’re putting your words, thoughts, and book baby out there for the world to see. You’re making your creativity vulnerable to even the most ruthless of internet vultures and that requires bravery. I commend all of the writers out there for doing this, one step at a time. Eventually, it does get easier. Sooner or later, the good begins to outweigh the bad and you remember that because you’re doing what you love, none of the rejection really matters if its not going to help you in some way.
Cash on a laptop. Photo by Pixabay.
5. Money is a problem for writers too
Coming back around to number 3, there is never enough money. This mostly goes for writers who have made it into the full-time/part-time writing game and are getting paid in some way for their writing. Fiction writing unfortunately is not known for paying especially well, unless you make it so big, like J.K. Rowling or Suzanne Collins, but the chances of making it that big simply just aren’t fair for the average writer. Many writers take up side gigs as teachers or doing some other non-writing related job to make ends meet while working on their passion, but the sad reality is that writing can easily get pushed to the back burner when life gets in the way.
Some crafty writers have figured out how to employ multiple income streams so they don’t have to spend so much time working, and they can focus more time and energy on their writing. It really just comes down to how much you love writing and how worth it writing is to you. If it really means everything to you, and its your lifelong dream to be a successful, full-time fiction writer, you’ll find a way to make that dream a reality, one way or another. What separates the writers from the dreamers is the work a writer will put in to make their writing dreams come true.
And that’s it for my five reasons why writers often give up on writing and some advice/solutions on how to combat these sad writer realities. Hopefully, these opened your eyes to the darker side of the writing world and reminded you that it’s okay to be down about your writing process sometimes, just as long as you pick it back up. On a more positive note, this week in addition to this post, in Current Faves, I have a post called “20 Things Writers Can Learn From Dreamers” and next week in Freelancing, we’ll be covering “When Writing Becomes Difficult” so be sure to check those posts out!
And take it from me, a fellow writer, self-proclaimed coffee addict, and mother to a still-growing 15+ year old book baby, I understand the writing process is difficult and being a writer can be hard sometimes. Just take a deep breath, maybe treat yourself to a coffee, give yourself a hug (I see you rolling your eyes. Just do it, okay?) and know that YOU CAN DO IT. I believe in you and there’s thousands of eager readers out there ready for you to present your novel to the world. Just keep at it, take care of yourself, and remember to be a writer and not just a dreamer.
What do you think about the writing process? What do you think of this list? What writer struggles just make you want to pull your hair out? Let me know in the comments below!
Related topics:
Read more from Freelancing!
—Payton
Why Fanfiction is Great Writing Practice and How It Can Teach Writers to Write Well
Hi readers and writerly friends!
This week in current faves, we’re discussing fanfic and more specifically, why fanfiction is great for teaching writers excellent writing skills. This is something very near and dear to my heart because my ongoing fantasy series got its start as a World of Warcraft fanfiction when I was only eight years old. Whew! I just put that fact out on the internet and there’s no coming back from that. Oh well, moving on. 😂
Fanfiction is often frowned upon because its derivative and typically written by younger writers for younger audiences. However, while the former claim is true, the latter is just a misconception about fanfiction because many adults write fan fiction as well. Snobby literature buffs like to look down at fanfiction writers and readers alike because its not original and is usually cringey. And while for the most part, there is a lot of cringey fanfiction on the internet, there is also a lot we can learn from it as writers. Keep reading to learn more about how fanfiction can effectively teach writers to write original content competently.
Fanfiction writers just get character. This might be the single most important element of writing because the characters are the windows through which the reader experiences the story and how he or she connects with the people around which the story takes place. Something that fanfiction writers do especially well is character consistency. Since they’re writing from source material rather than conjuring up their own original characters, fanfiction writers have to be able to accurately and consistently emulate character canon. Fanfiction writers must understand the characters and be able to organically portray them in a way that is believable and acceptable to their readers. This means, for a fanfiction to be believable, accurate, and just good quality, the writer must effectively capture the essence of the characters about which they are writing.
Most fanfiction readers find themselves on the derivative side of literature simply because they’ve fallen in love with characters and they just can’t get enough of them from the source material. So, where do they go? You got it—fanfiction websites, so they can experience more adventures, emotions, scenarios and more with the characters they love. The story doesn’t end just because the book does. Fanfiction writers expand on pre-existing stories, forever immortalizing and breathing new life into age-old beloved characters and tales.
On a similar note, fanfic writers that create fanon characters (reimagined versions of preexisting characters) are essentially already creating their own characters with a few details derived from the source material. These missing details and experiences that are not present on the page/screen require writers to approach their stories with a sense of originality and a very specific lens through which they can invent new pieces to the story that weren’t there before. Likewise, depending on the POV, some stories require a lot of creativity to write fanfictions for, because the POV is very narrow, such as with singular first-person narrators.
Fanfiction writers must understand the rules and systems of a story’s world/setting. For example, if a writer wanted to cover J.K. Rowling’s Harry Potter or Gillian Shields’ Immortals series, they would have to know the way magic and other systems work, like the back of their hand. They’d have to know all the inner workings of the magical world, how non-magic users view said magical world, the laws set in place (if any), and any other important details that go along with deeply fleshed out fictional worlds. This is even more difficult for the more obscure worlds where authors have done very little worldbuilding and the fanfiction writer must invent their own systems to fit against the backdrop of the source material author’s original setting. Just like with character development, fanfic writers must really understand the setting to make for a rich, believable story that is as convincing or possibly even more convincing than the source material.
The best stories perfectly balance intricate, complex, layered dense worlds with intricate, complex, layered, dense characters. And the same is true for fanfiction. Fanfiction writers must be able to provide an organic, believable interaction between dynamic characters and their equally dynamic world.
Fanfiction writers must interweave juicy, compelling tropes into their stories. Fanfiction writers are particularly keen on determining what tropes readers want to read and which tropes provoke, deep, visceral reactions from their readers. Fanfiction writers know exactly what their readers want to read more of because the writers are fans themselves. This is something particularly unique to fanfiction writing and it’s that the writers are painfully and constantly aware of what is missing from the source material because they are consumers of it as much as their readers are.
