Book Review: Night Circus by Erin Morgenstern

Hi readers and writerly friends!

The Night Circus by Erin Morgenstern. Photo by Payton Hayes.

This week in Bookish Things, I’m sharing my thoughts on Erin Morgenstern’s dazzling novel, The Night Circus. I was wholly and completely enchanted with this stunning young adult fantasy, centered around a mysterious nocturnal, travelling circus.

Two starcrossed magicians engage in a deadly game of cunning in The Night Circus, the spellbinding New York Times bestseller that has captured the world's imagination.

The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night.

But behind the scenes, a fierce competition is underway: a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them both, this is a game in which only one can be left standing. Despite the high stakes, Celia and Marco soon tumble headfirst into love, setting off a domino effect of dangerous consequences, and leaving the lives of everyone, from the performers to the patrons, hanging in the balance.

—Erin Morgenstern, The Night Circus

The first page of The Night Circus by Erin Morgenstern. Photo by Payton Hayes.

I cover this more in-depth in the Freelancing counterpart to this blog post, “Book Writing 101 - How To Chose The Right POV For Your Novel,” but this story is told from multiple points of view and from different story tenses as well. The narrative jumps from past to present to future seamlessly and seemingly magically to give readers a whimsical, realistic, yet ancient-feeling story. It bounces between second person and third person point of view, a storytelling method that makes reader feel like they are watching the character’s stories unfold one moment and walking through the caramel-and-vanilla-laden paths of the circus grounds the next.

While I do wish this book’s romance had been more prominent (because I just love romance and can’t get enough of it) I do appreciate that the romance present in the story both served to drive the plot in an organic, uncontrived way, and added to the whimsy of the circus itself while not taking place within the circus the entire time.

All of the characters—from the circus itself, to the performers and circusgoers—are alluring, multidimensional, complex characters. These morally-grey, deeply flawed characters are relatable, realistic, and easily loveable—a rarity in books like this one, that have a very large cast of characters. The way Morgenstern seemingly effortlessly weaves so many intriguing character arcs into a single story is truly mystifying—every character has a part to play.

The pacing of this novel is just superb. Some complain that it is a bit of a slower read, but I, charmed by the fantasy of the circus, could not devour this story faster! The way the skips through time are entwined with alternating points of view made for a remarkably interesting story structure and a pacing that never felt boring or dull. The Night Circus is a story of hope, wonder, magic, and love. If I had to pick one word to describe it, I would choose Dreamy, because the imagination and spirit of this story continues to leave me spellbound long after I’ve turned the last page.

That’s it for my review of The Night Circus by Erin Morgenstern. Have you read this book? What did you think of it? Would you visit the Night Circus? Let me know your thoughts in the comments below!

Check out my other book reviews!

—Payton

YA Myths Debunked! 3 Massive Young Adult Fiction Misconceptions That Need Clarification

Hi readers and writerly friends!

I’m back again this week with 3 YA Misconceptions that just need some clarification. So grab your magnifying glasses and sleuthing caps because we’re going debunking!

These are just a few widely-believed, yet completely false views on young adult fiction.

1. YA Fiction Is Free of Cursing/Swearing and Sex.

Totally False. 😂

According to the Chicago Tribune, “The most recent Gallup Youth Survey addressing the issue of swearing was published in 2001 and found that 46 percent of surveyed teens ages 13 to 17 used profanity at least several times a week or daily, while 28 percent said they heard their parents cursing a few times a week or on a daily basis.”

You can read more from the Chicago Tribune’s article “Youth Swearing: A Curse On the Rise” by Melanie B. Glover here. 

Since most kids/teens come into their own way of speaking during their teens, it’s not completely out of the question that YA Fiction contains swearing. Most American teens swear so it makes sense that literature would mirror reality if not for the authenticity of depicting the real-life teenage experience, than to at least lend a hand to the relatability of a story and it’s characters.

However, this myth might have gotten its start from a subcategory of YA Fiction called “Clean Reads” which is named after and created by Clean Reads Press (Formerly Astraea Press). As per the Clean Reads Website, the press is proud to offer wholesome reading without compromise. They “don’t believe a story has to have profanity, sex, or graphic violence to catch a reader’s attention. Our stories – rich and vibrant with life – leap from the page, welcoming readers to a world they’ll remember long after the last words are read.” -Stephanie Taylor of Clean Reads Press.

Read more about Clean Reads Here.

