My Bookish Resolutions (2023)
In 2023, I set five specific, measurable, attainable, relevant, and time-bound (SMART) book-related goals. I aimed to read all 36 unread books on my shelf, building on my success of reading 34 books in 2022. Second, I planned to complete the Wingbound trilogy by Heather Trim, with Wingspan slated for January. Third, I intended to create a cozy reading space by furnishing my living room, following a recent move. Fourth, I sought to acquire a new bookshelf to complement my desired mid-century modern or industrial-themed decor, repurposing the old one for bathroom storage. Lastly, I aspired to read a 2023 release early in the year, specifically highlighting 'Yellowface' by R.F. Kuang, and planned to review it promptly.
This blog post was written by a human.
Hello readers and writerly friends!
If you’re a returning reader, thanks for coming back and if you’re new here, welcome to the blog! This week, we’re discussing my 2023 bookish goals and resolutions. What are your goals for 2023? Leave me a comment below!
Some of these are repeat goals and some are new. Last year, my only goal was to read 22 books and I nailed it! This year, I decided I wanted to do more than just read, but I wanted to keep them simple and SMART—specific, measurable, attainable, relevant, and time-bound. I’ve given myself 5 goals to strive for in 2023
My bookshelf filled with more knick-knacks than actual books. Photo by Payton Hayes.
Read All of the TBR Books On My Shelf
In 2020, I went through a book purge and got rid of almost 200 books! As a result, my bookshelf seems to be filled more with rocks, figurines, and knick-knacks, than actual books, but oh well. This year, my primary goal is to read all of the books on that shelf. I started chipping away at it in 2022, and as I completed a book, I either kept it or donated it to the library. There’s 36 books to be read on my shelf. If I can read 34 books in 2022, then this year, I can clear the shelf!
Finish the Wingbound Trilogy by Heather Trim
As you can see from my #shelfie, the series is waiting patiently on my shelf. In 2023, I plan to finish this series, starting with Wingspan in January!
Set Up a Cozy Corner or Reading Nook
My partner and I just moved into our apartment back in August 2022, and we don’t yet have our living room furnished. In 2023, I hope to get some big furniture pieces that are comfy, cozy, stylish, and together make for a great reading spot as well as watching our favorite films.
Get A New Bookshelf!
Part of the furniture plan for 2023, is to get a new bookshelf. I think we’re going with a mid-century modern or industrial themed living room with cozy accents, so this shelf has got to go. Besides, I want to use this shelf to store our towels in the bathroom. Our current shelf is flimsy at best.
Read An Early Release For 2023
This may be tricky to get my hands on, but I definitely want to try and read Yellowface by R.F. Kuang asap! I have never read an early release and it didn’t seem possible to get my hands on a copy at the end of 2022, so maybe once it’s out I can snag a copy and write a review on it as early as possible! Keep your eyes out for that!
That’s all for my 2023 Bookish Resolutions! I hope you enjoyed reading this post! I know this goal list was far shorter than 2020 and 2021. It’s been a crazy couple of years! But now that I’m back in the practice of reading and writing daily, I hope I can achieve these goals and I am certainly looking forward to trying! What are your 2023 bookish goals or resolutions? Did you complete or make progress towards your 2022 goals? Let me know in the comments below and as always, thanks for reading!
Bibliography
Hayes, Payton. “My bookshelf filled with more knick-knacks than actual books.” January 2, 2023 (Blog post & thumbnail photo).
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Experimentation Is Essential For Creators’ Growth (In Both Art and Writing)
Experimentation is essential for artists and writers to foster growth and maintain creativity. Engaging in various styles, themes, and mediums prevents stagnation and keeps work fresh and engaging. For instance, resin artists can incorporate materials like alcohol ink, watercolor, acrylics, glitter, or beads to achieve diverse effects. Similarly, painters and sculptors can explore different tools, colors, and techniques to expand their creative horizons. Likewise, writers can mix techniques that are characteristic of different genres to create stories that are refreshing and new. Embracing experimentation allows creators to discover new possibilities, refine their unique voice, and enhance their overall artistic practice.
This blog post was written by a human.
Hi readers and writerly friends!
If you’re new to the blog, thanks for stopping by, and if you’re a returning reader, it’s nice to see you again! Experimenting as an artist, creator, or writer is a crucial step in your creative career. Practicing experimentation early and regularly throughout your artistic life keeps your work fresh, innovative, unique, and engaging for both you and your audience. Aspiring or amateur artists should not commit to any one specific style until they’ve had time to experiment with different styles, themes, and mediums. And once they’ve landed on a signature style they enjoy, it is wise to continue experimenting from time to time.
An experiment is a scientific procedure undertaken to make a discovery, test a hypothesis, or demonstrate a known fact. In science, this is true, but it is also the case for art and for writing. When creating art, there are many aspects of the artistic process that can be changed or played with to provide different results.
Vandy, in his article 'Should Artists Experiment?', stated, 'In the world of art, often when we say experiment we think of a psychological process of working out what we like and don’t like about the act of making art and the final result' (Massey, 2020).
For example, in resin art, the artist can use alcohol ink, watercolor, acrylic, pigment, glitter, gouache, sharpies, beads, charms, cabochons, or just about any material between each layer of resin or submerged inside the resin. This example alone shows how much creative freedom we have with just one medium. Consider how you can experiment with different tools as a painter or sculptor. In what ways can you experiment with different colors, saturations, inversions, scales, and shading? In what ways can an artist explore the same subject across multiple mediums? How will an artist’s concept change from pen and paper to digital drawing on a tablet? The possibilities are truly endless and every artist’s experiments will naturally be unique.
I’ve been making art since 2010, and writing since well before then, and I still experiment with my work.Although I now have a style I tend to stick with, that wasn’t always the case, and for most of my artistic practice, my works looked as if each one came from a different artist—you’d never know my hands had created them just by looking at them.
Experimentation helps encourage creativity, freedom to try new things, and broadens your perspective as an artist and creator.
In her article, “Why Artists Must Experiment,” Kathleen Kralowec said “Recognizing an act as an experiment releases it from a lot of seriousness, a lot of demands of perfection. The outcome of experimentation is knowledge, and failure is just as valuable as success, because one has expanded one’s awareness of one’s own abilities, one’s deeper ideas, the potential of a media, a process, a genre, an art-form” (Kralowec 2019).
Art studio filled with canvases and murals done in many different styles. Photo by Matthieu Camoy.
Experimenting with style
Before committing to a signature style or aesthetic, experiment with a wide array of different styles. Try experimenting with patterns, colors, shapes, themes, mediums and styles. No two artists' works are the same and even derivative works can be unique in their own way. Conduct style studies to practice techniques you admire or those outside your comfort zone. For example, try drawing the same sketch ten times, each time emulating a different artist's style to familiarize yourself with various techniques.
Below are a few examples of the Style Challenge artists have been partaking in across social media. The challenge is for an artist to draw something in their own style and then replicate it several more times in other popular animated art styles such as anime, Disney, cartoons, and comic books styles.
Never settle on a specific style; instead continue to always experiment, innovate, and evolve your art, whilst retaining an underlying current of your own style.
Art style challenges on social media
“draw different styles” by p0kky.
“Style Challenge” by emzdrawings.
“Hijabi” by XenoPurple_Art
“Art Style Challenge” by erinleedani.
Experimenting with themes and motifs
Art studio filled with colorful canvases depicting different styles and themes. Photo by Dom J.
Consider using different themes and subject matter in your work. If you typically write about nonfiction topics, consider writing a short story or poetry. If you usually paint realistic animals, try painting people or still-life paintings instead. If you usually draw geometric forms in your work, try experimenting with realism or surrealism instead. If you typically write comedy, consider painting something with a more political message behind it. If you typically draw geometric or abstract sketches, try drawing something inspired by another work you like such as a Swan Lake ballet performance or a video game character. Experiment with various themes and messages and see how art with similar concepts is translated across different mediums.
Experimenting with techniques
A myriad of techniques can be used across many different art styles and mediums. Creatively mixing and matching techniques with different styles, mediums, and themes, can result in interesting, unique, and engaging art. It also strengthens your skills and creativity as an artist—having to try new things, troubleshoot, and make creative decisions to reach your desired outcome.
In her blog post, Rebecca of the Rebecca Art Tutor blog explains how she instructed students on a variety of techniques and required they use them to illustrate a textured object in a new and interesting way, leaving the creative decisions up to the students. She said, “We had learnt layering paint, dry-brush, different types of brush strokes, scratching into, lifting off, splatter, dots, impasto and more. We then did an exercise where we had to select a textured object (wood, fur, feathers etc.) and represent it with a painting technique….Although still slightly confused by the idea that …[the student] had the answer to ‘how to do fur’... [and] started representing fur with the fan brush in a very effective way…. I had taught the general techniques but allowed the learner to make the connection of how these techniques could be used.” (Rebecca 2022)
This is a fantastic example of how experimentation can result in effective use of techniques to produce interesting and unique outcomes.
Experimenting with size and scale
If you’re an artist who typically paints large-scale works such as signs, murals, and backdrops, consider downsizing to practice your hand at details. Both large and small scale art has it’s upsides; small scale art focuses more on details and large scale art focuses more on the big picture. Experiment with size and shape in your work and you’ll find you prefer one over the other and its freeing to focus on other aspects of an art piece from time to time.
Artist looking through her canvases depicting many different themes, styles, and subjects. Photo is a still from a video by Antoni Shkraba.
Experimenting with different mediums
If you’re a sketch artist, try working with watercolor, ink pens, markers, colored pencils, or crayons. If you’re a sculptor, try creating sculptures from mixed media such as plastic, wood, metal, paper, paper mache, yarn, or stone. If you’re a novel writer, try experimenting with poetry, nonfiction, or screenwriting. If you’re a digital artist, try your hand at video editing or animation. The examples are endless, but the advice is the same: experiment across different mediums to see what you enjoy using and to strengthen your skills as an artist.
Kralowec said that by experimenting, we can learn what kind of space we work best in, learn what kind of daily practice, pace, or goal-structure we thrive in, learn about the rules and how to effectively break them, and we can stumble on new genres, approaches or styles: the creation of something truly new.
In my sophomore year of college, I did an art capstone class, where the final project was to produce a large fine art piece that could be sold in a gallery. One crucial step of this project process was to produce a test piece prior to working with our fine art materials and larger-scale canvases. The pieces I submitted for the final grade were 2ft (L) x 2ft (W) (test piece) and 3 x 2ft (L) x 4ft (W) (final project triptych). I was working with ink and wood and it was essential that I do a test piece to ensure my materials worked well together. After all, the test piece came out better than the actual final project, in my personal opinion. But I learned a valuable lesson in art through that project; art has a mind of its own and all the planning in the world can still result in the unexpected. Experimentation frees us from the turmoil we feel when our creative visions do not turn out quite like we’d planned.
Experimentation and innovation in art is an important skill to build for any creator. Artists should not box themselves into any one style or medium and instead look for new ways to breathe life and intrigue into their work. They will become a stronger, more diverse, artist for it. Writers should do the same. Writers should challenge themselves by working across different storytelling mediums, genres, and styles whilst retaining their own unique voice between the lines.
I hope you enjoyed this blog post about experimentation in art. This advice can be applied to any creative skill and is encouraged for artists of all genres, mediums, and walks of life. If you already do experiment in your work, let me know in the comments below!
Bibliography
Comoy, Matthieu. “Art studio with wall graffiti.” Unsplash photo, July 26, 2017.
Dom J “Horse and figure paintings.” Pexels photo, October 5, 2017.
bodobe “Paint supplies” Pixabay photo, September 2, 2015 (Thumbnail).
emzdrawings. “Style Challenge.” Deviantart post, Jul 24, 2019.
erinleedani. “Art Style Challenge.” Instagram post, accessed November 7, 2022.
Kralowec, Kathleen. “Why Artists Must Experiment” Medium article, June 12, 2019.
Massey, Vandy. “Should Artists Experiment?” Vandy Massey Studio blog post, August 5, 2020.
Mcseal. “Style Challenge.” Medibang.com, ArtStreet post, 2019.
p0kky. “draw different styles.” Deviantart post, June 21, 2019.
Rebecca “The Importance of Experimenting in Art” Rebecca Art Tutor blog post, accessed November 7, 2022.
Shkraba, Antoni. “Woman looking at paintings.” Pexels photo, June 2, 2020.
XenoPurple. “Hijabi.” Deviantart post, October 25, 2015.
Yulaukira. “Art Style Challenge.” Medibang.com, ArtStreet post, 2021.
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8 Reasons Why Having A Creative Community Matters
Engaging with a writing community offers numerous benefits that can significantly enhance a writer's journey. Firstly, it provides essential support, offering motivation and encouragement during challenging phases of the writing process. Secondly, such a community fosters accountability, helping writers adhere to their goals and deadlines. Thirdly, it serves as a valuable source of constructive feedback, enabling writers to refine their work through diverse perspectives. Fourthly, fellow writers can share practical advice, recommending resources like books, blogs, and workshops to aid development. Fifthly, writing communities often include readers who can offer insights from an audience's viewpoint, aiding in reaching and understanding one's target demographic. Sixthly, observing peers' progress and achievements can serve as inspiration, fueling one's own creativity and commitment. Seventhly, contributing to others' growth by offering feedback and support can be fulfilling and reinforce one's own skills. Lastly, being part of a writing community establishes a sense of belonging, connecting individuals with shared aspirations and challenges, thus enriching the overall writing experience.
Two writers working on their projects together. Photo by Windows.
This blog post was written by a human.
Hi readers and writerly friends!
If you’re new to the blog, thanks for stopping by, and if you’re a returning reader, it’s nice to see you again! In this post, we’re discussing eight reasons why it is not only beneficial but also why having a writing community is essential for helping writers break out of their shell, embrace criticism, and grow as storytellers. When we hear the word “writer,” the image that comes to mind is that of a hermit holed up in their office or writing room, hunched over their desk, writing at all hours, alone. However, this is often not the case when it comes to successful writers. While writing itself is often a solitary activity, there's a lot of other people involved in the publishing process from mentors, to beta readers to editors, to critique groups, to agents and publishers. The process of writing, editing, and publishing a manuscript isn’t done alone.
However, many writers still forget this crucial part of writing. Writing partners and critique groups serve as excellent sources for feedback, critiques, and writing advice. Many writers avoid writing communities and try to do it all alone. Without other writers around to encourage you, support you, and hold you accountable, it’s easy to give up on your goals.
Support
A writing community can provide essential support to both seasoned and aspiring writers alike. I am part of a couple of Facebook writing and editing groups and just scrolling through their posts provides me with an abundance of motivation and support to keep doing what I do. It feels amazing just seeing what everyone else is working on and reading supportive comments from fellow group members. There are many stages of the writing process where writers give up. The difference between an unfinished draft and a published book is a strong writing community.
2. Accountability
A writing community can hold you accountable to your goals. If you’re already great at meeting objectives and reaching your goals, then maybe you can show someone else how to. Many writers still struggle with meeting deadlines and achieving their goals. Having a writing community to fall back on is immensely helpful. Even when you don’t feel like writing, their commentary and advice is motivating and inspiring.
3. Feedback
We’ve all gotten feedback from friends and family, and it’s just not as helpful or constructive as advice from other writers. They don’t understand the genre, demographic, subject matter, or other story elements and provide biased feedback when asked their thoughts. Having a writing community means you have access to constructive, actionable, relevant feedback and in turn, you can provide the same for your fellow writers.
4. Advice
Much like feedback, useful writing advice is essential, and non-writers aren’t equipped to provide it. Writers can recommend books, blogs, guides, YouTube videos, speakers, podcasts, and tons of other useful content to each other through their writing communities.
5. Reaching Readers
Writing communities do not have to be exclusive to just writers; readers are a big part of writing communities too. Take beta readers for example —they enjoy reading novel drafts and providing readers with feedback relevant to their genre. Readers can provide vital advice and critiques to writer’s works without the writer’s lenses. A community of dedicated readers or your target audience can be extremely beneficial to you as a writer, especially during the marketing phase.
6. Inspiration
Group of writers cheering each other on in the library. Photo by Yan Krukov.
Inspiration is an important part of the writing process and watching your fellow writers grow and succeed in their craft can serve as crucial motivation and inspiration to keep you on track with your craft as well. The same reason writers read books from their genre or works from their favorite writers, they can also take feedback from their writing community as inspiration.
7. Helping Others
Helping other writers learn and grow in their craft is a wonderfully rewarding feeling. If you’ve got experience writing, you can share it with your writing community and maybe teach someone something they didn’t already know. Writers often post questions in community forums or groups on Facebook seeking advice for specific struggles in the writing process. Helpful answers from fellow writers can be more useful and actionable than simply asking a friend for their opinion or having to sift through a long blog post to answer a quick question.
8. Tribe
Last but not least, having a writing community means that you have a tribe to belong to. Writers from all walks of life come together for a common goal: to write a book, leave a legacy, and make their mark on the world. Having a connected, empowering, inspirational, constructive community is essential for writers of every genre and level of expertise and having a tribe to belong to is important for anyone regardless of if they are readers or writers.
I’ve included some examples of writing communities that I am a part of below.
Bonus Tip: Check Out The Writing Communities Online and Near You
Oklahoma Writing Communities
Below are a few of the writing communities in Oklahoma:
Writer’s Societies at UCO
Below are a few of the writer’s societies I am a part of at the University of Central Oklahoma:
Facebook Writing and Editing Groups
Below are a few of the editorial groups I am a member of on Facebook:
Reddit Writing Communities
Online Writing Forums and Communities
Other Spaces To Build A Writing Community Online
Twitter/X–Use hashtags like #BetaReaders, #WritingCommunity, #SeekingBetaReaders or #AmWriting to find potential readers.
Discord Servers–Join writing servers like The Writing Community or BetaReader Connect for live feedback.
TikTok–Connect with and engage with fellow TikTokers in the BookTok Community.
That’s it for my list of 8 Reasons Why Having Writing Community Matters. Do you have a writing community? How has it helped you in your writing practice? What are some of your favorite writing communities online and in your area? Let me know in the comments below!
Bibliography
Goodman, Jason. “five person by table watching turned on white iMac photo.” Unsplash photo, March 14, 2019 (Thumbnail photo).
Krukov, Yan. “Group of People Smiling and Standing Near Brown Wooden Table Raising Hands.” Pexels photo, June 3, 2021.
Windows. “3 women sitting on chair.” Unsplash photo, April 22, 2020.
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Active Reading Vs. Passive Reading:Using Psychology-Based Critical Reading Skills To Increase Information Absorption & Retention
Active reading involves fully engaging with the material, critically analyzing concepts, and connecting new information to existing knowledge, thereby enhancing comprehension and retention. In contrast, passive reading, characterized by skimming or reading amidst distractions, often leads to superficial understanding. The first step to reading more actively is to review any questions related to the material before reading to identify key information. Second, read the passage multiple times, revisiting questions between each reading to reinforce understanding. Third, identify and define unfamiliar terms to prevent confusion. Fourth, summarize main ideas in the margins or in a notebook to reinforce comprehension. The fifth and final step is to mark important sections relevant to the reading objectives for easy reference. Implementing these techniques can transform reading into an active process, leading to better absorption and long-term retention of information.