Fanfiction writers have each other’s backs. On a side note, the fanfiction community is one of, if not the single best writing community when it comes to inter-community constructive criticism. Fanfiction writers know the struggle of writing hundreds of hours’ worth of content only for people on the internet to come to their stories and comment something like “fanfiction isn’t even real writing” or to point out how many errors there are throughout the work. Not only do fanfiction writers understand this pain, but they are incredibly generous with their constructive feedback because they’re all in the same boat. I’ve seen tons of fanfiction critique groups and positive critiques in the comments of ongoing fanfiction stories. Due to the nature of the internet and fanfiction as a genre, readers are more likely to leave a helpful, positive comment for writers because they are far more accessible.
Fanfiction is an excellent way to practice writing. Fanfiction writers via community engagement, constructive critiques, drafting, revising, and self-editing, and ultimately practicing their writing skills get a pretty good grasp of their strengths and weaknesses as a writer. Likewise, fanfiction writers learn how to be vulnerable with their writing, how to keep writing regularly, and how to be strong, confident writers due to the (typical) positive reinforcement that comes from the fanfiction community. Of course, not everyone who writes fanfiction wants to be a professional writer—many people just write fanfiction for the fun of it.
Fanfiction allows writers to experiment. At its core, fanfiction is all about fun and play. Writing fanfiction allows fans and writers to enjoy the never-before-seen/heard stories from their favorite characters and worlds. It’s a way for writers to play around with different stories, tropes, voices, POVs, settings, characters, and other storytelling elements to create transformative works. The fanfiction writing process is meant to encourage experimentation with the source material and can be therapeutic and inspiring as well. In many cases, alternate universes, crossovers, fanon characters, and original interpretations of preexisting works are in fact original works on their own because what started out as fanfiction evolved into an original piece of writing, with only a few remaining non-original details (such as names.) At this point, writers are just creating original works with archetypes that are universal. And the same goes for remixes and pastiches where the writer is essentially creating a retelling of a story, which forces them to practice writing with different voices, POV’s, and with different styles.
Fanfiction can be very useful for aspiring writers because it teaches them many vital writing skills, it forces them to be vulnerable with their writing, it inspires them to employ the constructive feedback from their readers, and requires them to become very familiar with the source material after which they’re writing. It’s a really, REALLY fantastic way for budding writers to dip their toes into it and for amateur and seasoned writers alike to practice their craft in an increasingly safer writing space. While it’s still kind of frowned upon for people to write fanfiction (for very lame reasons, I might add) its been really cool to see the shift in public opinion of the hobby and artform. I always recommend new writers to try fanfiction because it takes the pressure off of them to come up with everything from scratch so they can just focus on the writing.
And that’s it for my take on fanfiction and how I think its incredibly useful to writers. What do you think of fanfiction? Have you ever read or written fanfiction? What do you think about the community and public opinion of fanfiction as a genre? Let me know in the comments below and if you enjoyed this blog post, consider signing up for my newsletter here!
Read more from current faves!
Thumbnail photo by Adrienne Andersen.
—Payton
25 Strangely Useful Websites To Use For Research and Novel Ideas
Here’s a screenie of what it would be like if a nuclear blast went off in my area. Pretty crazy right?
Time Lapse
Time travel, virtually and geologically. Watch the world change over the course of nearly three decades of satellite photography.
And here’s a screenie of the Time Lapse website panned in to the Oil Sands. I peeked through the years to see how much the Sahara Desert changed over time. It’s pretty wild.
Exit Mundi
Exit Mundi is a fantastic collection of end-of-the-world scenarios. Spoiler Alert: For example, remember in Marvels Infinity War, after the snap, when people just started to crumble into thin air? Yeah, that was great. 😢 Exit Mundi goes in-depth into what the big crumble would really be like for people on Earth. Yikes. For us writers, it can be incredible useful! But R.I.P. Subway guy.
History and humanity
Ancient History Encyclopedia
From mind-blowing ancient architecture, to prehistoric artwork, this website is a goldmine of historical information. This website even has historical event timeline!
On This Day In History
At the time of writing this blog post, the Spanish explorer Hernan Cortes is driven from Tenochtitlan and retreats to Tlaxcala, The statue of King George III is pulled down in New York City, Wyoming becomes the 44th state, Germany begins the bombing of England, and Kenyan runner Yobes Ondieki becomes the first man to run 10,000 meters in less than 27 minutes—I had no clue all of these events happened on the same day, over different years. It’s so fascinating and can be really useful for writing books spiced with a little history.
Historical Pics
Historical Pics is stashed in a little corner of the internet, called Facebook. But I like to call it time-waster-extraordinaire, because I always get caught scrolling through this page for hours on end. There’s so many incredible photos from Dovima posing with elephants in a Paris circus, 1955 to a giant human chess game played 100 years ago in Leningrad, Soviet Union.
Inspiration
Looking for inspiration to get the creative juices flowing? Have no fear! These two websites are known for their ability to light a spark in even the driest of writers.
Pintrest
Infact, Pintrest users coined the term/hashtag #inspo due to the ability to inspire almost anything in anyone who happens to find themselves down the rabbit hole of aesthetic pins and boards.
The Moth
The Moth is an incredible website that will surely inspire you to hone your craft of storytelling and deep dive into humanity’s stories. The Moth is dedicated to sharing engaging, well-crafted stories that honor the diversity and commonality of human experience. (And their stories come in text and audio formats!)
Location and worldbuilding
Google Earth
“The Sieka of Sahn’Jatar” is set in my fictional world of Aviiyen, but the desert is inspired by the Sahara over in the middle east and Google Earth was so useful in bringing that story to life. I’ve never been to the Sahara Desert but I would love to go there in person someday. For now, I’ll just visit from my computer screen.
Zillow
If you’ve done some house hunting lately, then you know how useful Zillow can be for finding the next perfect place to live. But you might not know how great it is for house inspiration for your novel characters! Much like Google Earth, Zillow is great for visualizing locations and helping to bring your story’s fictional setting to life.
Here’s a screenie from Zillow! While one day, I hope to move to Seattle, for now I can happily write about my dream city from the comfort of my Oklahoma home.
100,000 Stars
Earlier in this list, I mentioned people wanting to yeet themselves into space by hitching a ride on SpaceX’s rideshare cargo but now you don’t have to do that! Just check out 100,000 Stars for a stellar interactive visualization experience with the stars! As per their website: “From their website: “100,000 Stars hows the location of 119,617 nearby stars derived from multiple sources, including the 1989 Hipparcos mission. Zooming in reveals 87 individually identified stars and our solar system. The galaxy view is an artist's rendition based on NGC 1232, a spiral galaxy like the Milky Way.”