While there are many wonderful written books out there that are free of profanity or mature content, sometimes readers prefer a little more sauce in their reading experience. This goes for YA Fiction as well. Similar to the presence of swearing in YA Literature, sex and graphic violence are also present there. Just because YA stands for Young Adult, doesn’t mean that it’s always intended for older kids and teens. Many adults read Young Adult fiction because of the key characteristics of the genre that are just not as prevalent in more notably adult genres.

However, writers expecting younger audiences to read their work should take care to not overuse F-bombs or involve too many details in sexually suggestive or graphically violent scenes in order to avoid limiting themselves. It is easier to market a more suggestive novel to upper YA and adult readers and more G-rated literature to lower YA and children readers. Much like the TV Content Rating system, the key difference in YA and Adult literature is the severity in explicit detail of sex/sexually suggestive scenes, violence, and amount of swearing. It all boils down to how the scenes are written.

2. YA Fiction Doesn’t Contain Heavy/Dark Subject Matter

Piggybacking on the first YA Misconception, many readers believe that young adult fiction is clear of any mention of heavy topics or dark subject matter. For whatever reason, many believe that because the seemingly angelic moniker might suggest the YA fiction genre is geared towards younger audiences that it can’t possibly be graphic, or violent, or involve discussion of taboo, difficult to breach, or problematic topics and this is simply just not true.

One prime example of this is Suzanne Collin’s Hunger Games, a dystopic YA novel in which children are forced to slaughter each other on the battleground in an annual event watched by millions for sport. Only, that’s not how its marketed, nor is it how it’s written. The thing is, the story breaches many hard-to-reckon with subjects and dark topics, but its all in the way these things are presented. It’s not like teens are reading explicit descriptions of children hacking and slashing at each other and imagining the overly-detailed images of the bloodshed they’re reading about—no, the story is presented as that of survival. Collins wastes no time on lengthy, bloodcurdling descriptions of child-violence. Instead, she gives the bare bones descriptions and spends more time on the pacing, emotions, character-building, and other story-telling elements that made Hunger Games one of, if not the most successful dystopian YA fictions of this decade.

Much like the use of sex/profanity/violence in YA literature, books geared for younger audiences can also contain dark/heavy subject matter. It’s all in the way it is written. Many of my favorite YA reads are pretty dark, but they key difference is that they are not graphic or overly-explicit.

3. YA Is Simple/Juvenile

Many non-YA-readers seem to think that—once again, due to the name YA—since young  adult fiction is directed primarily at younger audiences, the writing must have to be “dumbed down” or simple for older kids and teens to absorb and understand. However, once again this is just another ridiculous misconception for the young adult genre. As a writer, one of the very first rules I learned was to “never write down to your audience” and instead, writers should write their stories exactly as they feel they should be told, and expect readers to rise to the occasion.

Many adult readers believe that YA fiction is juvenile and thus, “not quite as literary,” or not as deserving of the same merit as adult fiction. However, this view is more indicative of the readers than the literature itself. Readers who say this, must not be well-read in the YA genre and therefore are not as familiar with the higher level of writing common to most YA novels. Unfortunately, there are a decent amount of flashy, big-name novels that ruin it for the genre as a whole, and this may be where this misconception stems from. That being said, I can’t ignore the fact that this view is a broad-sweeping generalization that would likely have people believing it if more people read more YA fiction.

Additionally, some of the most beautifully woven prose comes from the YA fiction genre and many stubborn, ignorant adult readers are doing themselves a great disservice by avoiding the genre altogether because they’re worried the writing won’t be of a high enough caliber for their enlightened minds to consume. (That sounded petty, but it’s not, I promise.) The interesting thing is, nearly 55% of YA titles are purchased by adults, according to a 2012 article by Publisher’s Weekly:

“More than half the consumers of books classified for young adults aren’t all that young. According to a new study, fully 55% of buyers of works that publishers designate for kids aged 12 to 17 -- known as YA books -- are 18 or older, with the largest segment aged 30 to 44, a group that alone accounted for 28% of YA sales. And adults aren’t just purchasing for others -- when asked about the intended recipient, they report that 78% of the time they are purchasing books for their own reading. The insights are courtesy of Understanding the Children’s Book Consumer in the Digital Age, an ongoing biannual study from Bowker Market Research that explores the changing nature of publishing for kids.” -Publisher’s Weekly.

Read more from the article here.