This blog post was written by a human.
Hi readers and writerly friends!
If you’re new to the blog, thanks for stopping by, and if you’re a returning reader, it’s nice to see you again! In this post we’re discussing the concept of active reading for comprehension and concept retention. This article is all about helping you ensure you’re actually absorbing what you’re reading and will able to put into application, the information you’ve read or listened to, rather than it simply going in one ear and out the other.
Passive Reading
Passive reading is when one reads quickly, skimming the material and not really taking it in effectively. This most often occurs when readers are cramming with little time to read, reading amidst distractions such as loud music, noises, or voices, or listening to books while doing some other activity that pulls their attention away from the information they’re trying to absorb.
To avoid passive listening, limit your multitasking and have a pen and paper close by so you can jot down any important notes as needed. If you must do something while listening to an audiobook or recording, combine that mental activity with a physical activity of low mental energy such as working out, going for a walk, bathing, or doing some other simple, automatic/repetitive task that won’t pull you away from the material. Where you can, try to have a copy of the physical book to read along with the audiobook for extra focusing power and immersion.
Active Reading
Active reading is the method of reading material by which you are fully engaged and able criticize concepts as they are presented to you, comparing what you are learning with that which you already know. By active reading, you are absorbing the information you are presented with and thus able to apply it moving forward.
How to read actively:
When reading chapters in text books or curriculum material, read any questions BEFORE reading the passage so you can know what key information you’re supposed to be looking for.
Where you can, read the passage three times and review the questions between each pass through. This will help you to cement the information in your brain and will ensure you’re becoming extra familiar with the material, introducing any key concepts you might have missed in the first pass through.
Underline and search any unknown words, subjects, concepts, or ideas referenced, that you might not be familiar with. This will avoid any confusion during the reading process. Write these terms and their definitions down so that you can reinforce your understanding of them.
Pay attention to headers and sub-headers as they typically provide clues to the main idea of that section. As you move through paragraphs, jot down a few words in the margins or in your note, to describe the main idea of each paragraph. This is especially helpful when writing a summarization or response paper for passages.
As you read, highlight or underline any concepts that may be relevant to the reading questions you reviewed before and between reading sessions. When it comes time to answer the questions, go back to the highlighted sections for easy and accurate answering.
As you read, take any notes on concepts, terms, or subjects you will be quizzed on later or save any ideas you will want to come back to. There are all kinds of ways to take notes, but opt for simplicity and efficiency. Notes do not have to be gorgeous or frilly to be effective. Legible handwriting, underlining, capitalization, and a few different color pens will go a long way. If you prefer, handwrite your notes and then type them up on your computer for extra studying power and better legibility.
The Benefits of Active Reading
Active reading ensures you absorb the material you’re reading, you retain more of what you read, and you remember the information for years to come. It’s a skill that takes time and practice to build but after a few sessions, you’ll have this useful skill in your toolkit forever. This skill is especially useful for students and educators but anyone who considers themselves an academic or lifelong learner would benefit from practicing this skill.
Active Reading Using The SQ3R Method
According to the American Psychological Association, the SQ3R method is “a study method developed on the basis of research in cognitive psychology which promotes enhanced learning of reading material (APA, 2020). The acronym SQ3R stands for the five steps in the reading process: Survey, Question, Read, Remember, and Review. This process is effective for reviewing previously visited material as well as reading passages for the first time. According to the Marbella International University Centre, the SQ3R method was proposed in the book Effective Study (1946) by Francis P. Robinson, a prominent American educational psychologist (Marbella IUC 2020).
Survey: Skim through the text quickly to get an overall idea of the subject matter. Pay close attention to section headers and sub-headers.
Question: If you are reading the passage for a particular purpose (for example, to answer an assignment), ask yourself how it helps. Ask these additional questions of the text: Who? What? Where? When? How?
Read: the text in a focused, and fairly speedy way. Take breaks between long passages to allow your brain to refocus and absorb more material.
Remember: Test your memory - but don't worry if you can't remember much. Flashcards are a great way to test your memory. Work with a friend or colleague or use Quizlet to create your own virtual flashcards to quiz yourself.
Review: Read the text in more detail, taking notes. Summarize and paraphrase important concepts. Being able to accurately rephrase content in an easily-digestible format demonstrates your understanding of the material.
Take Your Active Reading Practice A Step Further With The SQ4R Method
According to Weber State University, there are some other terms you could insert for a SQ4R method instead. Below are the optional R’s that can be used as a fourth step in this method and will take your reading, memorization, and application to another level.
Relate and Reflect: Making a meaningful, personal connection between yourself and the material will help cement concepts in your mind. As you read each chapter or section, try to create ties between the new concepts and the information you already know. How can this material apply to your life
Rewrite: Reduce the information to easily-digestible notes by rewriting and paraphrasing. Take notes that are both concise and complete, and double check your own version against the text. For your reference, include page numbers in your notes, so you can quickly trace the information back to the source text if needed.
Record: Retain essential information and key concepts either by literally recording yourself read aloud, saving bookmarks or timestamps in an audiobook, or adding sticky tabs to the pages of your physical text. Create a list of terms and concepts that you know will be on the test and write the page numbers from the source material as well as your notes so you can quickly and easily find the information you need while studying.
Repeat and Read Aloud: As with the Record option, you could read aloud your material. Studies have shown that reading aloud improves comprehension as well as memory. As per the Neurobehavioral Associates, a 2017 study from the University of Waterloo confirmed the production effect, or the “distinction experienced when words are read aloud, versus reading words silently. The speaking of the words is more active than silent reading, and therefore aides in the production of our long-term memories” (Neurobehavioral Associates 2018).
The ninety-five participants in the study “were asked to read silently, listen to someone else read aloud, read aloud themselves, and listen to a recording of themselves reading. While hearing a recording of themselves did show a small benefit, the greatest benefit to memory was, overwhelming, found when the participants read aloud” (Neurobehavioral Associates 2018). Try reading aloud to help retain important information and read along with your own recordings for even stronger concept retention.
Respond: As you read, write the answers to the questions you read before diving into 3R/4R part of the method. As necessary, ask yourself additional questions and write them with the answers in the margins or in your notes. When you go back to answer the actual test questions, double check that your answer is correct and include the page number with your answers if you have the space.
Active reading starts with the reader. It is the act of engaging deliberately with the material and absorbing it effectively. Readers can practice reading more actively with a few simple steps and by doing so will increase their information absorption and reading comprehension.
That’s it for my guide on how to practice active reading! Have you ever heard of this practice before? In what was has active reading helped you study smarter? Let me know in the comments below and thanks for reading!
Bibliography
Kang, Jaeyoung Geoffrey. “Assorted-title-book lot photo.” Unsplash photo, July 31, 2019 (Thumbnail photo).
Marbella International University Centre. “What is the SQ3R study method and how to use it?” Web article, November 17, 2020 (Paragraphs 1-2).
Neurobehavioral Associates. “Reading Out Loud Improves Memory.” Blog post, April 11, 2018 (Paragraphs 5-6).
Weber State University. “The SQ3R Method.” PDF found on Google.com, accessed September 12, 2022.
Further Reading
“SQ3R Reading/Study System.” Virginia Polytechnic Institute and State University’ Cook Counseling Center article, accessed September 12, 2022.
“Active Reading.” The Open University’s Critical Reading Techniques series, accessed September 12, 2022.
Related Topics
Get Your FREE Story Binder Printables e-Book!
How to Read More Books
10 Tips For Planning Your Reading Challenge (2020)
How I Read A Book: My Book Reading Routine
How I Got Started Reading When I Hated It
How I Read A Book: My Book Reading Routine
Self Care Tips for Bookworms
Immersion Reading: Audiobooks & Ambiance
Get Immersed in Your Reading: Writing With All Five Senses
Active Reading Vs. Passive Reading: Using Psychology-Based Critical Reading Skills To Increase Information Absorption & Retention
Read Like A Writer: What Analytical Reading Can Teach Us
Questions You Should Ask Yourself As A Reader or Critic
Reading Slump Emergency Kit: 15 Surefire Ways To Break Out of a Reading Slump!
5 Contemporary Romances Everyone Should Read
5 Supernatural Romance Reads for February
Classic Romance Reading Challenge for February
Do We Really Need to Read the Classics?
Recent Blog Posts
Self Care Tips for Bookworms
Sometimes it’s hard being a writer—I get it. Sometimes we get writers’ block and sometimes we just don’t feel like pulling up to the computer and cranking out 1200 words a day for the month of November, or ever for that matter. Writing is hard. No matter how many times I say it, it doesn’t make the process any easier. Writing can be really, really, reeeeeally difficult sometimes. Most of the time, in fact. It’s a process that makes you swoon, cry, cringe, hyperventilate, and want to tear your hair out at every turn. It’s frustrating when you want to write but you just don’t feel motivated or inspired enough to do so. It’s frustrating when you feel motivated and inspired but you just don’t feel like writing.
This blog post was written by a human.
Hi readers and writerly friends!
This week in the Reader Life category, we’re going over how to practice self-care for both readers and writers. It can be hard to remember to take care of ourselves, and I think after the insane year we’ve all had with 2020, we’ve been reminded how valuable good, regular self-care is important for everyone, no matter what hobbies or occupation you may have. While these tips are geared more for readers and writers, they’re certainly applicable for any kind of creator.
Woman reading in a relaxing floral milk bath. Photo by Monstera.
Give yourself a little grace as a writer
Sometimes it’s hard being a writer—I get it. Sometimes we get writers’ block and sometimes we just don’t feel like pulling up to the computer and cranking out 1200 words a day for the month of November, or ever for that matter. Writing is hard. No matter how many times I say it, it doesn’t make the process any easier. Writing can be really, really, reeeeeally difficult sometimes. Most of the time, in fact. It’s a process that makes you swoon, cry, cringe, hyperventilate, and want to tear your hair out at every turn. It’s frustrating when you want to write but you just don’t feel motivated or inspired enough to do so. It’s frustrating when you feel motivated and inspired but you just don’t feel like writing.
Give yourself grace as a writer. Remember, writing is hard, and it takes time to finish projects. Be kind and patient with yourself and remind yourself often, that writing isn’t something that everyone can do and that’s why you’re special and essential to this world.
Stop caring what others think and stop comparing yourself to others
This goes for both readers and writers—stop comparing yourself to other people and stop worrying about what other people think. This kind of thinking doesn’t benefit anyone and can end up consuming so much of our time and energy.
Readers, stop comparing yourselves to other readers who may have read more books than you, may be faster readers, or who have more aesthetically pleasing bookshelves (and in turn, social media feeds.)
Writers, stop comparing yourselves to other writers who may have been published before you or who have published more books than you have, writers who may come up with beautiful words or excellent writing, or writers who seem to write easily without difficulty.
Everyone should stop comparing themselves to others and remember to appreciate the good qualities about themselves and enjoy the positive things that them apart from the other people in their community.
Allow yourself to put down or part with books you dislike
Give yourself permission to DNF—Did Not Finish—books that you don’t like or feel like a chore to read. If you find the book isn’t grabbing your pages at a hundred pages in, or you realize you have to bargain with yourself to sit down and read, consider that the book in question might not be for you and that’s okay. Think carefully about the books you read and try to build a reader profile for yourself, so you know what books to seek out and which ones to avoid in the future. If you notice historical fiction is just not captivating you the way paranormal romance does, then evaluate your tastes and remember to seek out books that align with them as you search for your next read.
Take frequent writing breaks to recharge your creative battery
Woman writing and using a laptop. Photo by cottonbro.
This piece of advice is essential. We’ve all been there —we glance at the clock and gasp after spending hours writing or reading the day away, hunched over our books and computer screens, in some other world. For readers and writers alike, remember to take frequent breaks to break up the tedium that reading/writing for hours so often brings. Readers, stand up and move around between chapters and writers, do some yoga or some kind of gentle movement to loosen up and get you out of your head. Consider taking a walk outside for fresh air or stroll down to your favorite coffee shop for a post-chapter treat!
Read for pleasure and not for work
Many of us creative bookworms often read to create content for our YouTubes, blogs, and social media accounts and we often read to review books. However, I implore you, dear reader, to remember to read just to read. Read for pleasure and read books that you enjoy. You don’t always have to read the most anticipated book of the year or the book of the month, especially if you can’t find time to read for yourself.
Write just to write
This is easier said than done, right? At first yes. Try writing just to dump all of your thoughts, feelings, items you were supposed to remember, lists and anything else taking up creative space in your mind. This is called brain-dumping and it can work wonders for writers who get stuck in their heads or are easily distracted. Try writing morning pages—Invented by Julia Cameron—where you mindlessly write for several pages, first thing in the morning to clear your mind for the important work you will do later.
Stay on a writing schedule
Read or write regularly. This will make it easier to sit down to work on your manuscript or dig into your reading material every single day. It might be hard to remember at first, so set alarms for yourself until it becomes a habit for you. Carve out a space and time for completing this activity daily and it will, slowly but surely grow increasingly easier for you. Eventually it will become like second nature. When that time rolls around each day, you’ll feel the writing/reading itch creep in and you’ll know what to do.
Maintain a balanced diet
While this isn’t exactly related to reading or writing, it is related to being human. No matter what your hobby or occupation is, balanced diets are integral to your health and should never be left out of the self-care conversation. Remember to drink plenty of water and eat balanced meals throughout the day. Consider having a snack with your book and treat yourself to an occasional glass of wine or coffee while you write.
Move your body regularly
Much like the practice of maintaining a balanced diet is important for all readers and writers (and people in general,) exercising regularly is as well. Regular, quality exercise is crucial to your health and can help you keep your energy and mood elevated long after you’ve finished working out. There are countless studies that support the notion that exercise is directly linked to happiness and maintaining a positive mood and energy. So, like reading and writing, set aside time to exercise and loosen up.
Pro Tip: Couple your breaks with short, gentle stretch routines to knock out two birds with one stone.
Get plenty of good-quality sleep
Writing/reading are ultimately mental activities, and what we know about the brain is that brain function decreases when there’s a lack of sleep in our lives. This article from the Sleep Foundation explains how lack of sleep can impair our day-to-day cognitive function.
“Sleep is an important time for the brain. Levels of brain activity change in each stage of sleep — including both rapid eye movement (REM) and non-REM (NREM) sleep — and evidence increasingly suggests that sleep enhances most types of cognitive function.
Getting enough hours of high-quality sleep fosters attention and concentration, which are a prerequisite for most learning. Sleep also supports numerous other aspects of thinking including memory, problem-solving, creativity, emotional processing, and judgment.” (Sleep Foundation)
Investing in yourself is also directly investing in your creativity and writing career. Consider what lifestyle changes you can make to positively impact your sleeping habits.
Adhere to a strict sleep schedule
Pick up a set of noise-canceling earbuds/earplugs
Upgrade your mattress and bedframe
Create a practical and nourishing night routine
Pick up some blackout curtains
Get a white noise or sound effects machine
Treat yourself to luxuriously soft bedsheets and comfy pillows
Cut off the caffeine in the afternoon
Turn your bathroom into an at-home spa for heavy writing days
Don’t forget to celebrate both the small and big wins
Two friends working creatively outside with coffee. Photo by Keira Burton.
Don’t forget to celebrate your small and big wins, no matter whether or not you’re a reader, writer, both, or neither. If you knock out a book, make sure to update your Goodreads Reading Challenge, and treat yourself to a coffee. If you manage to write through a particularly difficult chapter of your novel reward yourself with a break and 30 minutes of your favorite TV show. Celebrate in whatever way makes sense for you and your life, but make sure you don’t forget to set aside time to recognize when you’ve hit major and minor milestones and completed your goals. The challenges and wins alike can all blur together and without taking time to reflect and cherish your successes, its easy to get caught up in the drudges of the writing world. Don’t let the negativity and workload drag you down. Honor you small and big wins alike by taking time to celebrate the hard work you’ve done and how far you’ve come
Meet another reader/writer for coffee
I know this will be difficult during the COVID-19 pandemic but when this all blows over, make sure to reach out to your friends and family to catch up over coffee or a nice meal, and gush about all of your favorite reads or current writerly projects. In the mean time, if you can abide by social distancing guidelines while meeting a member of your safety circle or visiting with a new friend, try to find time to do so, but safely.
And don’t let isolation keep you locked inside—find your next adventure between the pages in the list on Goodreads, linked below.
Pro tip: Try working outside at a local park, in a coffee shop, or at the library for a change of scenery. Sometimes getting out of the house and out of your usual writing space might help spark inspiration and refresh your creativity. Plan a co-working date with a friend or colleague for extra focusing power.
And that’s it for my self-care tips for readers and writers. Have you practiced any of these tips before? What has worked for you in your reading/writing practice? Do you experience any overlap between the two activities? Let me know your thoughts in the comments below!
Bibliography
Related Topics
Writing Every Day: What Writing as A Journalist Taught Me
When Writing Becomes Difficult
5 Reasons Most Writers Quit
Yoga For Writers: A 30-Minute Routine To Do Between Writing Sessions
Further Reading
How Lack of Sleep Impacts Cognitive Performance and Focus
Adventure Reads on Goodreads.com
Read The Artist’s Way by Julia Cameron
Recent Blog Posts
Breathing New Life Into Humanities At Rose State College
A humanities mural project at Rose State College provided students with hands-on experience in public art, from research and planning to execution. The process involved consulting with local arts professionals, budgeting supplies, and presenting designs to a committee. The selected mural, created collaboratively by students, emphasized the role of public art in reflecting community values. The project not only beautified the campus but also deepened students’ understanding of public art’s impact.
This blog was written by a human
Hello readers and writerly friends!
If you’re a returning reader, welcome back and if you’re new to the blog, thanks for stopping by! In this blog post I’ll be doing an in-depth article discussing the murals and public art scene in Oklahoma. This article was originally written for The 6420 Magazine at Rose State College in 2020 and is the first part of a three-part series spanning a range of topics to do with Oklahoma’s public art stage. You can find the first and second articles in the series linked in the “Related Topics” section towards the end of this post.
In part one of this series, we discussed the research and development the Fall 2019 Mural class conducted in preparation of the new humanities mural. They visited with Randy Marks from The Oklahoma City Office of Arts and Cultural Affairs, Adjunct Curator, Pablo Barrera from Oklahoma Contemporary, and the heads of the Arts Division from Oklahoma City University (OCU), to gain a glimpse into the process of getting a mural up in public spaces, what Oklahoma Contemporary was doing to make public art more accessible, and what new courses and features OCU’s art division had to offer art majors transferring from Rose State College.
The Beginning Of A More Beautiful Campus
Even though the process for getting a mural up at Rose State was different than the process for public art, they still had to render out their ideas, budget their supplies, and put together a presentation for the Humanities Building Interior Mural Committee on the Rose State College campus. They narrowed down their ideas down to two mural concepts, one done by Fine Arts major, Ashley Gilliland and one done by myself. The committee chose Ashley's design due to time constraints and planned for my mural to be done next semester.
Once all of the prep work was complete, the mural was set to begin. They started sketching the design out on the wall and in days, had the first layers of paint up. Over the past few months, they've been working on it, each Tuesday and Friday, and they made considerable progress for only working two days out of each week of the semester. They just finished the mural and sealed it on Tuesday, December 10th, 2019, so it's officially finished.