Here’s a screenie of the 100,000 Stars website. Pretty amazing right?
Geoguessr
So, you think you’re a worldbuilding pro? Let’s find out just how well you know your setting with Geoguessr—a website that transports you into a place with one goal in mind: to determine where you are on the map. You can play across the global map or try and identify famous locations from spectacular natural wonders to astonishing man-made structures.
And here’s a screenie from Geoguessr. Any ideas where this satellite image is from?
Murder and Horror
Okay so these websites might not be for the faint of heart, but I promise, we have some more happier/positive items to come later in this list! But these potentially disturbing websites can prove super useful for writers working on murder mystery novels and horror/thriller.
Homicide Monitor
A worldwide homicide map where you can see how many people were killed where. This might be useful if you’re writing a novel and need homicide statistics or in need of a story idea. However, you might want to avoid looking up you town… 😬
Goodbye Warden
This website has a chilling list of last words from 565 Texas death row inmates.
Murderpedia
Murderpedia is a free online encyclopedic dictionary of murderers and the largest database about serial killers and mass murderers around the world.
Names
Baby Names
Pretty self-explanatory, but if you’re trying to find the perfect name for your main protagonist, Baby Names is the site for you!
Behind The Name
Maybe you already have your names picked out but you want to do a little more research on their origins or meanings? Check out Behind the Name for in-depth etymology on almost any name you can imagine.
(A great honorable mention (because it’s not a website, but a book rather, is Llewellyn's Complete Book of Names. There are thousands of names in this book and it was a life-saver for me when trying to come up with names for my WIP fantasy series.)
Strange, but useful facts
Uber Facts
Once again, we have another time-suck of a webpage, but truthfully I love this one as much as the Historical Pics Page. This is a Facebook page that puts out some of the most interesting facts I’ve ever seen. Save facts for story ideas or go down the rabbit hole of interesting information.
Today I Found Out
Want to know why kids learn languages fast than adults? Or maybe you want to read more about why the human heart doesn’t get tired like other muscles? The Today I Found Out website is a great place for random, interesting information that might inspire your writing.
How Stuff Works
Who came up with aglets? How (and why) is the U.S. Experiencing a coin shortage? Is French press really the best coffee? How Stuff Works has all the answers you could ever want and more.
Cool Interesting Stuff
From chilling true-crime mysteries to alien autopsies and urban legends, Cool Interesting Stuff has tons of random, weird, and borderline creepy facts to inspire your next thriller. Pro Tip: Don’t read this website before bed.
Oddee
Oddee is a website that entertains million of visitors every month with stories about parrots teaching each other to swear (and then laugh about it) and brain-eating amoebas found in Texas water supplies—Yikes!
Space Facts
Did you know there’s a couple of dwarf planets named Eris and Makemake, or that Eris was once considered for the position of tenth planet? I didn’t! And that’s exactly why we need this site. I love space and talking about all things celestial, but I need more of it in my life. Since my books are sort of sci-fi and fantasy genre bending, this site is great for all kinds of stellar facts.
And that’s it for my list of 25 strangely useful websites for writers! What did you think of this list? Have you ever used any of these sites for your own writing? Do you have any ideas that are missing from this list? Let me know in the comments below!
—Payton
Know The Rules So You Can Break The Rules
“Know the rules well, so you can break them, effectively.” -Dalai Lama XIV
“Know the rules like a pro so you can break them like an artist” -Pablo Picasso
These are just two quotes that touch on the subject and since they’re from world renowned individuals, I think they must hold some weight. I think this notion of knowing the rules so you can break them holds especially true for the art of writing. Good writers who break the rules well are like the little blades of grass that peek up through the cracks in concrete—they shouldn’t be able to grow, they shouldn’t have the strength on their own to push through concrete—but they do, and sometimes, those weeds become flowers.
Whenever one of my writer friends says “You shouldn’t use adjectives” or “You shouldn’t waste too much time on mundane activities” what always comes to mind are two of the greatest fantasy writers of all time—J.R.R Tolkien and George R.R. Martin. They constantly break these two rules and many more in their work and not only do they get away with it, the are celebrated for it, which makes most writing advice out there, somewhat invalid. If they can do it and become world-class writers despite these common writing mistakes, why can’t I?
This is where knowing the rules comes in. If you know the rule, why it’s a rule, and why so many people tell you to steer clear of it, you then know how to use it to your advantage. The reason is, by knowing the rule inside and out, and knowing your writing is good, simultaneously, you know that you’re breaking the rule effectively.
Tweet from @PageTurner on Twitter.
If you break the rule in a bad way, like opening a scene with someone waking up and the following scene being predictable, then knowing the rule is pointless. But if you know the way you’re breaking it is interesting, unique, effective, and enhances or enriches the story, then not only are you breaking it well, you doing it in a way that will make other writers wonder how you got away with such a writing crime.
James Patterson opened up his bestselling novel, Maximum Ride with the main protagonist waking up, but he jumped right into the action in a fast-paced, and tense scene immediately after that kept readers engaged, enthralled, and made other writers wonder how he managed it.
Likewise, Tolkien went on for several chapters in the Lord of the Rings before the adventure ever began. One whole chapter even describe the dealings between the Bag-End Baggins hobbits and the Sackville Baggins hobbits, and spent another chapter describing a wordy, convoluted scene where Frodo and his friends enjoyed tea from and spent time with Farmer Maggot. Many writing coaches would say to avoid these lengthy scenes and cut them out since they didn’t drive the story or add to the plot in any way.
However, they’ve remained in every edition since publication and the novels are still celebrated today. It just goes to show if you know the rule like the back of your hand, you know you can break the rule and not only get away with it but be recognized for your writing when it’s done effectively.
For further reading on this topic, check out Steven Jame’s “Story Trumps Structure: “How to Write Unforgettable Fiction by Breaking The Rules” to:
Ditch your outline and learn to write organically.
Set up promises for readers—and deliver on them.
Discover how to craft a satisfying climax.
Master the subtleties of characterization.
Add mind-blowing twists to your fiction.