If that wasn’t enough to convince you, that this misconception is completely unfounded, I should add that it really gets my goat when people use this as an excuse to avoid YA fiction. People who look down on the YA genre because its “lesser” or “juvenile” because it is geared for younger audiences are just uninformed and spreading a misrepresentation of the genre as a whole. Additionally, many adult readers seem to think that YA fiction is somehow easier to write and thus, sell due to this misconception, but I digress. YA is not dumbed down, and nor is it simple. There is plenty of beautiful, elegant, and complex prose within this genre.

And that’s it for my top 3 biggest misconceptions about the YA genre. Have you ever heard any of these misinformed views before? Did you think any of these were true? Did I change your mind? Let me know in the comments below!

Thumbnail photo by Element5 Digital.

—Payton

Everything YA Gets Wrong About College

Hi readers, students, and writerly friends!

Payton here, back again with another installment of my college series. This week in Freelancing we’re covering a topic that overlaps between the bookish world and the college world—everything that young adult fiction gets wrong about college. This is going to cover every one of my biggest YA/college pet peeves from privilege, to unrealistic expectations, to overdone tropes and more so stay tuned!

Messy, unrealistic timelines

Okay, this might be the single most important issue I have with YA fiction that involves the college experience, so that’s why I made sure to cover it first. Students listen up! One thing YA gets very, VERY wrong is the college application/admission timeline and what happens when. I can’t tell you how many times I’ve read about a student getting accepted into Harvard in like February. It just doesn’t happen and it makes no sense. Writers who have characters in their novels that are in their senior year should do as much research as possible about the school(s) their fictional students are applying to so they can get a very clear and accurate picture of what that process looks like. Regardless of if all the details actually make it into the story, writers should make a timeline to keep everything organized and make sure their fictional events surrounding college take place within an accurate time frame. This is critical for fiction to stop perpetuating inaccurate stereotypes and setting unrealistic expectations for students.

Typically, early decision and early action happen in October and November and of course, those deadlines vary from school to school, which is why research is key. Not to mention, early decision and early action are two different things. Early decision is binding and basically means the student applying agrees to attend that school, should they get in and that’s why students are only allowed to apply early decision to one school. Early decision is also pretty much limited to very wealthy, upper class families, as it is a big gamble for applying students and be messy to navigate exiting these agreements when the school’s perception of your financial situation does not line up with your reality. Early action on the other had, is a far more accessible option because it is not legally binding. This is a great avenue for students who are interested in applying and receiving their application results early who might also want to apply to a few other colleges as regular decision.

 Students who apply early decision/early action will receive admissions decisions typically in December, but some will hear back in January at the latest. Students who are passed up for the early decision/early action pools, may be deferred or moved to the regular decision pools which means their applications will be looked at along with all of the other non-early applying students. Regular decision students who apply to private universities will hear application results between December and Mid-January, though again, writers should double check these guidelines against the school about which they are writing.

Likewise, students who want/need merit-aid, many schools that offer this will send rejection/acceptance letters in November-Early December, but once again, writers should fact check deadlines for the school they are writing about to avoid perpetuating these harmful stereotypes in their writing.

Piggybank with coins. Photo by Skitterphoto.

Unrealistic expectations for scholarships, financial aid, and acceptance rates

Building on my first issue with college depictions in YA fiction, most young adult writers include inaccurate/unrealistic financial situations in their stories. Here’s an example: the poor, lower-class, yet brilliant student applies on a whim to Harvard and gets a full-ride. For one, Harvard hardly ever gives out full-ride scholarships. For two, if they did somehow get a generous scholarship, the remaining funds the student and their family are expected to pay are typically way out of the question for most lower/middle class families. And this goes for any ivy league or competitive private institution out there. For three, due to the competitive, elite nature of these types of schools, it is highly unlikely students can just apply and get in, no matter how brilliant they may be. And this unrealistic expectation is harmful because it pops up ALL. THE. TIME. And thus gives students the idea that they have a shot in hell at getting into one of these schools. It’s just a big set up for failure, crushed dreams, and a waste in application fees.

Additionally, most YA writers (due to the age bracket most YA writers fall into) don’t have a very good grasp on how much college really costs nowadays. I would argue that most YA writers are in their 30’s or older (with exceptions of course) and it’s been a little while since they last attended college for themselves. It’s amazing how much things can change in ten years.