Suzanne Thomas described her thoughts on the mural class, how it differed from previous years’ classes, and her thoughts on the mural:
“This mural class was more about the process and procedures that an artist must go through before they create artwork. Especially artwork that is meant to be viewed in public. I think a lot of art students have this idea that art is just about their personal expression, but public art, i.e., like murals, are about the reflecting the values within the community at large. This class was different in that there was more research that had to be done, more collaboration among the students, and Humanities faculty. I am really proud of the mural and their work!” (Thomas 2020)
No Limitations Mural At Rose State College




















A slideshow of images showcasing the No Limitations mural at Rose State College, including three physical photos of the mural and one digital mockup of the mural, created with Canva. Photos by Payton Hayes.
Two Sides To Humanities (Brain) Mural Planned For The Spring 2020 Semester
When the mural class rendered out their concepts for the first painting, at least three of five students came up with a left brain versus right brain type of design. They said this happened with zero communication or collaboration on their part and thought it was a good sign that they were on the same page. However, due to the fall semester moving so quickly, the students of the mural class, Suzanne Thomas and the Humanities Building Interior Mural Committee agreed it made more sense to do Gilliland’s mural in the fall semester and save my mural for the spring semester.
The Humanities Building Interior Mural Committee was torn between the two mural concepts and voted to have both done since they couldn’t pick one over the other. The second design is planned for the spring semester. I will be completing the mural as an honors credit project for my painting class, with the help of volunteer high school students from Midwest City High School. We’re still getting all our ducks in a row but so far, Humanities Dean, Toni Castillo’s approval we have a few students who have volunteered to work on the mural, and Suzanne Thomas’ has agreed to mentor me on the project.
Since I will be spearheading the project, it is my job to organize all the logistics from reaching out to the high school to recruit students, obtaining liability waivers, and getting everything approved between both schools. This project is exciting because it benefits all three parties—the MCHS students who will be receiving recognition for their volunteer work on the project, Rose State College which is using this as a recruitment opportunity for the Fine Arts Department, and myself who will of course receive recognition for the concept as well as an opportunity to participate in a leadership program.
Toni Castillo, Dean of Humanities provided her thoughts on both of the murals and her plan for breathing new life into the Humanities building:
“The mural project is a perfect opportunity for the Humanities Division Art Program to showcase the exceptional talents of Rose State students. I am particularly gratified that the project is completely student driven—their vision, their presentation, their implementation—so that eventually that entire upstairs corridor of our building will be a legacy of their values left for all who come here. Professor Suzanne Thomas, who has headed the project, has shown particularly strong leadership in the way she has structured the class and worked with dedicated Honors Program students to complete the project, as those students have in turn reached out to involve area high school students. The project in that corridor will be ongoing for several years until we finally have a true venue for experiential art here at Rose.” (Castillo 2020)
UPADTE: Spring Humanities Delayed Until Summer 2020 Due To COVID-19 Pandemic
Unfortunately due to the pandemic, I had to push my mural back until the summer where I was one of the only people allowed in the building. Since then, I have completed it and was awarded honor’s credit for it’s completion. It was an incredible opportunity I will be indefinitely grateful to Rose State College and Suzanne Thomas for the experience. Below is a slideshow of the completed mural as well as progress pictures from the painting process.
Two Sides To Humanities (Brain) Mural At Rose State College




A slideshow of images showcasing the Two Sides To Humanities (Brain) mural at Rose State College, including three physical photos of the mural and one digital mockup of the mural, created with Canva. Photos by Payton Hayes.
That’s it for this reposting of my article about the beginning of an amazing new mural project blooming on the walls of the Humanities building at Rose State College. If you’re in the area and interested in art, I cannot recommend a visit to Oklahoma Contemporary enough and I also suggest that you get involved with the art community here in Oklahoma!
Bibliography
Castillo, Toni. “Breathing New Life Into The Humanities At Rose State College.” (Interview With Toni Castillo). December 11, 2020.
Hayes, Payton. “A digital mockup of the No Limitations Mural At Rose State College.” Created with Canva. (Slideshow 1, photo 16). December 10, 2019.
Hayes, Payton. “A photo of the No Limitations Mural At Rose State College 1.” (Slideshow 1, photo 1). December 10, 2019.
Hayes, Payton. “A photo of the No Limitations Mural At Rose State College 2.” (Slideshow 1, photo 2). December 10, 2019.
Hayes, Payton. “A photo of the No Limitations Mural At Rose State College 3.” (Slideshow 1, photo 3). December 10, 2019.
Hayes, Payton. “A photo of the No Limitations Mural At Rose State College 4.” (Slideshow 1, photo 4). December 10, 2019.
Hayes, Payton. “A photo of the No Limitations Mural At Rose State College 5.” (Slideshow 1, photo 12). December 10, 2019.
Hayes, Payton. “A photo of the No Limitations Mural At Rose State College 6.” (Slideshow 1, photo 13). December 10, 2019.
Hayes, Payton. “A photo of the No Limitations Mural At Rose State College 7.” (Slideshow 1, photo 14). December 10, 2019.
Hayes, Payton. “A photo of the No Limitations Mural At Rose State College 8.” (Slideshow 1, photo 15). December 10, 2019.
Hayes, Payton. “A photo of the Special Topics In Art: Murals Class painting the No Limitations Mural At Rose State College 1.” (Slideshow 1, photo 5). December 10, 2019.
Hayes, Payton. “A photo of the Special Topics In Art: Murals Class painting the No Limitations Mural At Rose State College 1.” (Slideshow 1, photo 6). December 10, 2019.
Hayes, Payton. “A photo of the Special Topics In Art: Murals Class painting the No Limitations Mural At Rose State College 1.” (Slideshow 1, photo 7). December 10, 2019.
Hayes, Payton. “A photo of the Special Topics In Art: Murals Class painting the No Limitations Mural At Rose State College 1.” (Slideshow 1, photo 8). December 10, 2019.
Hayes, Payton. “A photo of the Special Topics In Art: Murals Class painting the No Limitations Mural At Rose State College 1.” (Slideshow 1, photo 9). December 10, 2019.
Hayes, Payton. “A photo of the Special Topics In Art: Murals Class painting the No Limitations Mural At Rose State College 1.” (Slideshow 1, photo 10). December 10, 2019.
Hayes, Payton. “A photo of the Special Topics In Art: Murals Class painting the No Limitations Mural At Rose State College 1.” (Slideshow 1, photo 11). December 10, 2019.
Hayes, Payton. “A digital mockup of the Two Sides To Humanities (Brain) Mural At Rose State College.” Created with Canva. (Slideshow 2, photo 4). December 11, 2020.
Hayes, Payton. “A photo of the Two Sides To Humanities (Brain) Mural At Rose State College 1.” (Slideshow 2, photo 1). December 11, 2020.
Hayes, Payton. “A photo of the Two Sides To Humanities (Brain) Mural At Rose State College 2.” (Slideshow 2, photo 2). December 11, 2020.
Hayes, Payton. “A photo of the Two Sides To Humanities (Brain) Mural At Rose State College 3.” (Slideshow 2, photo 3). December 11, 2020.
Thomas, Suzanne. “Breathing New Life Into The Humanities At Rose State College.” (Interview With Suzanne Thomas). December 11, 2020.
Related Topics
Making Space With Oklahoma Contemporary: Interview With Pablo Barrera
Exploring Murals In Oklahoma: Where Public Art Is More Than Just Paint
Writing Exercises from Jeff Tweedy's Book, How To Write One Song
Experimentation Is Essential For Creators’ Growth (In Both Art and Writing)
Screenwriting for Novelists: How Different Mediums Can Improve Your Writing
“Twenty Little Poetry Projects” Writing Exercise by Jim Simmerman
How To Write Poems With Artificial Intelligence (Using Google's Verse by Verse)
Why Fanfiction is Great Writing Practice and How It Can Teach Writers to Write Well
Recent Blog Posts
Exploring Murals In Oklahoma: Where Public Art Is More Than Just Paint
Public art, particularly murals, plays a significant role in enhancing urban spaces and fostering community identity. In Oklahoma, the process of creating murals involves collaboration between artists, city officials, and property owners. Legal considerations, including the Visual Artists Rights Act (VARA), protect artists’ rights and ensure their work is respected. Additionally, partnerships with local organizations and educational institutions provide opportunities for aspiring artists to gain experience. This dynamic environment encourages artistic expression while promoting cultural appreciation.
A photo of the students from the Fall 2019 Special Topics In Art: Murals class paint the finishing touches on a mural. This mural is set to be the first of a series of murals as part of the ongoing project, “Breathing New Life Into The Humanities.” This project is expected to continue into 2025 and draw nearer to completion with each following Special Topics In Art: Murals class taught by Suzanne Thomas. Photo by Ken Beachler.
This blog was written by a human
Hello readers and writerly friends!
If you’re a returning reader, welcome back and if you’re new to the blog, thanks for stopping by! In this blog post I’ll be doing an in-depth article discussing the murals and public art scene in Oklahoma. This article was originally written for The 6420 Magazine at Rose State College in 2020 and is the first part of a three-part series spanning a range of topics to do with Oklahoma’s public art stage. You can find the next two articles in the series linked in the “Related Topics” section towards the end of this post.
In Suzanne Thomas’s Fall 2019 Course, Special Topics In Art: Murals, students learned all the ins and outs of getting a mural up in public space when they met with the Randy Marks from the Oklahoma City Office of Arts and Cultural Affairs. The same day, they met with Pablo Barrera, Oklahoma Contemporary’s inaugural Curatorial fellow and the Division heads of the Fine Studio Arts at Oklahoma City University. After learning about the public art process and different opportunities for art in Oklahoma, the students began preparing for the mural they’d be painting in the upstairs, back hallway of the Rose State College Humanities building.
Insights On Artists’ Rights and How To Get Murals Approved In Oklahoma City, From The Office of Arts and Cultural Affairs
Putting up a mural in public spaces or on private property doesn’t just consist of slapping some paint up on a wall—at least not in the beginning. Since the canvas is often property of the city as well as private owners, there’s several steps an artist must take before ever picking up their paintbrush.
When the mural class met with Randy Marks from the Oklahoma City Office of Arts and Cultural Affairs, they learned that the process for getting not only murals, but other forms of public art installed is a much more extensive process than slapping paint up on a wall. First, one must go through Oklahoma City’s Office of Arts and Cultural Affairs to get their artwork approved, if it’s going to be on public property or on the external surface of a building. Indoor murals are at the discretion of the property owner.
The mural artist must build a presentation which includes the stages of execution, mockups, expected start and finish date, location, and a budget for the project if it will require public funding from the city. The presentation must be formally presented in front of the Oklahoma City Office of Arts and Cultural Affairs Committee and approved. Once approved, the artist will begin preparing for the mural process; this includes gathering materials, preparing the workspace, and getting the necessary paperwork and waivers in order.
The next step in the process is the VARA Rights Waiver and muralists as well as sculptors and other visual artists must have one. The Visual Artists Rights Act (VARA), which allows artists to prevent certain actions regarding their artwork, was enacted in 1990. This act protects visual artists' moral rights by prohibiting the distortion, mutilation, modification, or destruction of their work in a way that could damage their reputation. Oklahoma City’s Office of Arts and Cultural Affairs recommends that property owners commissioning visual art for an interior/exterior space should ask the artist to sign a VARA Rights Waiver before the work has begun and have it reviewed by an attorney to ensure that the rights for the artwork are clear, legally binding, and transferrable to future owners of said property. Conversely, muralists and other visual artists should be familiar with The Visual Artists Rights Act, the VARA Rights Waiver, and other applicable copyright and property laws that may affect their rights as artists creating public works of art.
When the mural class met with the Oklahoma City Office of Arts and Cultural Affairs, they learned the importance of VARA waivers. The need for VARA waivers was highlighted when a new company, Alotta Action Advertising, moved into the building on the southeast corner of Northwest 46th Street and Western Avenue and painted over world-renowned and beloved Oklahoma artist, Bob Palmer’s 2-year old mural. This mural was a legacy piece by one of Oklahoma’s most acclaimed artists, and the idea that it has been covered up has a lot of artists upset at the lack of respect for the internationally revered painter. After this poorly-received decision had district leaders, local artists, and OKC citizens alike seeing red, both literally and figuratively,
The mural class also learned about Kent Twitchell, the Los Angeles artist who settled his lawsuit against the U.S. government and 11 other defendants, for $1.1 million, for painting over his six-story mural—“Ed Ruscha Monument,” that was painted on the side of a federal government-owned downtown building.
Once all of this has been done and the artist gets the green light, work can commence on the project—and that’s when the paint finally goes up on the wall.
Making Space With Oklahoma Contemporary
After their meeting with Oklahoma City Office of Arts and Cultural Affairs, the class stopped by the newly constructed Oklahoma Contemporary building to check out the building-in-progress the murals adoring the fences around the construction site, and to chat with Pablo Barrera, the Director of Oklahoma Contemporary. He told them Oklahoma Contemporary’s new building would be open in March 2020 (the opening has since been postponed due to the 2020 COVID-19 Pandemic), that the building’s exterior was made to reflect Oklahoma’s picturesque sunsets and sunrises. He also showed us the murals that they’ve set up along the construction site, called Making Space.
Visiting The Fine Studio Art Division at Oklahoma City University
When the students finished their visit with Pablo Barrerra at the Oklahoma Contemporary construction site, they visited briefly with Bryan Cardinale-Powell, Associate Professor and Chair of Visual Art and Film, and Jeff Price, Professor of Game Design and Animation at Oklahoma City University. They learned about their extensive art programs, saw their high-tech graphic design studio, and some of their projects for upcoming courses—notably their motion capture room which was under construction during the students’ visit. The class got the opportunity see an all-encompassing art studio with every tool one could imagine for bringing artwork to life from fine studio art, to digital art, and animation. Beyond that, students saw the fine arts department even had their own art museum and exhibit hall. To compare, OCU’s student art gallery was bigger than the student art case in the Communication Center at Rose State College and smaller than the Fred Jones Museum at the Oklahoma University campus in Norman.
More Murals To Come To Rose State College In Spring 2020 With “Breathing New Life Into The Humanities”
After the class met with the different local art communities, they decided to get to work on their own mural. You can read more about their process and experience—as well as Dean of Humanities, Toni Castillo’s vision for revitalizing the Humanities department by covering nearly every inch of the building’s interior hallways in murals—in the second part of this series, “Breathing new life into Humanities at Rose State College” which is featured in the Spring issue of The 6420 Magazine and linked in the “Related Topics” section below.
Thanks for reading my article about murals and fine arts in the OKC metro area! If you’re in the area and interested in art, I highly encourage you to check out Oklahoma Contemporary and to get involved with the art community here in Oklahoma!
Bibliography
Hayes, Payton. “No Limitations Mural Progress Photo.” December 11, 2020.
Recent Blog Posts
7 Fun, Useful, Quirky, and Cute Non-Book Bookish Items
Here’s a bunch of fun, weird, non-book bookish things that you may not have heard of before!
This blog was written by a human
Hi readers and writerly friends!
This week in Current Faves, I’m showing you a bunch of fun, weird, bookish things that you may or may not have heard of before! Some of these have been recommended to me time and time again while others I only recently discovered and now that I’ve got a pretty good stack of quirky bookish objects, I figured I should share them with you!
Bookly App
You might not have expected an app to make it onto a weird bookish things list but it was so good I couldn’t not put it on the list. If you don’t know, Bookly is a gorgeous app that helps you track your books, read more and improve your reading over time. You can scan your books or simply search for them online to add them to the app, from there you can track to whom you lend them, add favorite quotes and thoughts, and see insightful data that can help you improve or read even more.
Gorgeous book sleeves by Love You More Studio. Photo by @fablesandwren on Instagram.
I personally love this app because it really gets me motivated to read more books and it keeps me reading regularly because I don’t want to break my reading streak!
Book Sleeves
Does anyone remember using the paper book sleeves or the 99c spandex book sleeves to protect their textbooks back in middle school? No? Just me? Okay.
These book sleeves from Love You More Studio are absolutely stunning. They even come in holiday prints and everything! I’m going to have to snag myself a few of these!
Goodreads App
Okay, I promise this list isn’t all apps. But I had to put this one on the list too, because I recently discovered a surprising amount of my writerly friends had never heard of Goodreads even though its basically been around forever. Goodreads is an American social cataloging website that allows individuals to search its database of books, annotations, quotes, and reviews. Users can sign up and register books to generate library catalogs and reading lists. Similarly to Bookly, I really like tracking my reading progress, read, currently reading, and to-read book lists, and engaging with other readers on Goodreads.
Clear panel booklight from Shein. Photo by Payton Hayes.
Clear Panel Booklight
While this booklight is more of a necessity than a quirky object I had to include it as well because it’s amazing. If you read my Bookish Things blog post for this week, How I Read Books/ My Reading Routine, then you might remember this little gadget from that post. I raved about how awesome it was to have when the power went out last month during the Great Oklahoma Ice Storm of 2020. It was an absolute lifesaver. I found my light on Shein, but you can get them just about anywhere.
Bookish Home Décor
I found these items on the ebookfriendly.com blog where Ola Kowalczyk put together a list of bookish home décor that was just too cute to ignore!
Kowalczyk says,
“In times when most of the books can be stored on a single e-reader or tablet, there comes a problem book lovers haven’t experienced before: how to express the love for books? Hundreds of books on the Kindle means you won’t need a classic floor-to-ceiling bookshelf, or, at least, you won’t need a bookshelf that large. But it’s good to have things at home that remind you of the evening you will spend with the book and a cup of delicious tea.”
—Ola Kowalczyk, Eboookfriendly.com
You can read the full blog post here.
While I personally enjoy physical copies of books, I can certainly see the appeal of keeping all of your favorite reads stored in the cloud. From book-shaped cutting boards to ceramic pencil-holders, these cute, practical, bookish home décor items are sure to serve as a warm reminder that your next read is only a swipe away.
Bookish Pillows
What’s cuter and cozier than a book sleeve or cuddling up with a good book, you ask? Book-shaped pillows! These adorable and surprisingly soft bookish throw pillows on Etsy make a wonderfully whimsical addition to every book lover’s reading nook.
Wood Book-Shaped Coasters
Not the cozy type? That’s alright! Maybe you’re into entertaining or you’re a craft brew aficionado? Next time your friends come over games and booze (post-pandemic of course!) whip out these beautifully made, handcrafted wooden book-shaped coasters. They have some hilariously witty twists combining the classics and alcohol which are sure to entertain.
I hope you liked my list! Please let me know in the comments what quirky and fun non-book bookish items you’ve been into lately and make sure to check out my other posts in Reader Life!
I Visited The Full Circle Bookstore In Oklahoma City
I took my bestie on a bookish, friend date to the Full Circle Bookstore in OKC…
And we loved it.
Yeah, we’re hitting the ground running in Reader Life this week, because I just cannot wait to tell you all about it.
Neither me nor my best friend Allie have ever been to Full Circle before and needless to say, we a first-time FC converts, if there is such a thing. When we rolled up to the shop at the bottom of the 50 Penn Place building, we were greeted with a quaint little storefront, painted mint green and black with chalkboard signs and jazzy music playing softly from an outdoor speaker. We were already so excited, and we hadn’t even entered the building.