And that’s it for my hot take on how you can break the writerly rules by knowing them inside and out! What do you think about breaking the best-known rules in the writing world? Let me know in the comments below!
Thumbnail photo by Payton Hayes.
—Payton
How To Organize Your Digital Life: 5 Tips For Staying Organized as a Writer or Freelancer
When it comes to writing, something we don’t always keep in mind is how necessary it is to keep our materials/notes organized and our writing space clutter-free. If you’ve been around the blog for a moment, then you know I am a huge proponent of Gretchen Rubin’s Outer Order Inner Calm and I practically preach that book at any opportunity I get.
But it’s not just the “outer” organization that matters. In fact, as writers, we have several writing spaces that all need to be kept tidy in order for us to write stress-free. We have our digital space which encompasses the cloud, your PC or Mac’s hard drive, and your email inbox. Then, we have our physical space which encompasses our actual writing area such as our desks and the room in which we do the actual writing. Lastly, our most important writing space is our notebooks, binders, and folders that hold anything related to our books and their contents. By keeping all of these things organized, you set yourself up for success in your writing.
Keeping the Cloud Organized
This is probably one of the easiest elements of our writing space to keep organized. If you use Google Drive, One Drive, or Dropbox, then you know your content is safe and secure in the cloud so you can write freely without the worry of corrupted files or the loss of unsaved work. However, it can be quite easy to clutter up your cloud storage pretty quickly. One way to keep cloud storage organized is to routinely remove unnecessary documents and keep only the essentials in the cloud. The second way to keep your cloud storage organized is to create a file system that makes sense and is easy to navigate.
Pro Tip: While we’re on the subject of external storage, I have to take a moment to say how important it is to have a backup storage system in case of a power outage, file corruption, or anything else that can cause you to lose you work. The worst thing to happen to a writer is to lose all the progress you’ve made and have to start over due to poor storage practices. I keep a current back up of all my content both in the cloud and on an external hard drive.
Keeping Your Hard Drive Organized
Borrowing some advice from the first item in this list, you can keep your hard drive organized by creating a file system that makes sense and is easy to navigate. My favorite way to organize my folders for both writing, editing, and work on my website, is to colorize them with this handy little tool called Folder Colorizer. (Not affiliated with them, I just really love this application!)
In the screenshots below you can see how I colorize my folders for my website. The color-coding helps me know at a glance which of my projects need to be started, have been started and have some progress, and which projects are completed and ready to be posted. For a traditional book writer, this might look a little different, such as red for “to-do’s” yellow for “works in progress” and green for “completed” elements of your novel. By picking the novel process apart, it makes the project seem a little less daunting.
Color-coding folders with Folder Colorizer.
You can color-code folders with Google Drive (for free) as well, but color options are limited.
Keeping Your Email Inbox Organized
Inbox 0 is one of the most satisfying things ever. Maybe that’s saying something about how boring my life is but seriously, if you’ve never cleaned your inbox out completely, then you’ve got to do it! Unsubscribe from email lists that aren’t helping you grow as a writer or freelancer, delete old conversations, and organize that inbox! I have a “delete later” folder that houses all of my important but not that important emails that I want to hang onto for a little while. After a few months, this folder gets emptied, but it saves my inbox from getting cluttered.
Other folder ideas for email organization include:
5-year folder or 7-year folder for all business documentation —Read this post from Nolo that explains what types of documentation you should keep on record for your business.
Clients folder for emails between yourself and clients or your other site users and clients
B2B folder for emails from your business to other businesses
Legal folder for any important legal documents you may need to access easily
*Make sure to back up any super important documents in a secondary backup location.
Keeping Your Physical Space Organized
Rodrigo Cazanova’s Post-It Board keeps his writing organized. He says the purple notes are for the character’s travels, the pink notes are character interactions, the blue ones are info notes, and the green sticky notes are scenes.
This is probably one of the least fun of the organization methods I am suggesting but its completely necessary to creating a space that is conducive to writing. I won’t go on another rant about Gretchen Rubin, but I will show you a few ways to keep your physical writing space organized.
Create a file system or caddy for all your notes, notebooks, binders, etc.
Set up a clean and organized desk area to write (your bed doesn’t count!)
Use a dry-erase board, bulletin board, or post-it note system to stay on track
Design a vision board or playlist that reminds you of your novel, the setting, and the characters to help you stay focused when you sit down to write
Keeping Your Notebooks and Binders Organized
I prefer to use a binder, but some writers prefer notebooks. It’s all about what works for you and what is easier to keep organized. Kristen Martin prefers to use several different notebooks for different aspects of her writing and projects. A friend of mine from a writer group on Facebook prefers to use a bulletin board system for keeping his work organized. Another writerly friend I know uses a planner for her books. She outlines the book and sets a deadline, then uses the planner to help her stay on track throughout the writing process.
Since I prefer the single binder method, I have included a special kit for you guys! This printable set of binder pages will help you keep your writing notes organized and neat all in one place!
Click here to get your Story Binder Printables!
If you’d like to read a continuation of these tips, check out my blog post, 5 More Tips for Staying organized as a Freelancer!
And that’s it for my 5 tips for staying organized as a writer! What organization methods do you use? Are there any that I haven’t listed here that you just love? Comment below!
Thumbnail photo by Markus Spiske.
—Payton
8 Questions Writers Should Ask Themselves In 2020
Setting goals and resolutions is an important part of getting ready for the start of a new year and new decade and asking yourself a few critical questions can get the creative ball rolling. Consider these eight questions when outlining your goals for 2020 and think about what achievements and improvements you made in 2019 compared to 2018 and how you’ll bring that momentum forward into the new year.
What is your single biggest priority as a writer in 2020?
Do you want to finally publish your novel? Are you still writing the story? Are you in the editing phase? Will you self-publish or traditionally publish the story? What part of the process are you currently in and what preparations need to be made to make this goal a possibility in 2020?
Photo by Vlada Karpovich.
As creative individuals, writers often juggle a million different passion projects at any given time, but to effectively execute any one task, we must focus out efforts on one project at a time. What project makes the most sense for you in 2020?
Take it from me —someone who has been officially diagnosed with adult ADHD—when I say I know how hard it is to focus your energy on one thing, but it’s equally as important as it is difficult. I don’t necessarily believe in the Jack of All Trades, Master of None sentiment, but I know if you have too many irons in the fire, you certainly will get burned one way or another.