In a 2019 CNBC article, Abigail Hess explains how the cost of college has increased by more than 25% in the last 10 years:

During the 1978 - 1979 school year, it cost the modern equivalent of $17,680 per year to attend a private college and $8,250 per year to attend a public college. By the 2008 - 2009 school year those costs had grown to $38,720 at private colleges and $16,460 at public colleges.

Today, those costs are closer to $48,510 and $21,370, respectively. That means costs increased by roughly 25.3% at private colleges and about 29.8% at public colleges. -Abigail Hess

Read more from Abigail’s article “The cost of college increased by more than 25% in the last 10 years—here’s why” here.

That’s an insane jump and truthfully, most writers don’t take these facts into account when writing YA fiction that involves the college experience. There’s a bigger issue here and it’s that YA fiction rarely takes into account the intersection of financial aid and class privilege and that’s because most YA writers are upper-middle class and never had to struggle to pay for college as a lower or middle class student. Class privilege is a huge reason why the college experience is not accurately portrayed in YA fiction and honestly, financial aid/scholarships are irresponsibly depicted as well.

What would be really great, is to see more portrayals of students applying and getting into state universities and community colleges. As a graduate from a local community college myself, it feels severely understated in YA fiction, especially since this is close to the reality most college students face. The acceptance rates at state universities and community colleges are much higher (mine had a 100% acceptance rate and a 90% completion rate) due to the dramatic difference in tuition, boarding an other costs per student, as opposed to the kinds of private schools we see more often portrayed in young adult fiction. Even though many state universities are still quite competitive, it would be really refreshing and great to see more YA fiction depict students attending state universities and community colleges, especially when the acceptance rate is far more realistic than the ludicrous 1% some of the ivy league schools are infamous for.

Student feeling stressed. Photo by Energepic.com.

Touching on the unrealistic timelines point, I’d like to include that many YA novels include depictions of students who apply to and get into a school and then start applying for scholarships. Unfortunately, by the time students should be hearing back from their desire schools, applying for scholarships is simply too late. Again, it’s important that writers do their research on their schools and make sure the realistically portray them in their writing. And on a similar note, many universities do not offer financial aid to out of state students so writers should keep this in mind when writing about college students crossing state lines for schooling.

Another financial discrepancy often found in YA fiction is the image of students going to any of the top 50 schools in the US and magically getting awarded merit-based scholarships. These schools are based on academic ability and therefore merit-based scholarships simply do not exist for students attending these schools. Instead, need-based scholarships are a possibility instead because the financial aid awards are divided out to applicants on a as-needed basis. Again, research is required here, because for the need-based awards, the school is the authority that determines the applicants’ need and every school has their own formula for determining what constitutes need. Likewise there is need-aware and need-blind schools where the former takes financial background into account while the later does not.

Student signing up for student loan debt to make college possible. Photo by Andrea Picquadio.

Loans and parent dependency

Since students aren’t technically considered (academically) adults until age 24, students are dependent on their parents and their finances will certainly play a roll in what kinds of awards, scholarships, waivers, and loans students can make use of during their college career. Due to this, unfortunately many students from middle-class families are unable to attend school simply because 1) the student’s parents make too much money for them to qualify for financial aid and 2) without the financial aid, the student’s parents simply do not make enough to pay for college while supporting the household. Likewise, this is an issue for students who have divorced, separated, or estranged parents, or parents who are unwilling to pay for college.  

Unfortunately, because students are considered dependents of their parents until 24 years old, obtaining substantial loans may prove difficult or impossible due to the students need for a cosigner. Students are able to independently sign for a federal loan that is roughly $4500 max as a freshman and roughly $7500 max as a senior, which isn’t nearly enough to cover even one year for almost any college in the United States. Another federal loan option is the parent plus loan which has a much higher cap, but is contingent upon the parent’s credit and their willingness to take out such a loan.

The trend with all of these issues is that it all comes down to a lack of research, unrealistic expectations, and a failure on the writer’s part do their due diligence in preparing the background information needed to accurately depict the college experience. Writers who are covering the college experience in even the slightest degree, should do as much research as possible to prepare their writing. Writers can reach out to academic professionals to get more information as well. YA writers covering college in their novels should do their research so they can figure out which schools, under which conditions are actually attainable for their fictional characters.

And that’s it for my post on everything that YA gets wrong about college. What did you think of this post? Do you think YA could benefit from more research beforehand? Is there anything I left out? Let me know in the comments below!

Thumbnail photo by Pixabay.

—Payton