Full Circle Bookstore’s Storefront inside of the 50 Penn Place Mall. Courtesy of the Full Circle Bookstore Website. Click here to visit the site.
This blog is written by a human
Hi readers and writerly friends!
I took my bestie on a bookish, friend date to the Full Circle Bookstore in OKC…
And we loved it.
Yeah, we’re hitting the ground running in Reader Life this week, because I just cannot wait to tell you all about it.
Disclaimer: Yes, we went while the pandemic is still going on, but we went early in the week during a time when hardly any people where there, we wore masks and we kept our distance from people while we were browsing the store. We tried our best to keep ourselves and others safe but it was a nice little treat for us to go and spend time together and enjoy a wonderful, bookish place we’ve never been before.
Okay, back to our regularly scheduled programming.
An inside peak into the Full Circle Bookstore where guests can get lost in the seemingly endless shelves of books. Courtesy of the Full Circle Bookstore Website. Click here to visit the site. Photo by Payton Hayes.
Neither me nor my best friend Allie have ever been to Full Circle before and needless to say, we a first-time FC converts, if there is such a thing. When we rolled up to the shop at the bottom of the 50 Penn Place building, we were greeted with a quaint little storefront, painted mint green and black with chalkboard signs and jazzy music playing softly from an outdoor speaker. We were already so excited, and we hadn’t even entered the building.
Then, when we did go inside, we were greeted for the second time, only this time it was by a very friendly employee named Brent who told us all about the bookstore—some of the events they have on weekends, the different types of books they had available and where to find them, and where to find the café in the back of the shop. Did I mention they had a café? Hello—book nerd/coffee addict heaven!
The inside of the store was much like a Tardis from the hit series, Doctor Who, in that it seemed much larger on the inside than it did on the outside. And on the other hand, it was also like a hobbit hole, in that it had all these wonderful little winding hallways and hidden alcoves tucked within one another. It was like and endless maze of books and I wanted to get lost in there forever. I was constantly enchanted by all of the books there were, all of the fun little bookish knick-knacks, and even the signed first edition copies and box sets of some books. It was everything I’d ever dreamed it would be.
And can we just take a moment to talk about the incredibly vaulted ceilings, the enormous floor-to-ceiling bookshelves filled to the brim with books of every size, shape, and color, and the ladders scattered all throughout the bookstore so a book can never be out of a guests reach? It was incredible. It reminded me so much of the Hogwarts library, only it was a little less dusty and a lot more modern. Also, there weren’t screaming faces coming from the pages of the books…
Bookshelf with a ladder at the Full Circle Bookstore. Photo by Payton Hayes.
So, we stopped for coffee first, and I must recommend the toasted marshmallow latte—get it hot or cold, either way will be scrumptious. Allie and I shared a chocolate mouse and a cheese danish, both of which were delicious. We would have stayed for lunch, but the kitchen officially closes at 2pm every day, so we’d just barely missed it when we arrived around 3pm.
Then we made off for the books.
Stack of the books I bought from the Full Circle Bookstore. Photo by Payton Hayes.
Like I mentioned, the shop was seemingly endless—I found myself drooling over the fantasy books one second and suddenly, I was in the classic literature drooling over the books there too. They had just about every book you could imagine, and we certainly snagged a few for ourselves. I think Allie ended up with a few classics— A Clockwork Orange by Anthony Burgess, and The Call of The Wild by Jack London. I sort of went overboard and ended up with six books—Emily St. John Mandel’s Station Eleven, Bram Stoker’s Dracula, Jane Austen’s Pride and Prejudice, Ghosted by Rosie Walsh, The Hobbit by J.R.R. Tolkien, and The Languages of Tolkien’s Middle-earth by Ruth S. Noel. There were so many more books I wanted to buy but I was reminded by that little voice in my head—my TBR Conscience, if you will, who kept reminding me that I had over a hundred books at home, most of which I still have not read yet. So, I figured I’d take what I could carry and come back later, because I am absolutely coming back again later.
When we got to the checkout, the cashier gave us a bunch of bookmarks, a pamphlet that described upcoming events for October 2020, and stamped a couple of rewards cards for us to use when we inevitably returned (every $10 spent contributes to a total of $200 spent which rewards customers with a $30 off coupon to use in-store when they’ve met that goal).
Suffice it to say, we had a truly wonderful time, and hopefully we can go back again once things are back to normal. It would be really fun to attend a live reading from one of our local authors or stop in for a concert from one of the regular bands that play every couple of weekends or so. If you’ve never been to this book store before, be sure to check it out next time you’re in Oklahoma City and say hi to Pearl the Buffalo for me!
The Full Circle Bookstore is Located in 50 Penn Place, 1900 NW Expressway, Oklahoma City, OK 73118
Phone: 405.842.2900 or 800.683.
Visit the Full Circle Bookstore’s website here. Hours are located on their home page and events can be found here.
Neither this website, nor Payton Hayes are affiliated with The Full Circle Bookstore. I just really enjoyed my first trip there and wanted to share my experience with all of you. There are Amazon affiliate links present in this blog post.
Check out more posts in Reader Life!
Have you ever been to the Full Circle Bookstore in OKC? Where is your favorite bookstore? What bookstore should I visit next? Let me know below! Thanks for reading!
When Writing Becomes Difficult
I get it—trust me. I just came back from a writing hiatus and while I wish I didn’t take that time away from writing, it’s hard to picture me where I am now without it. So, as we get into it, let’s think of this as a group therapy session.
Hi readers and writerly friends!
This week in Freelancing, we’re discussing a little something that hit close to home for me and that’s when writing becomes difficult. Writing is hard. Full stop.
I get it—trust me. I just came back from a writing hiatus and while I wish I didn’t take that time away from writing, it’s hard to picture me where I am now without it. So, as we get into it, let’s think of this as a group therapy session.
Deep breath in and out. It’s going to be okay.
Now, let’s do this.
Woman covering her face with her hands. Photo by Anthony Tran.
Writing is hard. No matter how many times I say it, it doesn’t make the process any easier. Writing can be really, really, reeeeeally difficult sometimes. Most of the time, in fact. It’s a process that makes you swoon, cry, cringe, hyperventilate, and want to tear your hair out at every turn. It’s frustrating when you want to write but you just don’t feel motivated or inspired enough to do so. It’s frustrating when you feel motivated and inspired but you just don’t feel like writing. It’s frustrating when you don’t want to write but you have internal and external pressures on yourself that make you feel like you should be writing when you’re not, and that doesn’t feel good either.
And even if you managed to get past those hurdles, writing can be hard for a plethora of other reasons as well. It’s frustrating when the words just aren’t working on the page, or when you just can’t seem to iron out the kinks in your plot so that it makes sense.
I’m raising my hand here.
Writing is not an easy feat and it’s not supposed to be. Writing is a trial. It requires bravery and vulnerability, and a willingness to be consistent. It feels incredibly gross sometimes—like when you know you need to just sit down and crank out that first draft, but you keep self-editing your previous passages out of fear of inadequacy.
But I assure you, if you’re feeling the burn, you’re heading in the right direction. Writing is a process that is meant to make you want to pull your hair out sometimes, to make you feel like you’re going insane. (And if it’s any consolation, tons of famous writers were nutty.)
This hair-pulling, however is meant to help you grow as a writer. The frustration you feel is the fuel you need to burn through your writing struggles. When you’re feeling frustrated with how nonsensical your plot is, you’re forced to decide to scrap the idea or go down the rewriting path. This teaches writers about story structure and revising and self-editing.
Cumpled up paper. Photo by Steve Johnson.
The frustration you feel with creating unique, believable worldbuilding and setting that’s rich and just as complex and enchanting as the characters that dwell there forces you really understand your characters and the space you’ve created for them. It teaches writers how to really step into those worlds in their minds and envision themselves actually standing there. It forces you to travel to distant lands and capture these incredible places on the page because otherwise, no one but you would get to enjoy them.
The frustration you feel when writers block hits you like ton of bricks forces you to take a step back from your writing, to take a breather, and return to it with fresh eyes. This teaches writers to have a healthy relationship with writing. It teaches them how to take a break when things just aren’t working out and to return after mulling it over for a while. Your writing will be all the better for it.
There are many frustrations that come with writing and they’re exactly why writing is difficult. It’s not meant to be easy. But then again, nothing ever worth it is. Writing will test your patience, often. It doesn’t mean you should stop writing. It means you should find a solution to the problem you’re facing and then continue writing. Writing is a lot like horseback riding—the writing is the horse, you are the rider, and this incredible beast just keeps throwing you. But you get back up, again and again and again. Because writing isn’t a race. It’s a marathon. It’s a process.
Writing is for most, a passion. It’s an epic, tumultuous love. And if you’re feeling down and out about your writing, maybe all you need to do is rekindle your love of writing. You need to fall in love with writing again.
Single red rose on pages. Photo by Annie Spratt.
Think about what made you love writing in the first place:
Did you fall in love with writing because it was the best/only way to express your emotions?
Did you fall in love with writing because you had a burning story inside you, just itching to be told?
Did you fall in love with writing because your wild and uncontrollable Imaginate just couldn’t be contained?
Did you fall in love with writing because it helped you get through a difficult time in your life?
Did you fall in love with writing to escape or to feel free?
Did you fall in love with writing because of the way it made you feel?
Did you fall in love with writing to connect with yourself or someone else?
Why did you fall in love with writing? Does that reason still hold true today? What if anything, has changed for you? Because something, somewhere once drew you to writing and somehow you’ve lost sight of that. So, go back and fall in love with writing once again.
It doesn’t matter if your why has changed. It only matters that you still love to write. That’s what makes a writer. A love of writing is at every writers core.
If you need some help with inspiration, 500 Writing Prompts can help you to brainstorm some new ideas.
If you’re stuck on the details of your novel, try getting organized with The Novel Planner.
If you are still struggling to pick up the pencil, consider starting a journal or morning pages. This is a practice created by Julia Cameron in her book, The Artist’s Way and its basically a daily brain dump. Just write everything you can, the good, the bad, and the ugly. No one is meant to read this stuff so let all your reservations go and just write. This will help ease you back into writing, even if your journal/morning pages have no structure whatsoever.
And that’s it for my sappy thoughts on when writing gets difficult. I know it can get really tough sometimes. Just try to fall in love with writing and never let that little fire go out. It sometimes helps to have writerly friends who can inspire you and cheer you on as well. Let’s get a discussion going in the comments. What’s the most difficult thing about writing for you? What made you fall in love with writing? Let me know down below!
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Read more from Freelancing!
—Payton
20 Things Writers Can Learn From Dreamers
Hi readers and writerly friends!
It’s no doubt, still a crazy time, even in October 2020, with another round of the pandemic creeping in and the election in November just around the corner, things just don’t appear to be slowing down any time soon. But today, we’re going to shove all of that gross-ness under the rug and talk about something fun, positive, and incredibly inspiring.
I got this idea from the lovely Shayla Raquel who wrote this kind of blog post first on her blog. You can check it out here! But I just thought it was such a wonderful and inspiring kind of post and I had plenty of amazing quotes myself, so I figured, why don’t I take a crack at it?
In her blog post, Shayla writes:
If you’ve ever been around someone who sprints toward his dreams, then you know he’s absolutely insane. Nothing will get in his way. Nothing can stop him. He will accomplish his goals because he knows no other way to live.
—Shayla Raquel, Curiouser Editing
I love this quote and it aptly describes me whenever I get in a writing mood. I can’t be stopped, not even by my friends and family, by hunger, sleep, or coffee.
Okay, that’s a little bit of a stretch. Coffee might be the only reason I stop writing when I get on a roll.
But it’s certainly true that us writers can learn a thing or two from dreamers:
“You don’t have to see the whole staircase, just take the first step.”– Martin Luther King, Jr.
“Failure is not an option. It’s inevitable.” — Randy Langley
“I address you all tonight for who you truly are: wizards, mermaids, travelers, adventurers, and magicians. You are the true dreamers.” — Brian Selznick, The Invention of Hugo Cabaret
“Dare to dream! If you did not have the capability to make your wildest wishes come true, your mind would not have the capacity to conjure such ideas in the first place. There is no limitation on what you can potentially achieve, except for the limitation you choose to impose on your own imagination. What you believe to be possible will always come to pass - to the extent that you deem it possible. It really is as simple as that.” — Anthon St. Maarten
“Maybe you are a poet and a dreamer, but don't you realize that those two species are extinct now?” — J.G. Ballard
“Some stories have to be written because no one would believe the absurdity of it all.” — Shannon L. Alder
“Only those who dare to fail greatly can ever achieve greatly.”— Robert F. Kennedy
“I just want to live my life less like a list and more like a lyric.” — Emily Freeman (If you’ve seen my Instagram, then you know!)
“The only thing that will stop you from fulfilling your dreams is you.” – Tom Bradley
“So many of our dreams at first seem impossible, then seem improbable, and then, when we summon the will, they soon seem inevitable.” ― Christopher Reeve
“Every great dream begins with a dreamer. Always remember, you have within you the strength, the patience, and the passion to reach for the stars to change the world.” ― Harriet Tubman
“There is only one thing that makes a dream impossible to achieve: the fear of failure.” — Paulo Coelho
“You see things; and you say, ‘Why?' But I dream things that never were; and I say, ‘Why not?'” – George Bernard Shaw
“There is no greater agony than bearing an untold story inside of you.” — Maya Angelou
“All successful people, men and women, are big dreamers. They imagine what their future could be, ideal in every respect, and then they work every day toward their distant vision. ” ― Brian Tracy
“I’m not just a storyteller. I am story.” — Ronne Rock
“The phoenix must burn to emerge.”— Janet Fitch
“Giving up is the only sure way to fail.” — Gena Showalter
“If one advances confidently in the direction of one's dreams, and endeavors to live the life which one has imagined, one will meet with a success unexpected in common hours.”– Henry David Thoreau
“Amateurs sit and wait for inspiration, the rest of us just get up and go to work.”– Stephen King
Wow, just wow.
I feel pretty darn inspired right now, what about you? Which quote was your favorite from this list? They were all such great quotes and amazing message, I’m kinda mad I didn’t come up with them myself! Buuut I did make this handy-dandy graphic so you can print it off and pin it up next to your writing space. This way you’ll have a ton of amazing quotes to pick you up when writing gets difficult.
Aren’t these quotes just everything? Click the collage below to download your copy so you can pin it up in your writing area so you never lose inspo!
Click here or click the image to download your free printable now!
Next week in Freelancing, I will have an in-depth, dedicated blog post for what to do when this happens, but sometimes motivational quotes about dreamers, writing, and overcoming failure can really help us gain a better perspective. Let me know your thoughts on this post in the comments below and don’t forget to check out Shayla’s post here!
Keep your head up and keep writing, dreamers. See you next week. <3
Thumbnail photo by Cottonbro.
—Payton
The Importance of Befriending Your Competition
Building relationships with competitors can provide significant benefits in any industry. Rather than viewing others as threats, collaborating and exchanging knowledge can lead to mutual growth. Competitors often offer valuable insights, opportunities for collaboration, and the potential for referrals when workloads overflow. Additionally, forming genuine connections fosters a supportive network where professionals can learn from one another’s successes and mistakes. This mindset encourages shared learning, resource exchange, and creative partnerships that benefit everyone involved.
Hi readers and writerly friends!
Now that we’ve wrapped up everything to do with college (for now) we’ll be discussing competition and the importance of befriending your competitors. There’s a lot a new writer/editor can learn from seasoned professionals and there’s a lot of fresh perspective that rookies can bring to the table as well. Making connections in the bookish world has proven invaluable to me as both a writer and an editor. Keep reading if you’d like to see why its so important for new creatives to befriend their competition.
A photo of a Monopoly car game piece parked on the “GO TO JAIL” board position. Photo by Suzy Hazelwood.
So, there you are, out in the wilderness of the publishing landscape you spot a competitor. You have three options. You either a) cower in fear, hoping they don’t see you, b) assert your awesomeness, hope they do see you and they cower in fear, or c) you outdo them in some way, therefore establishing creative dominance. It’s your turn, what do you do?
Okay, hold up. If you picked any of these answers, just stop. Do not pass go, do not collect $200. You lose.
You can learn from your competitors. If they aren’t being stingy with their knowledge, then most everyone you come across (whether or not you are in the publishing industry) would be willing to share some sort of advice. The #1 biggest misconception about competition in ANY industry is that competition is bad or that your competitors are inherently your enemies. This is simply just not true. There is so much you can learn from your competitors, and instead of treating them as your nemesis, consider befriending them for a mutually beneficial connection, and better use of your energy.
This awesome quote from John Barrows comes to mind:
“You can learn something new from everyone and every situation.”
—John Barrows
He’s exactly right. This goes for people in and out of your respective industry. You can learn something new from every person you meet. You can learn something from your competition as well. Learn from them so you don’t have to make the same mistakes that they do. Follow in their footsteps and take notes on what works and what doesn’t. I’m not saying to copy anyone, but people who have been in the biz for years have tried and true formulas that guarantee results and you can use their established methods to get you ahead.
Additionally, your competitors are full of knowledge, resources, and tips and tricks. Of course, the mentors that come to mind are my colleagues, fellow writers, and the Developmental Editors Connection group on Facebook. Honestly, if I had a dollar for every time I went to them with a question, I’d not only have tons of incredible advice, but I’d also have enough money for double the cappuccinos each week. I can’t imagine all the times I might have gone wrong without their help. The same goes for a few of my writerly friends who started out as competition for me. I would know about a fraction of what I know now by ignoring the obvious opportunity to make a valuable connection with someone else in the industry. I’m eternally grateful for all of the editors and writers who have taken time to guide me—even in the smallest of ways such as quick questions about the CMOS or Microsoft Word issues.
You can collaborate with one another. Just imagine getting to work with your competition to create something amazing. How awesome would that be? There’s a reason YouTube collabs are so popular—it’s a group project that benefits everyone involved. And the same goes for industry collaborations. And often, by working together, you can trade information and produce double the content in half the time.
They can guest blog for you. I see this all the time in the online publishing sphere. Newer freelancers ask to guest blog for bigger content companies and more established freelancers help the newbies get their own content rolling by writing for them. Much like the collaboration thing, guest blogging for one another can help you can your competitors expose your writing to broader audiences. For example, if you guest wrote for my blog, my readers would find you and if I guest blogged for you, your readers would find me. (And if you’re worried about oversaturation being a thing, don’t worry—it isn’t. Click here to read my blog post about it.
You reciprocate with one another. Touching on the guest blogging, collaboration, and knowledge comments I mentioned above, having a friend in your competitors allows you to reciprocate advice, knowledge, help, ideas, and friendship to one another. Being friends with your competition gives you someone to bounce ideas off of, share resources with, and lend an ear or advice to each other. I love being able to recommend my favorite industry resources or current faves to my writerly friends and fellow freelancers. Likewise, its fun to compare services, prices, and styles with other freelancers. I mean, just imagine if someone asked me for advice regarding rates and I had to tell them, “Well, I’d love to help, but you’re kinda my competition. We’re in the same line of work, you know. We’re both editors…so I’d better not.” Ugh, isn’t that just the worst? Total jerk move. You’re losing absolutely nothing by helping your competition out. You get the chance to throw someone a bone, so take it.