The truth is that we just don’t have enough time and attention to do EVERYTHING. So, I challenge you to tackle the biggest, scariest project this year, and better yet, early in the year, to get yourself up over that dreaded hurdle and keep the killer momentum going.
How many books do I want to release in 2020?
This question isn’t just for traditionally published authors with book deals and advances. You know what they say about dressing the part? It’s the same with writing—if you want to be a published author with all those shiny book deals and advances, you must start acting like one now, and moreover, writing like one. If you can write an entire book, move it through several stages of revisions and edits and produce a polished, final copy that’s a feat of strength on its own, especially if you can do it in one year. Additionally, it’s even more incredible if you can do that a few times each year, but that’s what it takes to become a traditionally published and professional writer—consistency, dedication, patience, and perseverance. So, whether public or private, how many books will you release this year?
How much time will I devote to my writing each day, week, or month in 2020?
Part of being a dedicated and consistent writer is building time into your schedule for writing. This is the key to conquering writer’s block and harnessing your creativity and it’s crucial for any writer wanting to turn their passion into a full-time career. Consider when and for how long you will write every day. It might be a trial and error process but try a few different schedules and see what works for you. You might not be a “Wake up to write at 5 am” person like Amy Landino, but you might be able to squeeze in an hour every night before bed or something similar and less intense. Start with just 20 minutes a day and gradually increase the time so that you reach your desired time block for writing while building the daily writing habit without throwing your existing schedule into chaos.
How much money will I invest in my craft in 2020?
Consider what route you will take and start doing research. Maybe you are self-publishing—one avenue that isn’t cheap. You’ll have to pay for editing, layout and cover design, and marketing. Perhaps it’s time you got you’re a writing services listed on a proper website rather than you’re your LinkedIn profile? Hiring a developer, or at the very least, a designer who will put together your site using a hosting platform such as Squarespace or Weebly, will set you back a few hundred, depending on the complexity of the site. Maybe you want to learn more about writing by taking a few master classes. Add up all the different ways you can invest in your brand as an author and budget for these expenses so your creative growth in 2020 isn’t gated by money or lack thereof.
What are my weaknesses as a writer?
Photo by Vlada Karpovich.
We all have strengths and weaknesses and there are a few different methods of determining what your weaknesses as a writer are:
Have your manuscript professionally critiqued/reviewed.
Open up your manuscript to beta readers.
Participate in a critique group for feedback on your writing.
Have a friend who is well-versed in your genre read your manuscript
Post parts of your manuscript on free reading sites like Wattpad (I wouldn’t post the entire thing for free. Consider posting the first third of the story and adjust visibility as needed. Even though your writing is protected by US Copyright Law, it can be hard to know when someone breaks the law if they aren’t caught. This will better protect your writing against plagiarists.)
Once you’re aware of the trouble areas in your writing, you can work to improve them in 2020. Writers can have several strengths and weaknesses. Maybe narrative is your forte but dialogue…not so much. Maybe you need to learn how to employ the senses and imagery to create a more immersive and engaging reading experience. Maybe you need to improve your openings or endings. There are plenty of writing exercises to help you build your skill and strengthen these weaknesses.
What are my weaknesses as a marketer?
Many writers cringe at the thought of marketing their writing but it’s not really as scary as it initially seems. It just takes a little doing to get familiar with how marketing works but once you get it, it can be fun. To determine how familiar, you are with marketing what strengths and weaknesses you have, you can do the following:
Hire a marketing professional or schedule coaching call with one.
Join author groups online and in person and see how the other members market their work.
Read books and articles on marketing and follow tutorials on YouTube.
Research how other authors in your genre have successfully marketed their own novels.
How can I get involved in my writing community?
Photo by Canva.
While marketing is an important aspect of successful businesses in 2020, it’s also important to take care of yourself, both in an out of your craft. I’m not going to get all self-care-lecture-y on you, but you should, for your own sanity, get involved in the writing community both online and locally. I know it’s sort of become a mood to lock yourself away with your coffee and keyboard (or typewriter) and write all day long, but it’s important to have a constructive crew of like-minded creatives to surround yourself with. Other writers can act as sounding boards, sources of inspiration, and often, they have plenty of useful advice and information to freely give. Not only that, but by having critique partners, you strengthen each other’s writing because every manuscript can benefit from a second set of eyes.
Some ways to get involved in the local writing community:
Join a local writing group
Joining or forming a local book club
Attending local or regional writers’ conventions, conferences, retreats, or workshops
During NaNoWriMo, check for local Come Write-Ins in your area
Some ways to get involved in the online writing community:
Join Facebook writer groups
Join Betabooks.co to connect with beta readers and become a beta reader yourself
Engage with writers and readers in your genre on Twitter and Instagram by using relevant hashtags and commenting frequently on posts you truly love/connect with.
How can I grow my tribe in 2020?
This shouldn’t come as a surprise but like marketing, growing your community’s engagement is going to take some doing. Remember it isn’t and should never be just about the numbers. You want to make real connections with people and develop a group or true fans that will support you. This is your tribe and if cultivated carefully and correctly, they’ll stick around for a long time, through the thick and thin. They in turn will help grow the tribe and the wonderfully vicious cycle repeats.
So how do you grow the tribe? Some ways to inspire engagement on your platforms are:
Engage with other users on social media, especially in your genre and medium.
Provide quality, valuable content to readers via newsletter marketing Read my blog post on Newsletter Marketing That Doesn’t Suck here.
Pay for targeted adds through Facebook and Google (these are proven to be effective due to their highly skilled algorithms)
And that’s it for my 8 questions that writers should ask themselves in 2020. Of course these are just a few guidelines for narrowing down your goals for 2020 and it’s just a starting area. If you’d like to see more questions like these, and if you enjoyed this list, let me know! What are your goals and/resolutions for 2020?
Further Reading
—Payton
5 Actionable New Year's Resolutions For Writers in 2020
1.Share your writing with others more often.
Photo by Ivan Samkov.
It can be hard as a writer to be vulnerable and open to criticism, but it is crucial to our growth and improvement to feel comfortable putting our work out into the world, despite what others say. Always use your best judgment when dealing with criticism to determine if it was constructive or just negativity. But by opening up and letting the world into our stories, we grow and gradually become used to having other eyes on our work. Coming to terms with this is essential for aspiring writers desiring professional writing work.
2. Try a new writing style or medium for telling stories.
Do you usually write in a certain POV or tense? Do your stories typically take on a humorous or satirical tone? What voice do you normally write in? Is your target audience the same every time? Change it up by writing new stories in different ways.
Another way to freshen up the writing process is to work with different methods of storytelling. Of course, audio-visual mediums can be used for storytelling and often are, but I’m specifically referring to the written word—poems, plays, short stories, novelettes, novels, articles, blog posts, and reviews. Consider writing in a different medium to explore and learn new techniques, styles, and practices.
3. Watch, read, and write stories in genres you’re unfamiliar with.
This one likely requires some research but by branching out into a new genre, you learn all kinds of different storytelling techniques and styles that were gated by your own genre. By stepping out of your comfort zone, you open up your craft to new growth. Diving into new genres can seem unappealing at first, but you’ll find all kinds of hidden gems in other genres and the challenge will breed new creativity.
4. Make creativity part of your everyday routine.
I written extensively on consistency and building in time for writing but the gist is this: writing every day makes you a better writer because a) practice does make perfect and b) it acts like exposure therapy by bringing you face-to-face with the fear associated with the writing process (fears of inadequacy or imperfection) often enough that you get used to it and overcome this obstacle.
Photo by Ivan Samkov.
As someone who was incredibly busy and believed in the idea that creativity strikes only at certain time, I used to think this was impossible, but I can assure you it is achievable. Consider one of the previous options such as writing in a new medium. By writing new blog posts for this blog, all the time, I am exposing myself to the writing process and therefore making it increasingly easier to write in my passion projects.
The blog takes off the looming pressure of trying to achieve constant perfection and allows me to just write freely. Then, when I sit down to write fantasy, it’s easier every day, and since I’m all warmed up from writing blog posts, I can produce better quality work.
5. Learn to enjoy the writing process and not just the end result.
How does that quote go? It’s all about the journey, not the destination? Writing is EXACTLY like that. Our novels and stories are for others to enjoy and the process itself is for us to enjoy. It’s the intimate, scared process of bleeding onto the page, of pouring out our souls, and manufacturing stardust into the written word, and therefore it should be enjoyed.
Writers should completely and fully feel the fear, pain, sadness, confusion, satisfaction, happiness, excitement, and fulfillment, as well as all the other emotions that come with writing. They should wholeheartedly appreciate and understand the process of taking a fleeting thought and sculpting it into a living, breathing idea that takes root in the mind of others. They should value and hold dear the writing process because it is as integral to their being as air to the human lungs.
Photo by Ivan Samkov.
It’s never about the destination, the end product—because it’s not meant for us—it’s meant for our readers. It is however, about the process, the journey, the steps we take to get there and everything we experience along the way—the learning, the reckoning, the weaving of words to form a story. Most writers have a love hate relationship with the writing process and this is as it should be. However, we should also recognize the value and the wild, seemingly untamable beauty in the process.
Alright, let’s liven things up a bit, shall we? Sorry to get all mushy about writing on you there for a second. It’s something I hold dear to my heart so any chance I get, I am going to take the time to discuss the writing process.
That’s it for my 5 Actionable Writing New Year’s Resolutions for 2020! I really love all of these goals because they’re practical, actionable, and sustainable. I know those seem like buzzwords people just toss around, but I do really think these writing resolutions are ones that we all can stick to year-round!
What do you think of my writing resolutions? Do they overlap with your own writing resolutions? What would you add to this list? Comment below and let me know what you think!
Further Reading
—Payton
Spring Cleaning For Writers: 10 Things Every Writer Should Do Before 2020!
Spring cleaning isn’t always fun but it’s something we have to do if we want to start the year off on the right foot. This is also true for our digital lives and as writers we have a lot of important files to keep track of so maintenance and organization are imperative. I’ve prepared a list of 10 things you can do to spring clean as a writer! This list includes everything from organization to automation to social media and more!
Clean up your digital work space
Of course, you want to make sure your physical desk is tidy and neat before you get to writing—I mean, outer order is inner calm, am I right? (Gretchen Rubin fans, comment below!) But you also want to make sure your digital work space is organized as well to avoid loss and distractions.
Four things you can do to tidy up your digital work space are:
Sorting through old files, organizing the documents to be kept, and emptying the recycle bin
Using apps like Folder Colorizer to help better sort files and make certain folders easily recognizable
Defragmenting your hard drive and updating your computer (only defrag if you have a Hard Disk Drive since Solid State Drives automatically do this progress regularly)
Uninstalling old and unused/unnecessary programs
Back up all the important things
There’s nothing worse than spending weeks, months, or years on a project and losing it to bad back-up practices—trust me, I know—I lost 37 chapters of an early edition of my novel to file corruption. It’s discouraging, painful, and easily avoidable. Use the cloud or get an external hard drive to store important files so loss doesn’t set you back in your writing.
Update all your passwords and keep your accounts secure!
Pink rubber-gloved hand holding a red and yellow cleaning spray bottle against an aqua background. Photo by Jeshoots.com.
This is often given and often overlooked advice but it’s important to maintain at least the bare minimum when it comes to passwords and account security. As an author with a brand to protect, you should regularly be updating passwords, so malicious users don’t get access to your accounts and content. Also, make sure your passwords aren’t the same across multiple platforms! Most security breaches that make it past bank-level encryption usually happen because members use the same passwords for several accounts and spyware on the other sites gain access to sensitive information when they log in. Don’t be this person. Keep passwords separate and secure.
Update your social media and website!
This includes about sections and bios, photos, job history, and any other content that might have changed and should be updated. Surely a few things have changed since the beginning of 2019, so make sure you’re starting the New Year with up-to-date socials. Have made any accomplishments? What projects are you working on that you can share? Include fun little snippets of your life in your about and bio sections. Also, ensure your profile pictures are current. If you haven’t had a professional head shot taken in a while, consider hiring a photographer to get new photos for your social media.
Update pinned posts on Twitter and Facebook
Another part of updating your socials is ensuring your pinned posts/tweets are up-to-date as well. Check any Facebook groups that you manage, your Facebook author/business page, your Twitter profile, and anything else that allows you to pin content. When was the last time you pinned that post? Whoa—my pinned tweet was from 2017! There’s nothing that screams inactivity like an out-of-date pinned tweet or Facebook post! Keep pinned content updated just like you would your profile picture or bio!