Monopoly money, player pieces, and dice. Photo by Suzy Hazelwood.
They can help you get jobs. One of the biggest complaints I hear from freelancers concerning their competition is that they will lose customers/clients to the competition. This one makes me laugh out loud because I can’t tell you how many clients have come to me straight from people I might have considered my competition—editors just like me. There’s enough work and enough clients to go around. If you’ve heard the saying, “Everyone and their mom is a writer,” then it makes sense that everyone and their mom will also need an editor.
I’ve had several clients referred my way by word of mouth from my fellow freelancers and it’s a great feeling knowing I have such an amazing network of colleagues to work with. And the thing is that, as a developmental editor with very specific genre preferences, I don’t want to edit every manuscript ever. My editing skills are best suited to certain types of fiction, so of course, I’m not going to edit a piece of medical writing. But, I know other freelancers who do edit that type of material. And they know they can always refer fiction clients my way in turn.
They love writing as much as you do. This goes without saying but this fact doesn’t just apply to writers. How cool is it to have friends that love the same things you do? This is what got me so exited about college, because I really enjoyed talking with my fellow writers in my English classes. I can’t talk to my dad about the gothic elements in Edgar Allen Poe’s “the Fall of House Usher,” or gush about the homoerotic elements in Walt Whitman’s poetry. But you know who I can nerd out about literature with? That’s right—my editor friend and mentor Kris! We go crazy for the oxford comma, coffee, and cats. We swap poems with each other and workshop them in our free time. She just gets me. And when I’m editing a particularly gnarly manuscript, I can vent to her about it. She not only understands my pain but sends me writing memes to cheer me up.
It teaches you good sportsmanship. You can’t get all the clients and you can’t edit all the manuscripts. This also applies to any other industry with competition, such as sales. Sure, there’s been instances when my fellow editor friends and I are going for the same client. So what do I do when I don’t get the client and my colleague does? I just cry and give up. It’s the end of the world. I might as well pack up shop and give up forever because I’ll never make another sale ever again. Woe is me! Yeah, right. I say, “Good for her/him” and remind myself to step up my own game for next time and move on. It’s really not the end of the world. Like I mentioned before, there’s plenty of work to go around. Don’t get hung up on the one or two or ten missed sales. There’s just as many clients for you.
You cheer each other on. Similar to the previous point, you can celebrate your competitions wins and be there for them during their losses. We’re all in the writing game together. As a team, (if we’re continuing with the sports metaphors) its important to surround ourselves with likeminded individuals who will be rooting for us. And it’s nice to be able to congratulate others on their wins as well. If there’s enough work to go around—and there is, I assure you—then we can all take part in enjoying the process together. I know how much work goes into promoting my own editing biz so its really great seeing my fellow freelancers land new clients. I get to congratulate them and I know they’ll do the same for me in return. It’s a give and take, and I’d have it no other way.
You give love and get love. It’s such a good feeling when I have people coming to me about resources, industry hacks, friends using my blog post to answer someone’s question about newsletter marketing, or readers thanking me for how helpful my freelancing basics blog post was. You remember that friend, Kris I mentioned earlier? She told me her mother read my short story, “The Sieka of Sahn’Jatar” and enjoyed it immensely. I beamed when she told me this. It’s also fun when she and my other writerly friends send me funny writing memes or jokes about grammar, saying “this reminded me of you,” or “I thought you might like this.” I like getting messages like that and I love being able to share that love with them as well.
And lastly, everyone could use another friend. If you’re seriously so worried that you’ll lose business to someone just because their in the same line of work as you, then I think you’ve got a bigger issue on your hands. I don’t know—maybe we just view the world differently, but personally, I want to make even more friends with people that do the same thing I do. It’s not putting me out, endangering my business, or negatively impacting me in anyway to make friends with my competition and I can only see it as a mutually beneficial relationship. And besides, to quote Lady Gaga, “my biggest enemy is me.” It’s true. You can worry all day about your business failing to the competition but the only person you’re truly hurting is yourself. Instead, see if you can befriend your competitors and make some friends along the way.
Challenge: Readers and fellow freelancers, I challenge you to make connections with your competition this week. Find three people in your field who do what you do and reach out to them. Just ask them how they’re doing. Break the ice. Talk. Communicate. Build connections. We got to check up on our fellow writers during these crazy times. And you never know—you might find a new writerly friend out of it.
And that’s it for my blog post on the importance of befriending your competition. What do you think about making friends with your competitors? Do you agree or disagree? Can you think of a time when you befriended your competition and it worked out in your favor? Tell me all about it in the comments below!
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Written by Payton Hayes | Last Updated: March 19, 2025
Fun Bookish Things To Do At Home
Hi readers and writerly friends!
With everyone trapped at home and most fun activities deemed off-limits due to the pandemic and concern for public health, many people are going stir crazy. Not to worry, though! Us introverted book nerds have been waiting our entire lives for this moment. Oh to be locked indoors for weeks on end and amidst a sea of books to lose myself in…
Okay, that was nice about three months ago. I think even the most reclusive readers are starting to itch for even a little sunlight and the mildest social interaction. Okay, maybe things aren’t that bad here in Oklahoma. In any case, I can’t help but feel like its about time to set the books down and get into some bookish activities instead.
Attend a Virtual Book Event
Penguin Random House Virtual Book Convention Poster
If you’ve been around for a minute, then you might know that I am a big of a gamer *blush*. I prefer to play Blizzard games like World of Warcraft and Hearthstone. Now, you’re thinking, what does this have to do with books? Well, let me tell you, every year Blizzard puts on Blizzcon—a fun, fantastical nerd convention based around all the games Blizzard fans love. Too bad this year, it was completely canceled due to the pandemic. A lot of events were canceled due to the pandemic. But one this Blizzard has ALWAYS done is put on a virtual Blizzcon for the millions of fans who are unable to make it out to California for the 3-day convention. Much like Blizzard, many other bookish conventions have converted their conventions to online format for the safety and accessibility of their convention patrons.
Virtual book events come in many forms—it could be a book festival, book launch party, book reading, or even just a virtual gathering of virtual book lovers. Book events are fun ways to interact with fellow bookish people and authors. Although its because of terrible circumstances, many book events have been moved online, thus making such events more accessible to folks from all over the world. I hope once the pandemic is all over, convention planners can continue to find ways to keep events accessible.
Authors are also moving their book launches online and it’s a great way to gain access to your favorite authors and celebrate their launches with them. If your favorite author is publishing a book, check to see if they’re having an online launch party. Many publishing houses and organizations are coming together to create immersive virtual events to connect book lovers from all over the world. . And authors, this is a fantastic way to get closer to your readers and build meaningful connections with them while staying safe. Amy Landino, author of Vlog Like A Boss and Good Morning Good Life (Check out my in-depth book review here) had an in-person and online launch party, just before the pandemic started complete with a countdown timer and champagne. Author Alexa Donne, of Brightly Burning, and The Stars We Steal, has put on (and continues to put on) 1st page critique live streams on her YouTube Channel for her readers and aspiring writers. These are great ways to stay connected with your reader base and for readers to better get to know and engage with their favorite authors.
Here are some online book events you can join:
Author Kelly Yang’s writing workshops for teens on Instagram (July 1st and 3rd)
Books Connect Us Live, hosted by Penguin Random House Ongoing (Previous events videos are available.)
Lauren Jackson and Christina Orlando spotlighting sci-fi and fantasy media on Instagram (every Thursday.)
LeVar Burton goes live on Twitter to read books (every Monday, Wednesday, and Friday.)
Middle Ground Book Fest (August 1st)
Virtual Thrillerfest 2020 (July 7-11)
Worldcon New Zealand (July 29-August 2)
You can find more book events in this list on Netgalley and this one on Book Riot.
Watch film adaptations of your favorite books
Another bookish activity you can do within the safety of your own home is watching book-to-movie adaptations. While it’s true, most books are better than their on-screen counterparts, sometimes it can be fun and refreshing to see your favorite characters and stories come to live on the screen. You can watch the classics, rewatch your old favorites and check out the recent adaptations as well.
Here are some that I’m currently watching/planning to watch:
Pride and Prejudice (anyone else out there still need to watch this whirlwind romantic classis at least once a year?)
Heart of Darkness (Yes, another classic, but since I just read the book in one of my classes, I thought it might be fun to see how the movie adaptation compares)
Silence of the Lambs (I’m saving this one for spooky season!)
The Shining (I’ve never seen this adaptation, and I think its time to give it a go, once fall rolls around!)
Wuthering Heights (okay, so I’m into the classics, what gives? 😂)
Jenn from The Bibliofile compiled a list of book to film adaptations coming out this year.
Join a virtual book club
I actually started a virtual book club with my guildies from WoW! If you’re looking for some bookish company while you’re stuck at home, joining a book club is a great way to go! You can chat about books with other members through Discord, Skype, Twitter, and Zoom! (We prefer to use Discord, but you can use just about any social media service to stay in touch with bookish friends!)
Here’s a screenie from my guild’s book club channel in Discord! I blocked out names and profile pictures for the privacy of my friends, but you get the idea! Our first book we’ll be reading is Shadows Rising by Madeline Roux, just in time for the Shadowlands expansion release in October 2020. 📚
Here’s a list of virtual book club lists from Time, the New York Times, Hugo House and The Nerd Daily:
Create a book journal/scrapbook
Over the years, journaling has grown in popularity and for many is a relaxing and cathartic exercise. A book journal is a great place for you to scribble down all of your bookish thoughts, favorite quotes, bookish pet peeves, favorite authors, book lists, mini reviews, reading trackers, and any other bookish musings. It’s you own little bookish corner, so just have fun with it!
The creative possibilities are endless here. You can create one from scratch with any notebook or use free printables available online! It doesn’t have to be elaborate or fancy ad long as it works for you! Etsy is a great place to find beautiful reading journals.
If you need some inspiration or help starting a bookish journal, here are a few useful links:
“Tips and Tricks to Start a Reading Journal in 2018” from Page Flutter
“31 Bookish Journal Prompts to Inspire You For a Month” from Book Riot
“Bookish Bullet Journal Supplies for Readers” from Book Riot
Start a Bookish Youtube Channel
Maybe all this extra time indoors is just the push you need to get you started with your new book-related hobby—making videos for your Bookish Youtube channel! If you’re anything like me, you hate being on camera, but don’t let that stop you from chatting about the books and authors you love. You can talk about books, do book reviews, record reading vlogs, do bookshelf tours, and tons of other fun, bookish activities for your internet friends to see. You can use a phone or laptop camera to record and free video editors such as Windows Movie Maker or DaVinci Resolve to edit the video. Audio editors such as Audacity work great as well, if needed. You can check out more of my favorite free content creation resources in my online course, How to Create A Stunning and Highly Marketable Website.)
Read an interactive novel
Take your book adventures to the next level by reading an interactive novel or chose your own story book. Interactive books allow you to engage with the story in ways that regular books just can’t. They allow you to steer the plot in different directions and towards several possible endings. Check out Bustle’s list of interactive books for adults.
I remember how I got into the Starcrossed trilogy by Josephine Angelini by playing through an interactive novel on Figment when it was still around. In the book, Helen wakes up night after night of being trapped in a maze. The interactive novel on the Figment website consisted of readers making their way through the maze. It was so interesting and engaging and certainly brought my reading experience to the next level. R.I.P. Figment. 😭
Match books with objects or create outfits based on your favorite book characters
If you’re on book twitter or Bookstagram, you might have come across the #booksasoutfits trend where people match their clothes with books. It’s a fun way to play around with color schemes and dress up since most of us are stuck indoors lately. You can match books with anything, and you don’t have to share it online—just have fun with it! Likewise, you can dress up as your favorite character and see how you can bring their fictional styles to life with your own wardrobe.
Lauren Kiss’s YA book cover-inspired outfits.
Many bookish YouTubers have made videos following this trend. Lauren Kiss made one called “YA Books as Outfits.”
Create some awesome book art
This might be easier said than done if you don’t consider yourself artistic at all. But this is supposed to be fun so just dive in and don’t think about it! Book art can be almost anything—doodling in the margins of books, creating bookmarks, drawing your favorite characters, or making jewelry inspired by characters and elements in your favorite books.
It’s safe to say there’s something for everyone in the artsy/bookish world. You can paint the edges of your book’s pages to add in some colors and vibrancy. Or you can take an old book and make found poems out of the already-constructed sentences inside. You can make some amazing book sculptures with folded book art! If you’re into baking, you can make book-inspired cupcakes or try making a 3-tier cake inspired by your favorite trilogy. This totally counts as book art and it’s a yummy win-win!
This beautiful lakeside #wtj painting was done by @thepinkdoodler on Instagram. Check out the book-paintings all the artsy/bookish people are doing on Instagram with #wtj (stands for Wreck this Journal, created by @emma.wtj and friends.)
These lovely watercolor book paintings are were done by @rabiosa.art on Instagram. She says books hold up surprisingsletter-for-updatesly against watercolor. And the words make a lovely texture/pattern in the backdrop of any sheer watercolor painting. Likewise, she finds poems between the lines and couples them with her paintings which is such a fun idea! So, next time you want to bring some life to an old book, consider finding poems in the existing writing or making a beautiful landscape over the words.
And that’s it for my list of fun bookish things to do at home! These are just some of the things you can do, so if you think of some, comment below and let me know! I hope you enjoy this post and hopefully it gave you some ideas about how to spice up your reading life. What bookish things do you do at home? Thanks for reading! And if you liked this post, consider signing up for my newsletter for more bookish and writerly content.
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Yoga For Writers: A 30-Minute Routine To Do Between Writing Sessions
Hello readers and writerly friends!
This week in Reader Life, we’re taking it back to the basics—mindfulness, intention, and self-love. The writing process can be tough sometimes. We often get so into our writing that we forget to step back and take care of ourselves. With NaNoWriMo just around the corner, I thought this would be a great time to step out of my usual writing advice avenue and help you remember to show yourself some love. Whether you’re stuck at a desk 9-5 reading or writing, this yoga routine designed for writers will help you get back to your center, get out of your own head, and relax while also waking up all those sedentary muscles.
And lets be honest, after writing an blog post about yoga it makes me want to get back into my own practice. Back in 2017 I was in the best shape of my life with my daily yoga routine and I know I need to come back to the mat. I love yoga—I always feel so energetic yet relaxed after even a brief session. It is a distinctly renewed feeling you get from yoga, that you just can’t find in any other physical practice. I always feel relaxed and less stressed, energized and clear of mind after my yoga routine and this is great headspace to be in for writing.
Many people will argue they can’t do yoga because “I just can’t get into it” or they’re “not flexible enough!” It’s all about the journey—the baby steps. You can’t be come completely fluid overnight and just the same, yoga isn’t for people who are flexible already, it’s for people who are wanting to become flexible. Likewise, it will require a bit of concentration, perseverance, and time to get into yoga seriously. I remember when I first got into it and I just felt so silly doing yoga by myself in my tiny bedroom at home. It was quite hard to take it seriously and not get in my head about it. You just have to remind yourself that this is for your mental and emotion health and your writing as much as it is for your own physical health and stick with it!
This yoga routine is tailor-made for writers and readers chained to the desk for ours on end each day. It focuses on the shoulders, neck, and back, which tend to be problem areas for us writers. All of the movements in this simple, 30-minute routine are beginner-level. No human-pretzeling necessary! Once you have done this quick little mindful routine a handful of times, it quickly becomes a nice little break between writing sessions.
Before we get into our own flow, lets go over a few of the yoga basics for anyone here that is new to the yoga practice.
Movements—Yoga is all about slow, smooth, controlled movements. There is no need to rush. Take the time to linger in movements that feel good to you and ultimately listen to your body.
Breathing—One of the key elements of yoga is the breathing. And in fact, this is the part I struggled with the most because I kept thinking “ugh, why do I need to worry about breathing. It’s not like I’m going to forget how to do it.” But breathing is integral to the practice and if you can put those nagging, unhelpful thoughts aside, you might see how good it feels to do some mindful breathing. You want to take slow, deep breaths. Focus on your breath and be aware of how it feels to let your lungs fully fill with air as you inhale and fully empty as you exhale. Briefly hold your breath and let it linger in your chest and imagine your oxygen-rich breath being pushed gently to all of your muscles. In yoga, the biggest part to remember about breathing is to inhale when you move into a pose and to exhale as you move out of that pose. You should take it slow at first but with time, you will become more fluid with it.
Body and Mind Awareness—Of course this directly ties into the movements and breathing elements of yoga, but its important that you empty your thoughts and try to keep a clear, focused mind while working on your practice. Focus on your breath, your movements, and try to think positive thoughts. When you find yourself going down the rabbit hole of divergent thoughts (don’t worry it happens to all of us) take a moment to breathe deeply and re-center yourself. If you’re struggling to take the yoga practice seriously, just say to yourself, “This is a special time I carved out for myself so I can remember to practice mindfulness, self-care and love.” Nagging thoughts will have a hard time arguing with that, trust me. This is a time to meditate and relax, so shut out all of your worries, responsibilities and stresses of daily life.
Equipment—This is optional and it all comes down to preference. You’re welcome to use a yoga mat if you like, but you can also use a towel or blanket if you don’t have a mat. If you’ve got a fluffy carpeted area, that will work too. Wear loose, comfortable clothing and keep some water handy in case you get thirsty during your flow. (No worries, we won’t be doing any serious exertion here.) Additionally, you can put on some nature sounds or soft instrumental music in the background. Candles and soft lighting goes great with yoga as well!
Now that we covered all of the basics, are you ready? Let’s get started!
All poses mentioned in this blog post are accompanied by links that further explain how to execute the pose perfectly without strain or injury. Just remember to take it slow. Yoga should never hurt, so be aware of how you feel during the practice and take it one step at a time.
Section 1: Meditation and Neck
To begin, come to the mat and sit with your back straight and legs crossed or tucked underneath you, whichever feels most comfortable. Place your hands gently on your knees and close your eyes in Meditation Pose. Remember to have a good posture, but relax and try to clear your mind, focusing on your breath and becoming aware of your body. Hold this post for about 30 breaths (1 inhale + 1 exhale = 1 breath). Conclude this with a long, Lion’s Breath and proceed with the rest of the routine.
Next, lets work on loosening the neck and shoulders. Do the following steps, while remembering to take deep breaths and move slowly:
1. Roll your shoulders forward eight times and then back eight times.
2. Roll your head in gentle circles five times to the right and then five times to the left. Look gently to the right, as far as you can and roll your head down and to the left. Do this five times and then repeat, switching sides.
3.Bring your chin down to your chest as far as you can, lowering your shoulders gently. You should feel a deep, refreshing stretch curving up your spine and down the sides of your neck. Hold this stretch for three to five breaths. If you like, you can gently massage your temples or just behind your ears. Repeat.
4. Next, stretch you neck to the left and right and hold each stretch for several breaths. You can add a gentle pressure to your head by placing your palm to your cheek and pressing slightly. You should not feel any strain here but popping in the spine and neck joints is normal.
5. Bring your hands together behind you and gently press them outward, as much as you can without straining or pulling too hard. Draw your shoulder blades together in a nice, gentle squeeze. Hold this for three to five breaths. Release and return to your meditation pose.