Unsubscribe from others’ emails.
It’s 2020 and there is no reason you should be stuck on someone’s email newsletter list if you don’t genuinely enjoy the content, you’re having delivered to you email inbox. Unsubscribe from all the stores you don’t want to get promotional emails from and all the people you don’t even know. Look at your email inbox with your editorial glasses on and unsubscribe from any emails that don’t offer you any value as a writer. If you signed up for a newsletter once and all that influencer is doing is sending you emails about products, then unsubscribe!
Pro Tip: If the unsubscribe button is not located on the email or you have to take a long, convoluted path to unsubscribing from the newsletter, then mark the email as spam. Influencers or brands that don’t have the decency to comply with the CAN-SPAM act don’t even deserve your email on their list to begin with. Unsubscribe, sister.
Update your own emails!
Update all of your automated emails from newsletter confirmations to deliverables and any other kind of emails so that your automated emails are up-to-date. Make sure your email signatures are updated and displaying accurate contact information and socials.
Aqua and yellow notebooks with green pen. Photo by Chimene Gaspar.
Check your newsletter open rates to see exactly how many of your subscribers actually open your emails. How are people responding to your emails? Do subscribers like the freebies and other content you’ve given them? Do they download said content?
Consider updating the media in your emails so that graphics, photos, illustrations, fonts, and other decorative elements are not only new and refreshing but they are consistent and uniform with other social media.
Pro Tip: Canva is an excellent tool for crafting high-quality vector graphics that can be used in a wide array of projects. I use Canva for thumbnails in my YouTube videos, blog post thumbnails, and site buttons! Click here to check out Canva.
Update your website’s contact form and email links!
You can save so much time by making your contact form work for you! Avoid tons of unnecessary emails by requiring answers to detailed, specific questions. This allows you to gain as much information about the person trying to contact you, all in the first email. It will give you a better understanding of his/her needs and how to address the situation.
Here are a few fields to include in your contact form to help you get the most information in one go:
Ask specific questions about the project in question (if applicable)
Offer options for the reason they chose to reach out
Get a referral name—who sent them your way? How did they find you?
Get their website URL
Depending on your work—either writing or editing or something else, you might want to have different options for different guests who might reach out. You can include a check box for guest bloggers, literary agents, or fans, or you can set up links to separate forms for these different types of visitors.
Check out my contact form here to get an idea of what else you can include!
Keep track of your stats and watch the numbers grow!
From your email newsletter stats to Facebook groups to Twitter to your website, you should know your stats. Create a spreadsheet or write them down and keep track of them each month. Don’t take the numbers personally, they’re just a metric. Increases and decreases in subscribers or followers tell you all kinds of useful information—what’s working and what’s not, where you should back off, and where your content is thriving. Use these numbers to help you grow as a content creator. When the numbers start going up, you’ll find it’s quite fun keeping track of the steady increase!
Here’s where I keep track of my stats:
Facebook Business Page
Twitter
LinkedIn Analytics
Instagram
MailChimp subscribers
MailChimp campaign open rate
Squarespace Analytics
YouTube Analytics
Go over your goals for 2020 and make sure they’re specific, realistic, actionable, and sustainable. What did you do right in 2019? What big and small wins did you have in your creative field? What strengths and weaknesses do you have as a content creator and what did you learn from them? How can you improve in 2020?
Plan your attack for 2020
Have a serious conversation with yourself about what you’ve accomplished in 2019 and how you can use that momentum to do even more in 2020. Come up with an action plan based on your goals and needs. Take into account all of the resources you’re going to need to execute your action plan such as finances, education, support, time, preparation. Consider what you want your year to look like as a whole, from month to month, and over a week’s time and what you will need to make that vision a reality.
Spring cleaning is equally important digitally as it is physically and mentally. As a writer you should start the year off the right way by making sure your workspaces are organized, all of your online social media platforms, emails are up-to-date, all important content is backed up in the cloud or on an external device, your workstation is updated and passwords are changed regularly. These things will prepare you for 2020 and all the awesomeness the new decade has to offer your creative career.
That’s it for the 8 things all writers need to do before 2020 hits! What did you think about my Spring Cleaning for Writers list? Is there anything you’d add? Do you already practice these items? I’d love to hear your thoughts
Further Reading
Read my 5 Actionable New Year’s Resolutions For Writers In 2020 blog post here.
Read my 8 Questions Writers Should Ask Themselves in 2020 blog post here.
Read my 20 Bookish New Year’s Resolutions for 2020 blog Post here.
—Payton
Writing Every Day: What Writing as A Journalist Taught Me
A photo of the newsroom, FA 115, Rose State College, 2018. Photo by Payton Hayes.
After working as both a social media coordinator and a features writer at a local newspaper, I learned the writing process isn’t as complex as some make it out to be. This job taught me that I don’t have to wait for the right moment for creativity to strike or for the creative muse to grace me with its presence. For years, I believed I could only write during ungodly late hours of the night, when I was in the writing mood, or when I was in the right headspace to do my best work. The truth is that I was a) just procrastinating writing and postponing the growth of my craft and b) was never going to create my best works on the first draft anyways.
The latter has to be one of the hardest concepts to grasp as a writer and I’ve made multiple blog posts addressing it because was probably the biggest hurdle for me to overcome as a creative mind. I don’t doubt that thousands of other writers out there, struggle with this same problem—that writer’s block will pass and when it does you will do your best writing. The thing is—perfection is overrated. Even established, best-selling authors can expect poor quality writing in their rough draft. Its just a fact of the craft that a writer cannot create a perfect draft in the same breath as their first draft. You can read more about this topic in my blog post about blank pages versus bad pages here.
Not only have I learned that I shouldn’t set such high expectations for first drafts and that I should just write instead of waiting for the right moment, but I have also learned that with enough diligence and patience, I can harness and master creativity in an everyday routine. Working at the newspaper required me to adhere to strict deadlines and write on a routine to ensure each step of the publishing process was completed in a timely manner so that the paper made it to the press on time. This was a demanding job, but it taught me a lot about the writing process, even if it was journalism. Journalistic writing often requires you to write way a head of schedule so multiple edits can be made, and fact checking can be done before print. Demystifying the creative process has helped me to overcome writer’s block and the fear that comes with writing. It is certainly possible to commit to creative deadlines and longer projects.