6. Shake it out! (Gently!) Move your neck and shoulders in whatever way feels nice. Gently shake our your hands give your shoulders a little shimmy.
Section 2: Back and Shoulders
Now that your neck is nice and loosened up, lets continue on to the rest of the poses, with more focus on the back and shoulders. Remember to take these movements slowly and breathe deeply as you go. Inhale as you move into a pose and exhale as you move out of the pose. Hold each pose for four to eight breaths or longer if you like.
1. Start this sequence in a Seated Twist. You will likely feel a gentle, warm stretch in your side and legs here, and again popping in joints is normal. Repeat twice on each side.
2. Bring your legs under you and transition into Cat Cow pose. Repeat four to six times. For this pose, simply move with your breaths—no need to hold either part of the pose for any extended period of time. Just inhale and curve the spine gently up towards the sky, then on your exhale, push the air out slowly as you bring the belly down and curve the tail and head upwards.
3. Tuck your feet under you, bring the tailbone backwards and sink softly into Child’s Pose. Stretch your arms out past your head and let your forehead kiss the mat. Hold this pose for a few breaths.
4. Raise up on your hands and knees again back into Cat Cow and repeat four to six times.
5. Return to Child’s Pose.
6. Once in Child’s Pose, bring your arms around and clasp them behind you, facing them upward in Seal Pose. Hold this for a couple of breaths then return to Child’s Pose for a few more breaths.
7. From Child’s Pose, use your hands and knees to transition to Sphinx Pose. Rest gently on your elbows and point your toes out behind you. Keep your neck and shoulders low and unhunched and face forward. Remember to smile for yourself.
8. Next, push yourself up into Cobra Pose. Remember to breathe here. If this pose is too challenging return to Sphinx Pose and take a few breaths. If you are able to, hold Cobra Pose for two breaths.
9. Lower yourself back down to Sphinx Pose and slowly curl back into Child’s Pose. Then bring your torso down to the earth and Thread The Needle on both sides. Rest softly on your head and shoulder’s her and don’t smash them into the mat. Instead, allow them to kiss the mat softly and keep most of your weight on your knees which should be spaced apart slightly.
10. Next, slowly move to a flat position on your back. Bring your arms over your head and reach as far as you can. Point the toes here and lengthen the spine. Get a nice, warm stretch moving through the entire body. Softly roll wrists and ankles. Flutter your fingers and toes. Take turns hugging one knee into your chest and then the other in Half Wind Relieving Pose.
11. Lastly, lay with your palms facing upward and at your sides in Corpse Pose. Close your eyes. Remain in this pose for a few moments, breathing deeply and relaxing before retuning to the desk. When you rise, come up slowly to avoid getting a head rush. Breathe deeply and when you’re fully standing once again, give yourself a hug. Remember to drink some water when you get back to the desk.
You did it! See, it wasn’t that bad, was it? I bet you’re feeling pretty good right about now, huh? Now that you’re all relaxed and rejuvenated, you’re ready to start your next writing session. Want a free, handy PDF guide for this routine for next time? Click here! (IT HAS CATS!) That way, next time you’ll be all ready to go when you need a break from the writing process.
So, what did you think of this relaxing 30-minute routine for writers? Do you like yoga? Have you ever tried it before today? How do you like to relax between writing sessions? What was your favorite pose mentioned in this flow? Let me know in the comments down below!
Thumbnail photo by Zen Bear Yoga.
—Payton
Everything Young Adult Fiction Gets Wrong About College
Hi readers, students, and writerly friends!
Payton here, back again with another installment of my college series. This week in Freelancing we’re covering a topic that overlaps between the bookish world and the college world—everything that young adult fiction gets wrong about college. This is going to cover every one of my biggest YA/college pet peeves from privilege, to unrealistic expectations, to overdone tropes and more so stay tuned!
Messy, unrealistic timelines
Okay, this might be the single most important issue I have with YA fiction that involves the college experience, so that’s why I made sure to cover it first. Students listen up! One thing YA gets very, VERY wrong is the college application/admission timeline and what happens when. I can’t tell you how many times I’ve read about a student getting accepted into Harvard in like February. It just doesn’t happen and it makes no sense. Writers who have characters in their novels that are in their senior year should do as much research as possible about the school(s) their fictional students are applying to so they can get a very clear and accurate picture of what that process looks like. Regardless of if all the details actually make it into the story, writers should make a timeline to keep everything organized and make sure their fictional events surrounding college take place within an accurate time frame. This is critical for fiction to stop perpetuating inaccurate stereotypes and setting unrealistic expectations for students.
Typically, early decision and early action happen in October and November and of course, those deadlines vary from school to school, which is why research is key. Not to mention, early decision and early action are two different things. Early decision is binding and basically means the student applying agrees to attend that school, should they get in and that’s why students are only allowed to apply early decision to one school. Early decision is also pretty much limited to very wealthy, upper class families, as it is a big gamble for applying students and be messy to navigate exiting these agreements when the school’s perception of your financial situation does not line up with your reality. Early action on the other had, is a far more accessible option because it is not legally binding. This is a great avenue for students who are interested in applying and receiving their application results early who might also want to apply to a few other colleges as regular decision.
Students who apply early decision/early action will receive admissions decisions typically in December, but some will hear back in January at the latest. Students who are passed up for the early decision/early action pools, may be deferred or moved to the regular decision pools which means their applications will be looked at along with all of the other non-early applying students. Regular decision students who apply to private universities will hear application results between December and Mid-January, though again, writers should double check these guidelines against the school about which they are writing.
Likewise, students who want/need merit-aid, many schools that offer this will send rejection/acceptance letters in November-Early December, but once again, writers should fact check deadlines for the school they are writing about to avoid perpetuating these harmful stereotypes in their writing.
Piggybank with coins. Photo by Skitterphoto.
Unrealistic expectations for scholarships, financial aid, and acceptance rates
Building on my first issue with college depictions in YA fiction, most young adult writers include inaccurate/unrealistic financial situations in their stories. Here’s an example: the poor, lower-class, yet brilliant student applies on a whim to Harvard and gets a full-ride. For one, Harvard hardly ever gives out full-ride scholarships. For two, if they did somehow get a generous scholarship, the remaining funds the student and their family are expected to pay are typically way out of the question for most lower/middle class families. And this goes for any ivy league or competitive private institution out there. For three, due to the competitive, elite nature of these types of schools, it is highly unlikely students can just apply and get in, no matter how brilliant they may be. And this unrealistic expectation is harmful because it pops up ALL. THE. TIME. And thus gives students the idea that they have a shot in hell at getting into one of these schools. It’s just a big set up for failure, crushed dreams, and a waste in application fees.
Additionally, most YA writers (due to the age bracket most YA writers fall into) don’t have a very good grasp on how much college really costs nowadays. I would argue that most YA writers are in their 30’s or older (with exceptions of course) and it’s been a little while since they last attended college for themselves. It’s amazing how much things can change in ten years.
In a 2019 CNBC article, Abigail Hess explains how the cost of college has increased by more than 25% in the last 10 years:
During the 1978 - 1979 school year, it cost the modern equivalent of $17,680 per year to attend a private college and $8,250 per year to attend a public college. By the 2008 - 2009 school year those costs had grown to $38,720 at private colleges and $16,460 at public colleges.
Today, those costs are closer to $48,510 and $21,370, respectively. That means costs increased by roughly 25.3% at private colleges and about 29.8% at public colleges. -Abigail Hess
Read more from Abigail’s article “The cost of college increased by more than 25% in the last 10 years—here’s why” here.
That’s an insane jump and truthfully, most writers don’t take these facts into account when writing YA fiction that involves the college experience. There’s a bigger issue here and it’s that YA fiction rarely takes into account the intersection of financial aid and class privilege and that’s because most YA writers are upper-middle class and never had to struggle to pay for college as a lower or middle class student. Class privilege is a huge reason why the college experience is not accurately portrayed in YA fiction and honestly, financial aid/scholarships are irresponsibly depicted as well.
What would be really great, is to see more portrayals of students applying and getting into state universities and community colleges. As a graduate from a local community college myself, it feels severely understated in YA fiction, especially since this is close to the reality most college students face. The acceptance rates at state universities and community colleges are much higher (mine had a 100% acceptance rate and a 90% completion rate) due to the dramatic difference in tuition, boarding an other costs per student, as opposed to the kinds of private schools we see more often portrayed in young adult fiction. Even though many state universities are still quite competitive, it would be really refreshing and great to see more YA fiction depict students attending state universities and community colleges, especially when the acceptance rate is far more realistic than the ludicrous 1% some of the ivy league schools are infamous for.
Student feeling stressed. Photo by Energepic.com.
Touching on the unrealistic timelines point, I’d like to include that many YA novels include depictions of students who apply to and get into a school and then start applying for scholarships. Unfortunately, by the time students should be hearing back from their desire schools, applying for scholarships is simply too late. Again, it’s important that writers do their research on their schools and make sure the realistically portray them in their writing. And on a similar note, many universities do not offer financial aid to out of state students so writers should keep this in mind when writing about college students crossing state lines for schooling.
Another financial discrepancy often found in YA fiction is the image of students going to any of the top 50 schools in the US and magically getting awarded merit-based scholarships. These schools are based on academic ability and therefore merit-based scholarships simply do not exist for students attending these schools. Instead, need-based scholarships are a possibility instead because the financial aid awards are divided out to applicants on a as-needed basis. Again, research is required here, because for the need-based awards, the school is the authority that determines the applicants’ need and every school has their own formula for determining what constitutes need. Likewise there is need-aware and need-blind schools where the former takes financial background into account while the later does not.
Student signing up for student loan debt to make college possible. Photo by Andrea Picquadio.
Loans and parent dependency
Since students aren’t technically considered (academically) adults until age 24, students are dependent on their parents and their finances will certainly play a roll in what kinds of awards, scholarships, waivers, and loans students can make use of during their college career. Due to this, unfortunately many students from middle-class families are unable to attend school simply because 1) the student’s parents make too much money for them to qualify for financial aid and 2) without the financial aid, the student’s parents simply do not make enough to pay for college while supporting the household. Likewise, this is an issue for students who have divorced, separated, or estranged parents, or parents who are unwilling to pay for college.
Unfortunately, because students are considered dependents of their parents until 24 years old, obtaining substantial loans may prove difficult or impossible due to the students need for a cosigner. Students are able to independently sign for a federal loan that is roughly $4500 max as a freshman and roughly $7500 max as a senior, which isn’t nearly enough to cover even one year for almost any college in the United States. Another federal loan option is the parent plus loan which has a much higher cap, but is contingent upon the parent’s credit and their willingness to take out such a loan.
The trend with all of these issues is that it all comes down to a lack of research, unrealistic expectations, and a failure on the writer’s part do their due diligence in preparing the background information needed to accurately depict the college experience. Writers who are covering the college experience in even the slightest degree, should do as much research as possible to prepare their writing. Writers can reach out to academic professionals to get more information as well. YA writers covering college in their novels should do their research so they can figure out which schools, under which conditions are actually attainable for their fictional characters.
And that’s it for my post on everything that YA gets wrong about college. What did you think of this post? Do you think YA could benefit from more research beforehand? Is there anything I left out? Let me know in the comments below!
Thumbnail photo by Pixabay.
—Payton
Rose State College: Attending Art School In The Midwest
I went to art school in Oklahoma…
It was nothing like going to RISD, Parsons, or The Art Institute of Chicago, or any of the other top art schools in America.
I finished high school with a very picturesque idea in mind of what art school would be like when I finally headed off to college. I had watched videos from YouTubers like Annabelle Gao, Jasmine Chan, and Linh Truong, which not only excited me about art school, but it intimidated me as well. I wondered if I had what it took to make it in to any one of the top art schools in the country. I never really found out. I went to art school in Oklahoma. Specifically, I studied Fine Studio Art from Midwest City’s own, Rose State College, and it was nothing like I’d imagined.
I had imagined bustling hallways lined with student art, a student art gallery, rigorous classes, brutal critiques, and an almost palpable competitiveness that just wasn’t there. The art classes at Rose State College weren’t particularly hard, but the school, teachers, and students have a commitment to excellence that you would find just as well, at the larger art schools in the country. Just because I attended an art program at a smaller, community college doesn’t mean I haven’t gained a greater understanding of the arts, a substantial appreciation for the artistic process, and wider knowledge of mediums, principles, elements, and techniques. Community college is just as great as the prestigious art schools and there’s seral reasons why.
The blank exhibit wall in the student art gallery hall at the Oklahoma City University. Photo by Payton Hayes.
A photo of the first still life composition from the Painting I class of the 2020 spring semester. The composition features a small table covered in a teal tablecloth, colored glass bottles, fake flowers and fruit, and a delicate lace fabric draped all around tabletop. My fellow Painting I classmates and I were positioned at different spots all around the room and tasked with painting this still life from unique perspectives. Photo by Payton Hayes.
The student art gallery hall at the Oklahoma City University. Photo by Payton Hayes.
The Classes
Rose State College prides itself on having the golden 20-to-1 ratio, meaning unlike the larger schools in the state, there are fewer students to each teacher. This allows for more meaningful connections, wider possibility for discussion, and provides a space where students can really work one-on-one with their professors to achieve the education they are seeking. However, what the school is lacking is the vastness of a larger school, and perhaps this is a good thing. Rose State College has visibly been making strides to grow the campus and the student body from the new and improved Learning Resources Center and student housing built in 2016 and the new student center which began construction in 2018 and is set to be completed in late 2020.
Unlike the well-known art schools in the country, Rose State College is not strictly an art school, and in fact, it’s quite the opposite. Rose State College, is similar to OSU, OCU, and OU in that they are schools that offer a wide variety of majors. RISD and the Art Institute of Chicago focus primarily on majors within the field of art from digital art, to fine studio art, to textiles and more. The closest art design degree that Rose State College offers is in Fine Studio Arts which includes several survey art courses, several painting and drawing classes, a ceramics class and more. Alternatively, students can study animation and digital art under the Multimedia Digital Design degree. While these are exciting and essential classes for any art major, they are somewhat baseline when compared to schools like RISD. With that being said, Rose State is a 2-year school and not yet a four-year school, so aspiring art majors, keep that in mind.
The Atmosphere
As mentioned, the school is relatively small, compared to the other, much larger schools in the state and the other art schools in the country. However, the atmosphere was much more laid back and provided a space for connection and open discussion. The classrooms were not particularly outstanding, but they served their purpose well. The painting room, for example could seat up to 20 at most, but since there typically aren’t many art majors attending RSC the classrooms never felt cramped. In several art classes, the work is primarily student-driven and advised by the professors. Professors would often outline a general idea and basic requirements for each assignment, but the students had a lot of freedom to execute their visions. Music was often put on in the background and the laid-back vibe of the classroom encouraged students to converse and walk around the room to observe the techniques of other artists in real-time. Some classes had semi-formal critiques, where students would hang their work on a wall, and one-by-one observe and critique each other on the strengths and weaknesses of the work.
A photo of the first still life composition from the Drawing I class of the 2019 spring semester. This composition features an acoutsitc guitar, a replica of a human skull, a ceramic cat figurine, andfake flowers in opaque vases against a black backdrop. Photo by Payton Hayes.
A photo of paint buckets and paint trays sitting on a beige drop cloth. Photo by Payton Hayes.
A photo of several portrait studies painted by students from the spring 2020 Painting I class. The colorful full-body portrait of the tattooed lady with brown hair was my painting. I also hand-stretched the canvas over a wooden frame I built for a custom-sized painting. Photo by Payton Hayes.
Key Differences
Of course, there are always pros and cons when comparing the bigger art schools to the smaller, non-art schools—the latter offers smaller, more connected classes, provides a space for greater, more meaningful discussion, and allows students to form more tight-knit bonds with each other, while the former offers greater diversity and challenges students to rise to higher standards. Which school is best for you will depend on what you want to get out of your art degree.
What Did I Gain From Attending Art School At RSC?
Studying art at Rose State College taught me all the basics—everything I needed to know about different art mediums and techniques, all the different elements and principles of art, and of course, how to identify artist, style, and time period when looking at a piece. However, I also learned some valuable skills in addition to the basics. I learned skills in time management, craftsmanship, and presentation. I also learned how to be expressive and let go of expectations in art—this mindset shift has greatly improved my own craft as well as increased the joy and love I have for observing and creating art. It’s very much like Bob Ross says—happy accidents.
By attending Rose State, I was also able to participate in a few unique and incredible opportunities, such as getting to paint two different murals in their Humanities building, helping organize and put on a student-led art exhibition, and getting a closer look into how public art is created in the greater OKC area. I have made valuable connections with other art opportunities and mentors across the state, such as Pablo Barrera from Oklahoma Contemporary, Randy Marks from the OKC Office of Arts and Cultural Affairs. I feel confident that I could hold a candle to the students graduating from the top art schools in the country because of what I’ve learned and where studying art in Oklahoma has taken me.
I think, if you are dead set on attending RISD or Parsons, you should totally do that. But they aren’t the only schools to study art from in the country. Likewise, they are incredibly competitive and often hard to get into in the first place. If your heart is not set on attending one of these elite schools, consider attending a community college or art program in the Midwest because there is so much, they can offer that the bigger schools just cannot. Additionally, by attending the smaller art schools/programs, you’re supporting a growing art community—be it in Oklahoma or elsewhere.
A photo of six student paintings in the glass case in the Communication Center at Rose State College. Photo by Payton Hayes.
Thanks for reading my reflection on attending a smaller non-art school in Midwest City, OK, as opposed to going to RISD or one of the bigger, better-known art schools in the country. I just wanted to shed some light on what it was like for me. Of course, I am sure my fellow students may have had slightly or vastly different experiences at Rose State, but these were just my observations.
Bibliography
Hayes, Payton. “A photo of the first still life composition from the Drawing I class of the 2018 spring semester.” January 27, 2019.
Hayes, Payton. “A photo of the first still life composition from the Painting I class of the 2020 spring semester.” February 11, 2020.
Hayes, Payton. “A photo of six student paintings in the glass case in the Communication Center at Rose State College.” February 24, 2020 (Thumbnail photo).
Hayes, Payton. “A photo of several portrait studies painted by students from the spring 2020 Painting I class.” March 3, 2020.
Hayes, Payton. “The blank exhibit wall in the student art gallery hall at the Oklahoma City University.” March 24, 2020.
Hayes, Payton. “The student art gallery hall at the Oklahoma City University.” March 24, 2020.
Hayes, Payton. “A photo of paint buckets and paint trays sitting on a beige drop cloth.” July 21, 2020.