Being a successful, professional writer means you can and must write consistently. Publishers and agents are looking for writers who write because it’s what they do and not how they feel. If all the great American writers stopped writing when they felt writer’s block begin to set in, the list of the Top 100 Books Everyone Should Read would be much shorter than a hundred books.
Another thing is, that if you write every day, you will become a better writer. The more you write and edit your work, the more familiar you become with the writing process. This not only removes the fear that comes with writing, but it is exactly as they say—practice makes perfect. By consistently practicing writing, you are effectively honing your skill and making yourself a better writer.
Over the years, I've learned that writer's block takes two forms; it appears as the lack of motivation to write or the lack of inspiration. While these two forms sound incredibly similar, there's an important distinction—motivation is the reason someone feels compelled to do something while inspiration is the sudden, brilliant creative idea that person feel compelled to create or bring to life.
Lack of motivation typically comes from burnout, wavering between the writer and editor mindset, feelings of inadequacy, and procrastination. Lack of inspiration comes from stagnancy, lack of stimulation, and lack of challenge. The key difference between the two is this: a writer cannot be inspired and unmotivated simultaneously, because inspiration acts as an entity of motivation. When a writer feels inspired, they may push through these negative feelings in order to achieve their goal and see their creation to the end. A lack of feeling inspired might stem from an environment that isn't conducive to growth, lack of stimulation, and lack of challenge.
I was inspired to write the blog post because of the sheer number of comments I get from writers who claim they can only write when they feel inspired or in the right frame of mind, when that is simply not true. What any prolific writer will tell you is that they’ve achieved success because of consistency, patience and dedication. If you truly love your craft and the art of storytelling, you owe it to yourself and your writing to honor these values.
Want to read more about this topic? Boy, do I have great news for you! By signing up for my email newsletter, you instantly get access to my FREE Consistent Writer’s Checklist and tons of other freebies! Click the button below to sign up and DEFEAT WRITER’S BLOCK FOREVER!
Thumbnail photo by Payton Hayes.
—Payton
Freelancing Basics
Freelance editing can be just as rewarding and fulfilling as editing for a traditional publisher, but likewise, it can be just as difficult getting started. I’ve compiled a few lists to help you get started with your freelance editing business. (If you’re not into freelance editing, that’s okay! Many of these tips can be applied to other industries!)
Freelance editing can be just as rewarding and fulfilling as editing for a traditional publisher, but likewise, it can be just as difficult getting started. I’ve compiled a few lists to help you get started with your freelance editing business. (If you’re not into freelance editing, that’s okay! Many of these tips can be applied to other industries!)
Getting started as a freelance editor:
Apply to internships while still in school and even after, to build your real-world experience in the industry, as well as your experience working with industry-standard programs and editing techniques.
Take masterclasses specializing in the different degrees of manuscript editing, grammar, and the Chicago Manual of Style (CMOS.)
Aim for editing certifications to show your education and qualifications.
Join editorial associations to build connections with other editors in these networks and build your repertoire of resources in the editing industry.
Read all the books you can—on industry, writing, style and everything in between. Seriously. (And novels in your specific genre too, of course!) I have an ever-growing list of my favorite craft books. These are so helpful, not only for becoming more familiar with the editorial industry, but they will help you read and think more critically as an editor as well. Click here to view the list.
Notebook next to black eyeglasses and a cup of pens. Photo by Suzy Hazelwood
Finding work as a freelance editor:
Collaborate with other editors online and in-person to gain new perspectives, techniques and successful practices of others.
Connect with literary agents and other editors for their “reject” clients to build experience and make connections with artists who are just getting started. (reject clients may include clients the other editors and agents simply didn’t vibe with our didn’t have time to take on the projects of and does not necessarily;y refer to clients that are incompetent or lacking.)
Offer services both online and in your community to increase your experience.
Apply to any business or person with an online presence. Writing online copy is just as important as manuscript editing, especially in the digital age.
Specialize. Don’t try to do everything when you’re just starting out. Try a couple of different types of editing to see what you like and stick with that for a while. You’ll hone your skills and be more experienced in that niche.
Brown suede couch draped in leopard print throw blankets. Photo by Erik Mclean
Working from home as a freelance editor:
Time batch similar tasks. Freelance Editor, Mollie Turbeville, from Molliereads on YouTube, and bestselling author, award-winning speaker and entrepreneur, Amy Landino are both uber-successful boss ladies, living their best lives and managing their time with time-batching. The key to this is to schedule similar events and tasks on the same days, to eliminate wasted time. One way they use this practice is on days when they film for their channels, they will film several videos in one day while their “film-ready” or they’ll schedule several meetups in one day at the same coffee shop to cut down on time spent getting ready and travelling.
Keep looking for work. While your schedule may dance between being busy and slow work days, it’s important to keep multiple projects lined up. In this industry, its best to prepare for situations out of our control, such as when a writer backs out of a project.
Plan realistic hours for your work. It’s important to keep busy, but it is likewise important to create a meaningful and sustainable schedule for yourself. As an editor, burnout comes more often and destructive than for other occupations. Similarly, it is important to remember that when it is time to work, you must be responsible for yourself and your time. Editors cannot wait for motivation or creativity to strike because most projects are time-sensitive. Set realistic hours and stick to your schedule.
Create a workspace conducive to successful business practice. Environment is everything for freelance editors. For the same reason it is important that students don’t sleep where the study or study where they sleep, freelancers need a workspace that can be differentiated from their home environment. In the student example, it’s easy to see where the mental lines become blurred if one studies in their bed. This has been proven to decrease study effectiveness and degrade students ability to stay on task and alert in an area they associate with sleep. Similar to this example, freelances must be able to separate work life and home life to avoid burnout and to avoid blurring the lines between work and play. This may mean implementing a physical distinction, such as a divider or even setting up a home office separate from sources of entertainment. This distinction should make it so that when you’re in your workspace, you aren’t distracted or tempted to procrastinate and when you’re in your home, you don’t feel the pressure of work when it’s time to wind down.
Looking for more? Freelance editing workshops are projected to come out in 2020! Check out the classes planned for 2020, here!
Thumbnail photo by Kelly Sikkema