Related Topics
Making Space With Oklahoma Contemporary: Interview With Pablo Barrera
Exploring Oklahoma Murals Where Public Art Is More Than Paint
Breathing New Life Into The Humanities At Rose State College
Writing Exercises from Jeff Tweedy's Book, How To Write One Song
Experimentation Is Essential For Creators’ Growth (In Both Art and Writing)
Screenwriting for Novelists: How Different Mediums Can Improve Your Writing
“Twenty Little Poetry Projects” Writing Exercise by Jim Simmerman
How To Write Poems With Artificial Intelligence (Using Google's Verse by Verse)
Why Fanfiction is Great Writing Practice and How It Can Teach Writers to Write Well
Recent Blog Posts
Written by Payton Hayes | Last Updated: March 19, 2025
Balancing Authenticity and Sensitivity: Self-Censorship in Modern Writing
Writers often grapple with the dilemma of self-censorship to avoid offending family members or even the broader public. Concerns about explicit content, offensive language, or themes deemed unsuitable for certain age groups frequently lead to challenges and bans, as noted by the American Library Association. This internal conflict raises critical questions about the importance of preserving artistic integrity versus mitigating potential backlash. Self-censorship can stifle creativity and result in an inaccurate portrayal of societal issues, politics, and cultural trends. Notable works like Harper Lee’s To Kill a Mockingbird and Kate Chopin’s “The Awakening" have faced bans but serve as essential reflections of their times. Ultimately, writers must weigh the value of honest storytelling against the desire to avoid controversy, considering the long-term implications of their choices on literature and society.
When I published my book of poetry and prose from the soul, I considered that some of the passages would be offensive or questionable, especially to my Southern, Christian family members. However, I realized, I had to publish those parts because my story, wouldn’t be true, and it wouldn’t be my story without them. It got me thinking about censorship in writing, not only because of the reaction family will have to it, but also the public. Should writers still be censoring their books in 2020?
Here’s what the American Language Association has to say about it:
Books are often challenged by concerned parents and family members who desire to protect their children from the themes or content within books. Books can be banned for more than one reason as well. As of the ten years preceding 2016, the top three reasons cited for challenging materials as reported to the Office of Intellectual Freedom were:
1. The material was considered to be “sexually explicit”.
2. The material contained “offensive language”.
3. The material was “unsuited to any age group”.
(American Language Association)
Family Offense
There are often two reasons a writer may chose to censor their work and the first is to avoid offending their loved ones. This might be because their writing touches on or completely exposes a subject the family member is involved in, someone they know, or because the writing paints them in a bad light. Writers should never defame others in their work, but the truth is important to many personal stories. Another reason it may be offensive to family members is if it explores topics or contains subject matter that goes against family values such as sexuality, profanity, and more. While these themes can be controversial in a family setting, they’re most often called out in the public sphere.
Public Offense
Another reason a writer might chose to censor his or her writing is to avoid offending the public. They might do so to avoid public outcry regarding their book and its content and to avoid being banned. Books are still being banned today and even books that have been banned multiple times, in multiple places, are still challenged even in 2019, such as Harper Lee’s to Kill A Mockingbird, or George Orwell’s Animal Farm.
While book banning is a heated and controversial topic among publishers, consumers, and parents, it is important as writer, to consider what is most important: telling your story in the most honest way or preserving someone’s feelings. Should writers censor their work? What will friends and family think of the writing?
Repercussions of Censorship
There are many reasons we censor books, but I think the repercussions far outweigh our reasoning for the censorship to begin with. For one, we are stifling the creativity of writers. A writer should not live in fear that their novel could be taken off shelves because of its subject matter, but they should know that they can’t please everyone and some subject matter does warrant delicacy and grace when addressing it. Another reason we shouldn’t censor out books is because it forces current and future societies to have an inaccurate portrayal of society, issues, politics, trends, and controversies. Imagine if we didn’t have Huckleberry Finn, To Kill A Mockingbird or the Awakening. These are just a few of the most often challenged books of all time and they offer important recounts of what life was like when they were written. Without them, we’d be left without not only some of the greatest American writing, but some important truths and telling portrayals of time during these writings. We must uphold honesty over preservation of feelings if we want to accurately represent society.
When I published my book, I feared I get some criticism for certain poems and passages of prose, but to my surprise the most commentary I got was, “there are so many mushy love poems in here” or something to that effect from my friend Bryan. As a journalist, it was important me to accurately and respectfully recount all the facts. As a writer, it means the world to me that my story is told the way I experience it and that is with all of the pieces to the puzzle. Of course, sensitive topics should be handled with grace and care, but I don’t think hard conversations should be omitted entirely. I think writers should reckon with whether or not honesty is important to their story.
But won’t the truth hurt your loved ones? What if you changed the names—would it be difficult for family members to read?
Of course, but you must tell the truth despite this. Yes, you should use discretion here. Disrespecting someone, even people you aren’t in contact with, in your writing can hurt people. I’m not telling you to hurt your family or friends in your memoir for the sake of truth. But I think the honesty is important, especially in personal recounts. I’m not telling you to forget about what others think, entirely. We should be completely aware of the potential repercussions of our words. I think we should be equally aware of the repercussions of stifling the creativity of writers. Censorship is living in the dark. It’s time to write without fear—to write honestly, boldly.
Honest Writing Versus Censorship
So, how can you be an honest writer? I believe the following method can help you to pour out your soul whilst attempting (whether successfully or not) to prevent any family disagreements
First, write the truth, the whole truth, and nothing but the truth. Bleed onto the page, pour out your soul, and write with gleeful abandon. This is your story and you should tell it the way it was meant to be told, so don’t hold back.
Next, let your writing be alone with itself for a while. Give it a break and reflect in the meantime.
Finally, when you return to your manuscript with new eyes, gently edit it. I’m not saying to cut out offensive parts or chop it up. When you’ve revisited the manuscript after a break, you might see the value of the truth and you can better judge whether or not some parts warrant editing when you’ve had some time away from the piece and the pain. Editing sensitive sections shouldn’t be an emotional process; it should be delicate but surgical—what is absolutely necessary and is there any way to reword it so that it doesn’t ruin someone’s life? But when editing, make sure to consider this: If I delete or reword this, am I still telling the truth? Does it hold the same meaning once edited?
Censorship in writing is still a controversial topic, but I think the more we talk about the repercussions of it—stifling creativity, hiding the truth, and living in the dark—we realize how important it is to be truthful in our writing. As the years have passed, I’ve noticed a lax in censorship in movies, TV shows, and music, so I feel books are not far behind. Of course children’s books will be closely scrutinized, but I think middle grade, young adult, and adult novels will slowly but surely decrease in censorship.
“There’s just some magic in truth and honesty and openness.” —Frank Ocean
Take from the blog post what you will but know that you can either bottle up the truth forever, or you can outpour your soul on the page and heal and grow from the honesty. It’s your story, so tell it how it is meant to be told. Telling an incomplete, halfhearted, or dishonest story is almost like not telling it at all.
"There is no greater agony than bearing an untold story inside you." —Maya Angelou
Asked & Answered (Developmental Editors FB Group Edition)
What are your thoughts on censorship in novels?
You mean like starring out curse/crude words? My opinion is that it's not the best idea. If the word is extremely offensive ([such as racial slurs or slang for anatomy] especially if used in a derogatory manner, for example) then it might be better to substitute for something that's still offensive but not as inflammatory for readers. Otherwise, if it's for an adult audience, use the word. They're adults and can handle it. If it's for a younger audience, then censorship isn't going to make it better, and/or will probably break immersion in the story. Take it out or use something that's not as offensive, like coming up with a unique curse word/phrase that fits the setting. —Lydia Deyes from the Developmental Editors Facebook Group
I agree with what you said about leaving out swear words when and where they detract from a story. One author that does a fabulous job of inventing creative and unique swear words in her work is Sarah J. Maas, who uses words such as “rudding” to stand in for everyone’s favorite four-letter f-word. There’s definitely a way to write without specifically including offensive or emotionally inflammatory language. While omitting swear words is definitely an important part of the censorship discussion, especially as the general consensus shifts towards kinder, more inclusive language. However, I am also referring to changing or leaving out controversial topics or subjects that might upset friends and family.
Controversial topics/subjects I think would depend since they're on a spectrum. If it wouldn't offend the *average* person then I wouldn't worry at all. There's plenty of books out there that contain content that *would* offend the average person. If you're going for traditional publishing, you should look into the places you'll be applying to because they may have standards that would prevent your book from being accepted. There's restrictions on what's appropriate for younger audiences up through new adult, but if it's for adult and you're self-publishing, I don't think I can make a blanket statement that would say yes or no. It's important to get messages out about things like rape and mental health, for example. Kite Runner is a classic I had to read in high school that included both rape and suicide. —Lydia Deyes from the Developmental Editors Facebook Group
My thoughts are don't do it. Write the book the way you mean for it to be written. If you hold back, your readers can tell. On the other end, don't add sex, violence or crude words simply because you think your readers expect it.—Gina Salamon from the Developmental Editors Facebook Group
On the one hand, you shouldn’t go out of your way to offend readers but not every reader will love your book. I personally think authors should tell their stories in the way that feels true and authentically honors their experience without being blatantly offensive. I do believe it’s possible to strike a balance between these two sides of the spectrum. That being said, when telling your story, it’s your story. If you’re writing a memoir for example, and you’re omitting details or changing names to protect the people in your life who are involved in certain events in your story, I’d encourage you to carefully consider if that person’s reputation is a higher priority than telling your truth. I might be alone in this, but my thoughts are if someone significant in the story is a good person, then they have nothing to worry about. If they were genuinely a terrible person and its just a tragic part of your story, then it’s not talking trash; it’s being authentic. If someone doesn’t want to be portrayed as a garbage person, then maybe they should think twice about how they treat others.
And that’s it for my hot take on self-censorship in novels in 2020! What do you think about censoring novels? Let me know in the comments below!
Written by Payton Hayes | Last Updated: March 15, 2025
5 Healthy Habits For Every Writer
It goes without saying that performance in any creative arena can benefit from healthy habits like getting plenty of sleep, regular exercise, and eating healthy, but what many people don’t know is that there are healthy habits for the mind as well! It’s important to practice self-care but it’s kind of hard to tell what information is useful and what isn’t with the rise of Twitter Self-Care posts. It seems like a buzzword that’s flippantly tossed around along with hustle, grind, and burnout. I wonder why. (Not really.) Below are some healthy habits that are known to increase productivity positivity by helping you to establish boundaries and build a healthy relationship with your creative self. These tips and tricks will help you be more productive both in your writing and other aspects of life.
Establish boundaries. Really. Set certain times for working creatively. This not only helps with consistency, but it helps you know you don’t have to procrastinate working on passion projects until creativity strikes. Likewise, make a space for yourself to create, freely. Don’t just work on the bed, and if you already work from home, use a different space. If you have a laptop, go to a local coffee shop or library to change the space, mood, and environment so that creativity can flow. Click here to read more about the Pomodoro Technique and how you can use it to improve your daily writing habits.
Get involved with the writing community. Follow other writers who inspire you. Follow writing prompt pages on Instagram. Join Facebook groups for writers, readers, and editors. Join or put together a local critique group for writers in your area. Being involved in the writing community is incredibly useful since it grants you access to a wider array of resources, feedback, and people who will act as sounding boards. You will find there are tons of people from all different walks of life in the writing community, and there is something to learn from each of them.
Set up creative free time such as leisure reading or journaling. These two are almost passive activities that benefit you immensely as a writer. To specialize in one genre, you must read extensively in that genre to be come familiar with what is out there. To ease the fear of writing and the misguided need for perfection, set special time aside for journaling. Just a few minutes will do—but give yourself permission to write absolute garbage and be okay with it. Click here to read more about how writing everyday helps cure writer’s block!
“If you want to be a writer, you must do two things above all others: read a lot and write a lot.” -Stephen King
Participate in monthly writing challenges. Writing challenges are fun, engaging, and inspiring. Instagram has plenty of daily creative writing prompts for each day of the month and NaNoWriMo is a great kickstart program for writing novels. There are tons of other writing challenges out there so see what you can find and challenge yourself to write in ways you never thought of before!
Set up a rewards system that doesn’t get you in trouble in other areas of your life. When we hear the words “reward system” we often think, oh great, now the writing blogger is contradicting my dietician by saying I should have brownies as a reward for writing… no? Then it’s just me, I guess. But it’s always the same—rewards that are counterproductive for our other goals. Two things can coexist, people! I suggest you set up a weekly, bi-weekly, or monthly reward system so that each time you meet your goal you get points which you can put towards something such as spending time watching your favorite series or playing games. See how these three items are all leisure activities. However, if you take time from your Netflix binge, you’re not losing out in other areas of your life. My dad always tells me “What do writers do? They write,” and he’s totally right about that. If you’re a serious writer, you absolutely must make time for it, even if that means sacrificing other leisure activities., because if it’s your passion, it’s worth it. Save the bigger rewards such as the occasional sweet or a night out on the town or even that new handbag, for the bigger milestones in your writing, like the first 50,000 words, your completed rough draft, and the revised, final draft, et cetera.
And there you go! Those are my 5 Healthy Habits for Every Writer. Of course, these tips can be applies to any creative outlet such as film-making or drawing, but the important takeaways are that you’ve got to set boundaries and commit to them, challenge yourself, get involved, make time for leisure activities, and set up a sustainable rewards system.
Comment below if you’ve heard of any of these before and which ones were new to you! Also, if you try this guide out, comment below! I’d love to know how it helped you and what creative outlet you used it for!
Thumbnail photo by Pineapple Supply Co.
—Payton
Making Space With Oklahoma Contemporary: Interview With Pablo Barrera
A mural series in Oklahoma City, called Making Space provides opportunities for emerging artists to collaborate with mentors and contribute to the city’s visual landscape. The project was developed as a way to maintain public engagement with art while Oklahoma Contemporary’s new arts center was under construction. Artists were selected based on style, diversity, and mentorship potential, with an emphasis on community representation. By pairing newer artists with established mentors, it fostered professional growth and artistic collaboration. The murals, displayed on temporary walls, brought vibrancy to the community while reflecting local culture and diverse perspectives. The initiative also encouraged public engagement with art, increasing visibility for underrepresented artists.
A photo of Pablo Barrera, Oklahoma Contemporary’s inaugural curatorial fellow and adjunct curator. Photo by Oklahoma Contemporary.
Hello readers and writerly friends!
If you’re a returning reader, welcome back and if you’re new to the blog, thanks for stopping by! In this blog post I’ll be sharing an interview with Pablo Barrera, Oklahoma Contemporary’s inaugural curatorial fellow and adjunct curator. In this interview, we discussed Oklahoma Contemporary and their new arts center—which, at the time of writing this article, is still yet to be completed and Making Space, Oklahoma Contemporary’s series of murals showcasing local artist’s work along the fence surrounding the construction site.
This article was originally written for The 6420 Magazine at Rose State College in 2020 and is the second part of a three-part series spanning a range of topics to do with Oklahoma’s public art space. You can find the other two articles in the series in the “Related Topics” section, and additional information about Pablo Barrerra, Oklahoma Contemporary, or the arts center’s delayed opening celebration in the “Further Reading” section at the end of this post.
A photo of Oklahoma Contemporary’s temporary showroom fashioned from four recycled shipping containers. Photo taken by Payton Hayes.
What Oklahoma Contemporary’s Making Space? Why Did Oklahoma Contemporary Decide To Decorate Their Construction Site?
Barrera: Making Space: Summer Mural Series was designed to support emerging artists through mentorship in order to expand the number of artists contributing to Oklahoma City’s visual culture. Making Space reflects a new version of Guerrilla Art Park, an annual exhibition of outdoor public art by Oklahoma artists, held in the summers of 2016, 2017 and 2018. The mural series shares Guerrilla Art Park's goals: to showcase local talent, give artists an opportunity to grow and develop their skills, and offer free public art to enrich downtown Oklahoma City. The mural series had two rotations of three murals in June and September 2019.
How Did Making Space Come To Exist? What Inspired The Project?
Barrera: This summer and fall, Oklahoma Contemporary’s former space at the State Fairgrounds was closed in preparation for the move into our new building site in winter. This meant that we would not be able to offer exhibitions or programming during those months. We saw an opportunity to continue our mission to provide the public with free access to art, as well as to support the local art scene, by exhibiting a series of murals along the construction fence of our new location. In this way, our new home was able to provide art experiences for OKC before its doors even open.
Can You Speak On The Artist Selection Process? How Were Artists Selected? How Were Complementary Mentors and Mentees Paired Together? How Were Solo Muralists Chosen?
Barrera: Each rotation of murals features work from established Oklahoma artists collaborating with up-and-coming artists. Preference was given to those from backgrounds/communities not widely represented in Oklahoma City public art. These murals serve as a mentorship project to introduce new artists to public mural creation. Artists were found through a combination of research, networks, and artist submissions, in which artists themselves introduced us to their portfolio.
Artists were selected based on their style: we wanted a range of mediums and techniques, but we also wanted to show styles side-by-side that complemented each other. We researched each artist’s color palette, preferred subject matter, and aesthetic, then we created a short-list of artists that could work well within the scale of the painting surface and share powerful messages. In choosing the mentors, we looked for artists that demonstrated or expressed enthusiasm about helping a new generation of mural artists to gain experience. Finally, we approached these selected artists to see who was available and felt strongly about participating in this project.
How Long Did Each Mural Take To Complete?
Barrera: It depends on the experience of the artist, the medium, and the design. In the first rotation of murals this past June, Tank Ramirez and his mentee, Iliana Barrientos, finished their mural in a matter of hours during our Second Saturday Live Painting event. Tank is an experienced graffiti artist, so he could have probably finished it much faster, but as a mentor, he was making sure to give his mentee, Iliana, many tips and opportunities to develop her skills. Some murals took about a week or two because of family and work obligations. We try to accommodate the various life contexts that artists come from: supporting emerging artists means maintaining enough flexibility to work alongside their lived realities.
Were The Muralists Asked To Sign VARA Rights Waivers? Did They Know Their Artwork Would Be Displayed Temporarily?
Barrera: Yes, currently, Oklahoma City regulations for mural projects require a VARA waiver in order to obtain the necessary permits. All artists were made aware of this fact before formally agreeing to participate. One of the goals of the Mural Series is to help guide artists on how to better navigate the lengthy proposal process for murals in OKC. Our aim is to demystify the application for getting a mural design approved by the city. We worked with artists to generate drawings and proposal diagrams in accordance with the Arts Commission Mural handbook. We also presented to the Arts Commission on behalf of artists, and revised all materials for the Downtown Design Committee review and permit process. We also let artists know that the lengths we would display artwork are similar to the run-time for a gallery exhibition, which ensures that the contemporary art on display is fresh and more accurately reflecting the art world today. However, since the life of a mural usually doesn’t exist beyond the display period, we provide an online platform where the works can remain visible, and we take professional, high-resolution photographs that artists may use to sell prints. We defend the artists’ rights to owning their artistic ideas, and we do not use the images for commercial purposes. Our goal as an institution is to support artists and address challenges so that they can continue to make work and be recognized for their artistic contributions.
What Is The Title of Each Mural and Who Were The Artists That Painted Them? Can You Elaborate On The Thought Process Behind Each Work? What Unique Lens Does Each Artist Bring To The Canvas?
When the Rose State College Fall 2019 Special Topics In Art: Murals class met with Barrera, he told them all about the artworks, the meanings behind them, and elements present throughout each piece. Below is a peek into each mural, the artists that painted it, their creative process, and a bigger picture view of how each piece fits in with Oklahoma Contemporary’s public art puzzle.
Barrera: The first rotation of murals were on display from June 8-September 3rd. These murals were painted live during our Second Saturday event on June 8th. The second rotation of murals were painted live on Thursday, Sept. 5th, and will be coming down soon as we remove the construction fence.
A photo of the mural Rosa (2019) by Checo "Tank" Ramirez (mentor) and Iliana Barrientos (mentee), for Oklahoma Contemporary’s Making Space: Summer Mural Series, Part I.” Photo by Brandon Seekins.
Rosa (2019) by Checo "Tank" Ramirez and Iliana Barrientos
Rosa depicts a woman wearing vaguely traditional clothing, gazing over her shoulder, and surrounded by Monarch butterflies. Tank and Barrientos combine two art styles: the Graffiti “Piece” and the “National” style of Diego Rivera, to create a more “Chicanx” style of painting to celebrate Latinx communities’ contributions toward contemporary visual culture.
Checo “Tank” Ramirez has been painting for over 15 years until finally being discovered by local artist, Dusty Gilpin, who recognized Tank’s contributions to Oklahoma City’s burgeoning mural scene. Some of Tank’s public works can be found in 23rd and N. MacArthur Blvd or in Capitol Hill. You can also find his murals at The Mayan in Paseo, and you may have seen his murals commissioned by the Oklahoma City Thunder during the playoffs throughout April. Tank will also have an upcoming mural at Diamond Dawgs in Norman, OK. Tank thinks that the most meaningful aspect of Oklahoma Contemporary’s Summer Mural Series is the opportunity to mentor the next generation of artists.
Iliana Barrientos is a mixed-media artist, whose paintings tend to use a mix of acrylics, inks, and colored pencils. Making Space: Summer Mural Series was her first big project with the city; previous work has been exhibited for Latino Heritage Month at the University of Oklahoma in 2018. Barrientos plans to continue learning about murals and taking on any projects that will require her acquired skills. As a young artist she feels like there's so much to learn, and is excited to take what she learns from artists more experienced than her so that one day she could do the same for any upcoming artist.
A photo of the mural Same Source (2019) by Jaiye Farrell (emerging artist), for Oklahoma Contemporary’s Making Space: Summer Mural Series, Part I.” Photo by Brandon Seekins.
Same Source (2019) by Jaiye Farrell
Same Source uses white lines on a black background to create a rhythm and circulation of marks. The black “void” immerses the viewer, and the white patterns act as moments where light touches this “void” to reveal forms. Same Source explores how in previous works, people from diverse backgrounds have mentioned seeing fragments of patterns that resemble motifs from their particular cultural heritage.
Jaiye Farrell is an Oklahoma-based artist that has cultivated his style of painting from abstract patterns that transcend societal and cultural divides and remember the communal roots of humanity. From his infatuation with archeology emerged a creative and ambitious talent: to craft signature designs that inspire self-reflection. Farrell has exhibited work at Art Hall under Inclusion in Art, as well as various live-painting events. He continues to develop and express his signature style throughout the city.
A photo of the mural Resilience (2019) by Amanda Zoey Weathers (mentor) and William Walker Larason (mentee), for Oklahoma Contemporary’s Making Space: Summer Mural Series Part I. Photo by Brandon Seekins
Resilience (2019) by Amanda Zoey Weathers and William Walker Larason
For Resilience, Weathers and Larason painted flowers surrounding a face arranged in Weathers’ geometric, paint-by-numbers style. The larger composition is composed of separate fields of color that never intersect, carefully arranged to form features that feel harmonious and uplifting. Native foliage represents the locality of Oklahoma City.
Amanda Zoey Weathers has been cultivating her art form over the years in a variety of expressions. From painting to jewelry design to her recent works with paper and metal, she incorporates these interests into pieces that depict her personal experience and life philosophies. With a background in art and graphic design, in 2007 she began her full time artist career and launched an artist-made retail store and gallery in Oklahoma City’s Plaza District. For the past few years she has begun expanding her media to large-scale murals and public art projects in Downtown Oklahoma City.
William Walker Larason is an artist living in Oklahoma City, with an emphasis in working with the medium of gum wrapper foil. They also work in painting, printmaking, and photography. After completing a spotlight exhibition in Oklahoma Visual Art Coalition’s Momentum OKC in 2016, Larason began at Factory Obscura. Larason continues to work on their own personal art.
A photo of the mural Voodoo Fairy (2019) by Kris "GERM" Ermey (mentor) and Jonathan De Luna (mentee), for Oklahoma Contemporary’s Making Space: Summer Mural Series, Part II. Photo by Brandon Seekins
Voodoo Fairy (2019) by Kris "GERM" Ermey and Jonathan DeLuna
GERM and De Luna’s collaborative mural celebrates women of color entrepreneurs. GERM renders a Zimbabwe model/designer, Manaka Voodoo Fairy, in his gray monochrome portrait style. De Luna completely transforms a quote from renowned artist, Banksy, into a bold, colorful calligraphic pattern.
Kris “GERM” Ermey has been writing graffiti for over 20 years. Known for his clean, crisp lines and detailed illustrations, GERM’s skill and importance in the Oklahoma graffiti scene was recognized in fall of 2017 when he was one of ten featured artists in Oklahoma Contemporary’s exhibition, Not for Sale. His work has been featured in many events/showcases, from the outdoor graffiti exhibition, Made You Look, to the Oklahoma State Fair Mural Demo. He curated the showcase When Letters Collide (2018) and creates private and public commissions, with clients including the Linked Church. He is very involved in educating youth, partnering with both Youth Services of OKC and Oklahoma City Parks and Recreation, most recently helping to teach a 10-week hip-hop workshop for students at John Rex Elementary.
Jonathan DeLuna has been developing his style for the past 12 years inspired by west coast artists. He works on large-scale murals and small panels, and has become known for his unique calligraphic style. DeLuna’s work has been featured in the Inclusion in Art exhibition at Art Hall (December 2018 to March 2019) and in Oklahoma Contemporary’s Dia de los Muertos exhibition during their Celebration of Latino Culture (2018). His work is part of several private collections. In addition to his artwork, Jonathan is inspired by his role as a father. His 3-year-old daughter is already painting, and carrying the family skills on to the next generation.
A photo of the mural Invisible No More (2019) by J. NiCole Hatfield (emerging artist), for Oklahoma Contemporary’s Making Space: Summer Mural Series, Part II. Photo by Brandon Seekins
Invisible No More (2019) by J. NiCole Hatfield
Hatfield’s mural raises awareness for Missing and Murdered Indigenous Women (#MMIW), a movement to bring an end to violence against Indigenous women. Dancer, Kayla Marie (Kiowa/Comanche/Omaha), is painted in Hatfield’s signature colorful, expressionistic style. Four figures standing in a sun represent the four directions. A red handprint over the mouth has become a symbol of #MMIW, and handprints on the dresses are from an interactive painting session with the Oklahoma Contemporary Teen Council.
J. NiCole Hatfield (Nahmi-A-Piah) draws inspiration from archival images of her proud tribal women, painting them to acknowledge and honor their voice within a contemporary world. Her art frequently incorporates Indigenous language to teach it as well as keep it alive. J.NiCole uses her preferred medium of acrylic to translate bold colors to canvas; after attending the Institute of American Indian Arts in Santa Fe, J. NiCole explored other mediums and was launched into a successful art market career, winning numerous awards and becoming part of many exhibitions, private collections, live-painting events, lectures, and workshops throughout the region. Born and raised in the Southern Plains of Oklahoma, J. NiCole, of the Penetukah band of Comanche’s and the Kiowa Nation, has a profound understanding of the unique paradox in which Native American artists find themselves, challenged with Art’s demand to “make new” while still honoring and appreciating the unchanging spirit in all things, as well as traditional tribal values.
A photo of the mural Blooming (2019) by Brooke Rowlands (mentor) and Shakurah Maynard (mentee), for Oklahoma Contemporary’s Making Space: Summer Mural Series, Part II. Photo by Brandon Seekins.
“Blooming” (2019) by Brooke Rowlands and Shakurah Maynard
Rowlands and Maynard's collaborative mural uses blocks of intense color and delicate line drawings to create a whimsical painting. Rowlands is known for her flowers within fields of paint, but experiments with Maynard to contribute a different style for the jellyfish and vivid color combinations.
Brooke Rowlands comes from central New Jersey, and has been a proud resident of Oklahoma since 2002. Brooke is inspired by artist Franz Kline and illustrator Clare Leighton, experimenting with ideas/methods to develop a homogenous blend of both contemporary art and still life, often incorporating flowers, birds, trees and fish into abstract backgrounds. Color is a driving force behind Brooke’s art, whether it be acrylic painting or paper collage, and her strong contrast and sense of complimentary hues and patterns command attention toward their simple beauty. Her work has been featured nationally from Texas to Times Square including features in national television series like The Vampire Diaries and Houzz project with Actress Olivia Munn.
Shakurah Maynard is a fine artist and graphic designer. Born in the historic West End neighborhood in Atlanta, Shakurah is currently a student at Oklahoma City University School of Visual Arts. Her work is whimsical, colorful, and dynamic, interested in the ever-changing way we express identity on the internet. In 2017, she was selected to participate in Symbiotic, a collaborative show between working and student artists on the importance of art in communities, organized by the OVAC. Recently, she worked with local muralists to paint and distribute homes for the feral cat population in OKC.
Would Oklahoma Contemporary Be Interested In Continuing Making Space—Or Doing Something Similar, Such As A Spring Mural Series—Once Construction Is Complete And The New Arts Center Is Officially Open?
Barrera: In light of the success of the mural project and excitement from the artistic community, we have decided to continue the mentor/mentee pairing for a new rotation of murals throughout the year. We are in the process of setting up a mural wall near our new art studio buildings hopefully before the closing of the inaugural exhibitions, Bright Golden Haze and Shadow on the Glare. Oklahoma has a growing and thriving mural art scene, and we hope to support this exciting part of our city’s artistic landscape.
How Likely Is Oklahoma Contemporary To Collaborate With Other Construction Projects In Oklahoma To Integrate More Local Public Art Into Our Community In The Future?
Barrera: We will always help Oklahoma City celebrate and support art in all its forms, and we are happy to lend our experience and expertise in realizing such projects across our communities. Our Curatorial and Exhibitions Director, Jennifer Scanlan, is involved in the Oklahoma Public Art Network (OPAN), which helps both artists and organizations work through the public art process. (You can find more information on the OPAN website and Facebook page [linked in the “Further Reading” section below]). Additionally, stay tuned for exciting information about projects connected to Oklahoma Contemporary that will bring art to many different spaces across the city!
What Insights Have You Gained From Making Space?
Barrera: I have seen that Oklahoma City and our neighboring towns have a wealth of artists waiting for an opportunity to showcase their artistic abilities. I have also come to admire Oklahoma City’s spirit of collaboration, and I have learned that we are ready for the types of conversations these underrepresented voices carry. We are giving artists a chance to share incredible perspectives, but we are also giving the city a chance to appreciate the complex, wonderful diversity that makes Oklahoma City’s visual culture so special. These artists are making OKC beautiful, both literally and as a community.
How Does Making Space Show How Artists Can Benefit From Collaborating With Each Other?
Barrera: Every rotation of murals saw artists trading tips and networking for future collaborations. Emerging artists were able to witness the power of mentoring, and experienced artists were able to see their art as part of an inter-generational process. I imagine that if artists continue to harness this spirit of collaboration, the projects will become more ambitious and far-reaching. Also, on a practical level, mural arts becomes sustainable as more artists share their experiences.
Closing Statements
Barrera: In March, 2020, Oklahoma Contemporary will open its new downtown on 11th and Broadway. This is a rare moment in the history of the city, and we want everyone to be a part of this major achievement. You may find more information on our website. As our mission statement says: “Oklahoma Contemporary Arts Center encourages artistic expression in all its forms through education, exhibitions, and performance.” Our 30 year history of activates and exhibitions are too numerous to list, but you can read more about what we do [online].
That’s a wrap for my interview with Pablo Barrera of Oklahoma Contemporary. Thank you so much to Pablo Barrera for chatting with me about Making Space and thank you to Oklahoma Contemporary for continuing to make our beloved Oklahoma City even more beautiful. Last, but certainly not least, thank you dear reader, for making it to the end of this blog post. If you enjoyed this post or found it insightful or inspiring, please consider sharing it with your community or leaving a comment below!
Support for Making Space: Summer Mural Series provided by Downtown Oklahoma City Initiatives.
All images in this post were used with explicit written permission to do so. Please do not repost, repurpose, or redistribute these images in any way without expressed written consent from the owner.
Bibliography
Barrera, Pablo. “Making Space With Oklahoma Contemporary: Interview With Pablo Barrera.” March 16, 2020.
Hayes, Payton. “A photo of Oklahoma Contemporary’s temporary showroom fashioned from four recycled shipping containers.” March 16, 2020.
Seekins, Brandon. “A photo of the mural Rosa (2019) by Checo "Tank" Ramirez (mentor) and Iliana Barrientos (mentee), for Oklahoma Contemporary’s Making Space: Summer Mural Series, Part I.”
Seekins, Brandon. “A photo of the mural Same Source (2019) by Jaiye Farrell (emerging artist), for Oklahoma Contemporary’s Making Space: Summer Mural Series, Part I.”
Seekins, Brandon. “A photo of the mural Resilience (2019) by Amanda Zoey Weathers (mentor) and William Walker Larason (mentee), for Oklahoma Contemporary’s Making Space: Summer Mural Series, Part I.”
Further Reading
“Making Space: Summer Mural Series.” Oklahoma Contemporary, Summer 2019 through January 2020.
“Showroom Opens Doors, Sets Scene for Organization’s Future.” Oklahoma Contemporary, March 20, 2015.
Seekins Light & Motion | Oklahoma City, OK (Brandon Seekins Photography) Page on Facebook.
Connect with Checo “Tank” Ramirez (@tank_lord138) on Instagram.
Connect with Kris “GERM” Ermey (@_the_germ_one) on Instagram.
Visit the Oklahoma Public Art Network (OPAN) Facebook group.
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Written by Payton Hayes | Last Updated: March 25, 2025
Summer Vacation For Writers: 10 Rules For Writing Your Book On The Beach
With Spring break right around the corner, I think it’s high time we start planning out our travel writing goals and getting together a list of things we’ll need to make the most of our writing vacation! Have you ever traveled to write? Or perhaps you’ve written while travelling? No matter the reason you’re on the road, you’ve got an incredible opportunity to get out of your usual writing environment—one of the leading cures to writer’s block, so make use of your time away from home write with your newfound inspiration and motivation!
I spent an entire month one summer (June-July 2016) in Port Aransas, Texas and it was amazing for my creativity. I wasn’t working on a book at the time, but I was writing multiple poems a day and designing my website, the latter of which required charismatic copywriting. Getting out of my usual writing space was monumental for my writing following that summer because it kickstarted my creativity in a way that prepared me for when I got back home and began writing the first draft of my fantasy novel.
Even though I was on vacation, it wasn’t all fun and games. I did have to do some writing to make sure I made the most of my time there. To keep you on track with writing while travelling, I’ve made a list of 10 rules for writing on the beach!
Beachy patio view. Photo by Sabel Blanco.
Secure a stellar view
I’m not kidding. If you don’t have a gorgeous view from your balcony, what’s the point of writing on the beach? Ocean-front lodging is a must if you’re a travelling writer. Not only is the view beautiful and awe-inspiring, but you’ll have plenty of photo opportunities. This is a must-have for any content creator, really.
Set up goals for the trip
Just like any other writing challenge, you should outline your goals. Establish a word count and a daily expected word count and outline your novel. It’s like preparing for NaNoWriMo—in order to make every moment of this creative trip count, you should do as much planning as possible, beforehand. That way, you can focus on writing and enjoying the sun while you’re there. Scrivener is a great tool for story outlining and even has a word count tracker that allows you to set a projected word count and keep track of your daily writing goals.
Soak up the sun and solitude
It’s not everyday you can wake -up feet from the sand and sun—that is unless you actually already live on the beach, which if that’s the case, I a) envy you and b) don’t know why you’re reading this blog post and not enjoying the sun!
Take writing breaks by walking in the sand, sunbathing, and swimming. Enjoy everything the beach has to offer and be sure to really absorb the experience. When you’re writing, enjoy the solitude away from home. No sound, no interruptions, and no distractions. It sounds like a writer’s haven to me!
Make sure to pack all the essentials
There’s nothing worse than getting to your destination and realizing you’ve forgotten something you knew you needed to pack. I’ve made a little mini list for writers to ensure they’ve got all the right tools in their toolkit for writing on the beach.
Don’t forget to bring these essential travel writing items with you on your trip to the beach:
your favorite pair of sunglasses
your Laptop—and the charger!
your Story Binder with all your writing notes
a notebook to jot down random ideas and inspiration
a novel in another genre for leisure reading
sunscreen. Don’t forget the sunscreen.
you might bring aloe vera too, just in case…
Limit your exposure
Vacation means “an extended period of leisure and recreation, especially one spent away from home or in traveling” and not “checking my phone every two minutes when I should be writing.” Yes, I am talking to you, dear reader. Don’t waste your valuable vacation time reading emails, hanging out on social media platforms, or checking your text messages. Limit your phone use and spend your time writing, reading, and enjoying the beach.
Of course, you do want to make use of that photo opportunity I mentioned earlier. Photos of the beach for Instagram are permitted. Bonus points if you take a selfie of you writing on the beach!
Catalogue the coffee shops
When you arrive, find the best coffee shops for writing and befriend the baristas. You don’t have to do all of your writing in the beach house or in the sand. I’d like to think you’re researching in the coffee shop, reading on the beach, and writing at the beach house/condo. Keep your activities compartmentalized for optimum focus and consume copious amounts of coffee for maximum productivity. Okay, maybe maximum jitteriness is more accurate, but this is my excuse and I’m sticking with it.
Talk to strangers
Yes, I know—your parents told you not to talk to strangers and while in most cases that is decent advice, don’t heed it while travelling. New places + new people = new conversations and new experiences! Chat it up with the locals and try to research your novel. Maybe your YA contemporary has a surfer guy in it? See if you can find a surfing instructor or rando on the beach that can lend their experience to your craft.
Make time for margaritas!
This is especially true if you’re travelling to any of the beaches in Texas. Make time to let lose and enjoy the free time. If you’re on vacation with friends, spend a night out and see the sights your destination has to offer. Grab drinks go dancing with the locals! If it’s just you, pop open a bottle of wine and read under the stars. Even though this trip is an amazing opportunity for writing, don’t forget to do the vacation-y activities as well.
Write, rest, repeat.
In addition to budgeting fun time into your travel schedule, you should also include time off from writing. You don’t have to write the entire trip and you should include some downtime for self-care that doesn’t include partying. Hit the spa, meditate, or strangely appropriate, take a long, walk down the beach and collect seashells at sunset.
Don’t get stuck rewriting.
It’s probably the hardest piece of advice in this entire blog post, but seriously, don’t get stuck rewriting. Work on writing only while you’re travelling and safe the editing for later, once you’re home and once you’ve completed the first draft. I know it can be so hard to quiet our editor brains, but we have to if we want to write effectively. Remember, the edits can wait, but the writing can’t. Stay focused and happy writing.
That’s it for my 10 rules for writing on the beach. This was my spin on another post from Shayla Raquel, so check out her post here! Comment below what you thought and if you’ve ever done any of these or if you have any tips of your own!
Thumbnail photo by Rodnae Productions.